The Foundations And Nature Of Verse

Studies verse from many different angles such as, noise, tone quality, pitch, rhythm, time, and accent.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at BuzzFeed, Interview, and more. Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.

An NPR Best Book of the Year From 2018 Whiting Award winner Tommy Pico, Junk is a book-length break-up poem that explores the experience of loss and erasure, both personal and cultural. The third book in Tommy Pico’s Teebs trilogy, Junk is a breakup poem in couplets: ice floe and hot lava, a tribute to Janet Jackson and nacho cheese. In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto for orientation? The narrator wonders what happens to the sense of self when the illusion of security has been stripped away. And for an indigenous person, how do these lost markers of identity echo larger cultural losses and erasures in a changing political landscape? In part taking its cue from A.R. Ammons’s Garbage, Teebs names this liminal space “Junk,” in the sense that a junk shop is full of old things waiting for their next use; different items that collectively become indistinct. But can there be a comfort outside the anxiety of utility? An appreciation of “being” for the sake of being? And will there be Chili Cheese Fritos?

Life as we know it seems to be underpinned on electrical energy. Live without it for 2 days and everything unravels. You cannot work, meet deadlines, shop, store or feed yourself. --Suhasini Ayer, Auroville, Pondicherry, India This book describes global natural and cultural biodiversity and the way to unite individuals from various backgrounds through collaboration, natural restoration and peaceful co-existence. It explores Asian culture and economic growth, particularly in India, to promote equality within the Indian social order through a paradigm shift--building a society based on mutual well-being rather than caste distinction. India and the world has the potential to grow and expand in a profoundly sustainable and positive socioeconomic manner. Juxtaposing nature and our human world, this book reveals the parallels found between the worlds of nature and humanity. Learning from the symmetry and harmony of nature, humanity too can co-exist in a peaceful and positive way through the process of symbiosis. Pavan Gills manuscript addresses two of the most pressing issues of our time: inequality and human security. Her...insightful and well-researched work on ecological biodiversity and environmental harmony in India is both creative and original. Professor Gordon Smith -Executive Director of the Centre for Global Studies-Distinguished Fellow at the Centre for international Governance Innovation (CIGI), and Adjunct Professor of Political Science and Public Administration at the University of Victoria

"Where were you when I laid the foundation of the earth?" God asks Job in the "Whirlwind Speech," but Job cannot reply. This passage—which some environmentalists and religious scholars treat as a "green" creation myth—drives renowned ecologist H. H. Shugart's extraordinary investigation, in which he uses verses from God's speech to Job to explore the planetary system, animal domestication, sea-level rise, evolution, biodiversity, weather phenomena, and climate change. Shugart calls attention to the rich resonance between the Earth's natural history and the workings of religious feeling, the wisdom of biblical scripture, and the arguments of Bible ethicists. The divine questions that frame his study are quintessentially religious, and the global changes humans have wrought on the Earth operate not only in the physical, chemical, and biological spheres but also in the spiritual realm. Shugart offers a universal framework for recognizing and confronting the global challenges humans now face: the relationship between human technology and large-scale environmental degradation, the effect of invasive species on the integrity of ecosystems, the role of humans in generating wide biotic extinctions, and the future of our oceans and tides.