Stolen Life Gestohlenes Leben

BETWEEN 1933 AND 1945 MEMBERS OF THREE GROUPS—THE Nazi fascists, Inner Emigration, and Exiles—fought with equal fervor over who could definitively claim to represent the authentically “great German culture,” as it was culture that imparted real value to both the state and the individual. But when authorities made pronouncements about “culture” were they really talking about high art? This book analyzes the highly complex interconnections among the cultural-political concepts of these various ideological groups and asks why the most artistically ambitious art forms were viewed as politically important by all cultured (or even semi-cultured) Germans in the period from 1933 to 1945, with their ownership the object of a bitter struggle between key figures in the Nazi fascist regime, representatives of Inner Emigration, and Germans driven out of the Third Reich.

Erich Mühsam (1878–1934), poet, bohemian, revolutionary, is one of Germany’s most renowned and influential anarchists. Born into a middle-class Jewish family, he challenged the conventions of bourgeois society at the turn of the century, engaged in heated debates on the rights of women and homosexuals, and traveled Europe in search of radical communes and artist colonies. He was a primary instigator of the ill-fated Bavarian Council Republic in 1919 and held the libertarian banner high during a Weimar Republic that came under increasing threat by right-wing forces. In 1933, four weeks after Hitler’s ascension to power, Mühsam was arrested in his Berlin home. He spent the last sixteen months of his life in detention and died in the Oranienburg Concentration Camp in July 1934. Mühsam wrote poetry, plays, essays, articles, and diaries. His work unites a burning desire for individual liberation with anarcho-communist convictions, and bohemian strains with syndicalist tendencies. The body of his writings is immense, yet hardly any English translations have been available before now. This collection presents not only Liberating Society from the State: What Is Communist Anarchism?, Mühsam’s main political pamphlet and one of the key texts in the history of German anarchism, but also some of his best-known poems, unbending defenses of political prisoners, passionate calls for solidarity with the lumpenproletariat, recollections of the utopian community of Monte Verità, debates on the rights of homosexuals and women, excerpts from his journals, and essays contemplating German politics and anarchist theory as much as Jewish identity and the role of intellectuals in the class struggle. An appendix documents the fate of Zenzl Mühsam, who, after her husband’s death, escaped to the Soviet Union where she spent twenty years in Gulag camps.

485 entries of articles, memoirs, novels and research studies arranged chronologically by year of publication, with author and title indexes.

"In the follow-up to ... A Stolen Life, [kidnapping survivor] Jaycee Dugard tells the story of her first experiences after years in captivity: the joys that accompanied her newfound freedom and the challenges of adjusting to life on her own"--Provided by publisher.

An encyclopedic supplement and review of national and international events of ...

This study offers new perspectives on Wolfgang Koeppen, a writer too often consigned to the margins of post-1945 literary history. Examining the interaction of the personal and the social in Koeppen's writings, this book demonstrates that the politics of his works are inherent to their form. Through a series of close readings, the book explores the positive and negative aspects of liminality, a dominant trope in Koeppen’s works. Stressing the thematic and formal continuities of his oeuvre, the first section illustrates how his protagonists perpetually establish a space for themselves 'in between' states. The second section examines how Koeppen negotiates with the discourse of 'nation' during two central periods of his career. It shows how his experiences in the Third Reich and his reappraisal of the years prior to 1933 determine his perspective on modernity, modernism and Germany after 1945. Having defined the location of culture in his works, the book concludes by resituating Koeppen's writings within post-war West German literary culture.

The Neverending Story is Michael Ende’s best-known book, but Momo—published six years earlier—is the all-ages fantasy novel that first won him wide acclaim. After the sweet-talking gray men come to town, life becomes terminally efficient. Can Momo, a young orphan girl blessed with the gift of listening, vanquish the ashen-faced time thieves before joy vanishes forever? With gorgeous new drawings by Marcel Dzama and a new translation from the German by Lucas Zwirner, this all-new 40th anniversary edition celebrates the book’s first U.S. publication in over 25 years.

This book charts the lives of (suspected) thieves, illegitimate mothers and vagrants in early modern Frankfurt. The book highlights the gender differences in recorded criminality and the way that they were shaped by the local context. Women played a prominent role in recorded crime in this period, and could even make up half of all defendants in specific European cities. At the same time, there were also large regional differences. Women’s crime patterns in Frankfurt were both similar and different to those of other cities. Informal control within the household played a significant role and influenced the prosecution patterns of authorities. This impacted men and women differently, and created clear distinctions within the system between settled locals and unsettled migrants.