The Silver Chair

All seven Chronicles are bound together in this one magnificent volume with a personal introduction by Douglas Gresham, stepson of C. S. Lewis.

When Madeline, a teen with terminal lung disease, accepts healing in exchange for a year of service in the Sunlit Lands, she and her friend Jason enjoy being privileged members of Elenil society, until they learn that magic carries a high price.

Narnia ... where giants wreak havoc ... where evil weaves a spell ... where enchantment rules. Through dangers untold and caverns deep and dark, a noble band of friends are sent to rescue a prince held captive. But their mission to Underland brings them face-to-face with an evil more beautiful and more deadly than they ever expected.

Revised and updated, this essential and practical guide by an award-winning children's author explains how to write books for children, from where to look to inspiration to practical advice on how to create characters and structure a plot.

The Narnia Chronicles, first published in 1950, have been and remain some of the most enduringly popular ever published. The best known, the Lion, the Witch and the Wardrobe, has been translated into 29 languages! The illustrations in this book have been coloured by the original artist, Pauline Baynes. ***Contains Colour Images**

THE COUNTRY CHILD by ALISON UTTLEY - Originally published in 1931. CONTENTS I . DARK WOOD . . I1 . WINDYSTONHEA LL . I11 . IDOLS . . . . IV . SCHOO . L . . . V . SERVING-MEN . . V1 . THE CIRCU . S . . V11 . THE SECRE . T . . V111 . TREES . . . . IX . LANTERNLI GHT . . X . MOONLIGH . T . . XI . DECEMBER . . . XI1 . CHRISTMADSA Y . . XI11 . JANUARY . . . XIV . THE EASTERE GG . XV . SPRING . . . . XVI . THE THREE CHAMBERS XVII. THE GARDEN . . XVIII . THE OATCAKME AN . XIX . MOWING-TIME . . XX . THE HARVEST . . XXI . THE WAKE . S . . vii THE COUNTRY CHILD DARK WOOD THE DARK WOOD WAS GREEN AND gold, green where the oak trees stood crowded together with misshapen twisted trunks, red-gold where the great smooth beeches lifted their branching arms to the sky. In between jostled silver birches - olive - tinted fountains which never reached the light-black spruces with little pale candles on each tip, and nut trees smothered to the neck in dense bracken. he bracken was a forest in itself, a curving verdant flood of branches, transparent as water by the path, but thick, heavy, secret a foot or two away, where high ferny crests waved above the softly moving ferns, just as the beech tops flaunted above the rest of the wood. The rabbits which crept quietly in and out reared on their hind legs to see who was going by. They pricked their ears and stood erect, and then dropped silently on soft paws and disappeared into the close ranks of brown stems when they saw the child. . She walked along the rough path, casting fearful glances to right and left. She never ran, even in moments of greatest terror, when things seemed very near, for then They would know she was afraid and dose round her. Gossamer stretched across the way from nut bush to bracken frond, and clung to her cold cheeks. Spilt acorns and beech mast Iay thick on the ground, green and brown patterns in the upside-down red leaves which made a carpet. Heavy rains had swept the soil to the lower 1eveIs of the path, and laid bare the rock in many places. On a sandy patch she saw her own footprint, a little square toe and a horse-shoe where the iron heel had sunk. That was in the morning when all was fresh and fair. It cheered her to see the homely mark, and she stayed a moment to look at it, and replace her foot in it, as Robinson Crusoe might have done, A squirrel, rippling along a leafy bough, peered at her, and then, finding her so still, ran down the tree trunk and along the ground. Her step was strangely silent, and a close observer would have seen that she walked only on the soil between the stones of the footpath, stones of the earth itself, which had worn their way through the thin layer of grass. Her eyes and ears were as alert as those of a small wild animal as she slid through the shades in the depths of the wood...

Two English children undergo hair-raising adventures as they go on a search and rescue mission for the missing Prince Rilian, who is held captive in the underground kingdom of the Emerald Witch.

"The Greater Trumps," authored by Charles Williams, is an enchanting novel that masterfully blends elements of mysticism, tarot, and human relationships. Set against the backdrop of a family gathering, the story follows a diverse cast of characters, including a father and his daughter, as they unwittingly unearth a mystical deck of tarot cards, each representing a powerful archetype. These cards hold within them the potential to reshape reality and unleash forces beyond comprehension. As the characters grapple with their newfound knowledge and the consequences of wielding such immense power, personal desires, conflicts, and emotions collide in unexpected ways. Published in 1932, "The Greater Trumps" delves into the boundaries between the mundane and the supernatural, offering readers a thought-provoking exploration of the choices we make and the intricate interplay between destiny and free will. With Williams' signature blend of philosophical inquiry and engaging storytelling, this novel invites readers to contemplate the complexities of human nature and the implications of tapping into arcane forces.

SUMMARY: A collection of maps, histories, sketches, and stories created by C.S. Lewis as a child to describe his private fanyasy world, known as Animal-Land or Boxen. A scholarly introduction explains the stories in the context of Lewis's life.

A critical analysis of C.S. Lewis' classics--the Chronicles of Narnia.