Social Ethics And Governance In Contemporary African Writing

Social Ethics and Governance in Contemporary African Writing is the first book to bring rigorous literary, philosophical, and artistic discourse together to interrogate the ethics of governance and development in postcolonial Africa. It takes literature seriously as a context for philosophical reflection, vividly engaging the human agency, creativity, and resourcefulness of local Nigerians as political and social actors and shedding new light on the dynamics of human flourishing. Drawing on important secondary scholarship across several humanities disciplines, especially literature, philosophy, and the performing arts, Nimi Wariboko provides compelling and innovative analysis of the challenges and opportunities on governance and development in postcolonial Nigerian state and society. With a detailed introductory chapter and an authoritative analysis contained in six cohesive chapters, all anchored in political and social ethics and close readings of fascinating literary and artistic works-such as A. Igoni Barrett's Blackass and the comedy skits of MC Edo Pikin-this is a landmark contribution to Nigerian cultural studies. Wariboko's practical engagement between literature and philosophy also opens up new ways of seeing literary analysis as ethical methodology, beyond the specific contexts of Nigeria or Africa.

Cultural research ethics is in a nascent phase within the field of research ethics as a whole and requires more attention and in-depth articulation. With specific case studies, this vital volume provides unique perspectives on topics such as social autonomy vis-a-vis interests of individuals. This volume assembles needed resources and case studies in cultural research ethics practices, providing insight into current developments and future research directions. It is a valuable contribution to cultural research ethics given the dearth of published literature available in this emerging field. It is designed with two broad audiences in mind: (1) African researchers and research organizations that want homegrown guidance about research ethics, and (2) research ethicists worldwide who can use it to learn about cultural research ethics especially with respect to Africa.

This book investigates the many ways in which contemporary African fiction has reflected on themes of responsibility and complicity during the postcolonial period. Covering the authors Ayi Kwei Armah, Tsitsi Dangarembga, Nuruddin Farah, Michiel Heyns, and J. M. Coetzee, the book places each writer’s novels in their cultural and literary context in order to investigate similarities and differences between fictional approaches to individual complicity in politically unstable situations. In doing so, the study focuses on these texts’ representations of discomforting experiences of being implicated in harm done to others in order to show that it is precisely during times of political crisis that questions of moral responsibility and implicatedness in compromised conduct become more pronounced. The study also challenges longstanding western amnesia concerning responsibility for historical and present-day violence in African countries and juxtaposes this denial of responsibility with the western literary readership’s consumption of narratives of African “suffering.” The study instead proposes new reading habits based on an awareness of readerly complicity and responsibility. Drawing insights from across political philosophy and literary theory, this book will be of interest to researchers of African literature, postcolonial studies, and peace and conflict studies.

Social theory and social theorizing about Africa has largely ignored African literature. Writers are some of the continent's finest social thinkers, producing works which constitute potential sources for the analysis of social thought, and for constructing social theory, in and beyond the continent. This collection examines the relationship between African literature and African social thought. It explores African writers' conceptions of power and authority, legitimacy, history and modernity, gender and sexuality, culture, epistemology, globalization, and change and continuity in Africa. It was originally published as a special issue of the Journal of Contemporary African Studies.

The first study of Anglophone and Italian novels by Somali diasporic authors, offering a new critical framework for multilingual and transnational analysis of Somali literature. Building on the latest scholarship about multilingual contexts, diaspora studies and the rapidly expanding field of Italian postcolonial studies, Marco Medugno examines Somali diasporic literature with a comparative perspective. Considering works written in English and Italian, he argues that Somali diasporic authors share similar themes and aesthetics, thus creating an interliterary community within the diaspora space. By using multilingualism as a starting point, Medugno provides significant insights into how Somali national and individual identities are constructed in diasporic, global contexts through geography, style, form, language and the re-writing of national histories emerging out of colonization and independence. Analysing acclaimed Somali novels such as Nuruddin Farah's Links and Crossbones, Igiaba Scego's Adua and Cristina Ali Farah's Little Mother, he questions any definition of 'local' as 'provincial', instead considering it a site for interrogating global concerns. Literature of the Somali Diaspora is organized around three themes: spatiality, language and resistance help to contextualize authors, forced by the decades-long Somali Civil War, to write outside Somalia and in different languages – including Somali, Italian, English, German, Dutch and Arabic – within global literary circuits. Their work thus creates a literature not confined within national borders but an interliterary global community, a transnational and multilingual space in which they share world aesthetic ideologies, challenge and engage with literary traditions in different languages and show an interplay between diverse cultures.

A powerful biography that presents analysis of a black working-class woman who rose from a tenement slum in intensely racialized British Guiana to become a leading anti-colonialism, workers' rights and women's liberation activist in Britain. Jessica Huntley's Pan-African Life celebrates Huntley's importance as a leading figure in the Windrush-era resistance to the multiple, racialized injustices faced by black settlers, children and communities in Britain. Claudia Tomlinson details how Huntley became the elder stateswoman of radical black activism of her era through participation in decolonization movements and actions such as the Black Parents Movement and the International Bookfair of Radical Black and Third World Books, as well as her foundational role at Bogle L'Ouverture Publications, the leading black-led, pan-African publishing house and its associated radical bookshop. Based on extensive archival research and over 40 interviews with Huntley's closest family members, associates, comrades, authors, artists and friends, this book affords readers an opportunity to take a long-lensed view of the historical roots of the many contemporary racial injustices re-invigorated in recent debates. Tomlinson re-writes the history of a period and a struggle often told through a master discourse that is male, middle-class and privileged. In so doing, she shows how Jessica Huntley's fight for justice and the rights of all black people in Britain provides a useful lens into UK-based, black literary and cultural expression in the 20th century.

The untold story of how breaking – one of the most widely practiced dance forms in the world today – began as a distinctly African American expression in the Bronx, New York, during the 1970s. Breaking is the first and most widely practiced hip-hop dance in the world, with around one million participants in this dynamic, multifaceted artform – and, as of 2024, Olympic sport. Yet, despite its global reach and nearly 50-year history, stories of breaking's origins have largely neglected the African Americans who founded it. Dancer and scholar Serouj "Midus" Aprahamian offers, for the first time, a detailed look into the African American beginnings of breaking in the Bronx, New York. The Birth of Breaking challenges numerous myths and misconceptions that have permeated studies of hip-hop's evolution, considering the influence breaking has had on hip-hop culture. Including previously unseen archival material, interviews, and detailed depictions of the dance at its outset, this book brings to life this buried history, with a particular focus on the early development of the dance, the institutional settings where hip-hop was conceived, and the movement's impact on sociocultural conditions in New York City throughout the 1970s. By featuring the overlooked first-hand accounts of over 50 founding b-boys and b-girls alongside movement analysis informed by his embodied knowledge of the dance, Aprahamian reveals how indebted breaking is to African American culture, as well as the disturbing factors behind its historical erasure.

Transcripts of the Sacred in Nigeria explores how the sacred plays itself out in contemporary Africa. It offers a creative analysis of the logics and dynamics of the sacred (understood as the constellation of im/possibility available to a given community) in religion, politics, epistemology, economic development, and reactionary violence. Using the tools of philosophy, postcolonial criticism, political theory, African studies, religious studies, and cultural studies, Wariboko reveals the intricate connections between the sacred and the existential conditions that characterize disorder, terror, trauma, despair, and hope in the postcolonial Africa. The sacred, Wariboko argues, is not about religion or divinity but the set of possibilities opened to a people or denied them, the sum total of possibilities conceivable given their level of social, technological, and economic development. These possibilities profoundly speak to the present political moment in sub-Saharan Africa.

The postcolonial African culture, as it is discoursed in the academia, is largely influenced by Africa’s response to colonialism. To the degree that it is a response, it is to considerably reactive, and lacks forceful moral incentives for social critical consciousness and nation-building. Quite on the contrary, it allows especially African political leaders to luxuriate in the delusions of moral rectitude, imploring, at will, the evil of imperialism as a buffer to their disregard of their people. This book acknowledges the social and psychological devastations of colonialism on the African world. It, however, argues that the totality of African intellectual response to colonialism and Western imperialism is equally, if not more, damaging to the African world. In what ways does the average African leader, indeed, the average African, judge and respond to his world? How does he conceive of his responsibility towards his community and society? The most obvious impact of African response to colonialism is the implicit search for a pristine, innocent paradigms in, for instance, literary, philosophical, social, political and gender studies. This search has its own moral implication in the sense that it makes the taking of responsibility on individual and social level highly difficult. Focusing on the moral impact of responses to colonialism in Africa and the African Diaspora, this book analyzes the various manifestations of delusions of moral innocence that has held the African leadership from the onerous task of bearing responsibility for their countries; it argues that one of the ways to recast the African leaders’ responsibility towards Africa is to let go, on the one hand, the gaze of the West, and on the other, of the search for the innocent African experience and cultures. Relying on the insights of thinkers such as Frantz Fanon, Wole Soyinka, Kwame Anthony Appiah, Achille Mbembe and Wolgang Welsch, this book suggests new approach to interpreting African experiences. It discusses select African works of fiction as a paradigm for new interpretations of African experiences.

This book discovers everyday forms of conviviality in fiction and life writing from Eastern and Southern Africa. It focuses on ordinary moments of recognition, of hospitality, of humour and kindness in everyday life to illuminate the significance of repertoires of repair in a world broken by relations of power. Through close readings of specific capacities of living with difference, the book excavates ideas of world-making, personhood and the possibilities of alternative social imaginaries from African perspectives. It highlights evanescent and more durable attempts at building solidarity across local and translocal settings by focussing on modes of address that invite reciprocity in contexts of injustice, which include Apartheid, colonialism, racism, patriarchy and xenophobia. Putting current research on conviviality in conversation with the literary texts, the book demonstrates how conviviality emerges as an enabling ethical practice, as critique and survival strategy and as embodied lived experience. The volume will be of great interest to scholars and researchers of Literary and Cultural Studies, especially Postcolonial Literature, African Studies and Indian Ocean Studies.