Remembering Red

With hundreds of books on the market today urging readers to develop mindfulness, pointing to the condition of “awakening” that most religious/philosophical traditions aim toward, this new addition by Red Hawk stands head and shoulders above the crowd. It offers detailed practical guidelines that allow one to know with certainty—not from imagination, theory, thought, or lying—when one is Present and Awake; it details the objective feedback mechanisms available to everyone for attaining this certainty: Am I awake now? How do I know? Sincere readers will find that help in answering these two questions is invaluable and life-changing. Written from the perspective of a practitioner of more than thirty years—one who has studied the significant work of his predecessors, received instruction from two spiritual masters (Osho Rajneesh and Mister Lee Lozowick), and trained rigorously within daily life. This book is the first detailed examination of the Practice-of-Presence (called “self remembering” in the Gurdjieff tradition). The author’s aim is to give general guidelines in this practice, discuss its implications, and then offer specific instruction. Self Remembering: The Path to Non-Judgmental Love is meant to be a companion piece, volume ii, to the author’s previous book Self Observation: The Awakening of Conscience, which is fast becoming a classic. Taken together, they present the most detailed examination of the practice available in English. He clearly points out that self remembering is only one half of a foundational spiritual practice called “self observation/self remembering.” Where other authors/teachers have gone wrong in the past is to take only one half of this practice and consider it the whole, entire unto itself. Mister Gurdjieff’s student, A.R. Orage (1873-1934), made this mistake with self observation; contemporary teacher Robert Burton made a similar error with his book, also titled Self Remembering. While P.D. Ouspensky speaks of the practice of self remembering in his seminal book In Search of the Miraculous, and Rodney Collin in The Theory of Celestial Influence, there has not been a book-length study on self remembering that examines the practice from the many angles that Red Hawk’s does. His chapters cover such diverse yet integrated topics as The Removal of Self Importance; Kaya Sadhana or the wisdom of the body; and Separation Grief, i.e., addressing the terror of our current situation without denial or dramatics.

Dionysus, god of dismemberment and sponsor of the lost or abandoned feminine, originates both Jungian psychology and literature in Remembering Dionysus. Characterized by spontaneity, fluid boundaries, sexuality, embodiment, wild nature, ecstasy and chaos, Dionysus is invoked in the writing of C. G. Jung and James Hillman as the dual necessity to adopt and dismiss literature for their archetypal vision of the psyche or soul. Susan Rowland describes an emerging paradigm for the twenty-first century enacting the myth of a god torn apart to be re-membered, and remembered as reborn in a great renewal of life. Rowland demonstrates how persons, forms of knowing and even eras that dismiss Dionysus are torn apart, and explores how Jung was Dionysian in providing his most dismembered text, The Red Book. Remembering Dionysus pursues the rough god into the Sublime in the destruction of meaning in Jung and Jacques Lacan, to a re-membering of sublime feminine creativity that offers zoe, or rebirth participating in an archetype of instinctual life. This god demands to be honoured inside our knowing and being, just as he (re)joins us to wild nature. This revealing book will be invigorating reading for Jungian analysts, psychotherapists, arts therapists and counsellors, as well as academics and students of analytical psychology, depth psychology, Jungian and post-Jungian studies, literary studies and ecological humanities.

A collection of columns originally written for the Sacramento Valley Mirror newspaper. Many concern the writer's memories of growing up in central California.

Synthesising clinical case reports and the research literature on the effects of stress, suggestion and trauma on memory, Richard McNally arrives at significant conclusions, first and foremost that traumatic experiences are indeed unforgettable.

Today, we associate the Red Fort with the view of the Prime Minister proudly unfurling the national flag every year on 15 August on the massive red wall curtain. To children and even most of us, the Red Fort is only this view that is broadcast on television. It is the ubiquitous image often used in marketing as well. Many of us haven’t even bothered to go inside the Fort, and many, including me, satisfied ourselves with our photos taken in front of this wall. This actually is a later addition erected by Shah Jahan’s son Aurangzeb. The Red Fort is much more than this red wall and the platform where the prime minister delivers his speech. In the book, the author attempts to swipe aside the wall and take a deep dive inside the Fort – not just the physical structures but how exactly the planning was done to create a truly complex and artistic palace fortress, to explore the Mughal way of life with their festivals, ceremonies, food and clothing amongst other themes. The beauty of the fort can only be understood and best appreciated from the string of apartments that once lined the river Yamuna on its opposite side. It must have been beautiful indeed to glide down the Yamuna on a boat and appreciate all the buildings that housed the emperor’s private quarters. Now the river has receded afar, but in olden times the various private apartments such as the Rang mahal, Khwabgah (‘abode of dreams’) or the emperor’s bed-chamber as well as the famous Diwan-e-Khas where the Mughal Emperor sat on the Peacock Throne were lined along the river front. There is a reason why the pioneering British historian-explorer James Fergusson termed the Red Fort ‘the most magnificent palace in the East.’ It was a creative venture well integrated to a new city and was truly unrivalled with respect to its design as well as functioning. The book also highlights that, though separated in time by more than three centuries from today, we can still visualize how the unsure footsteps which Babur took in Hindustan took shape in the reign of Shah Jahan, a connoisseur of art and culture. Descending on one side from Genghis Khan and the brutal Tamerlane on the other, Babur gained an irreversible entry to India in the plains of Panipat almost unexpectedly, by defeating a mammoth army of Ibrahim Lodi in 1526. The Mughals, which was the Persian word for ‘Mongols’, set up an incredible empire in Agra and Delhi, to which were born great emperors like Akbar and Shah Jahan. Apart from magnificent monuments they also built a truly syncretic culture of shared values, encouraged free exchange of knowledge and established rituals, customs and festivals that assimilated age-old traditions from east and west. Even the Taj Mahal, described by Rabindranath Tagore as a ‘teardrop on the face of Time’, was built as a symbol of love of a king to his departed queen, like an re-incarnation of Majnun for his Laila, so different from the obvious imagery that a barbaric king may evoke in one’s mind. Similarly, the Red Fort of Delhi was the culmination of Mughal soft power. With profusely laid flower and fruit-bearing char-bagh gardens criss-crossed with streams of water canals, it was layered in symbolism that art historians find interesting even after many centuries to discuss elements that give it a sense of freshness even with the mere empty shell of buildings left behind after 1857. As the author says, “Delhi however lived up to its reputation of slipping through the very fingers of those who attempted to raise a new city here: starting with Prithvi Raj Chauhan’s Lal Kot; Allauddin Khilji’s Siri; the Tughluq trio’s troika of Tughluqabad, Jahanpanah & Kotla Firuz Shah; Humayun’s Dinpanah and later Lutyen’s Delhi of the British; Shah Jahan’s majestic offering to the city of his choice was soon to be destroyed by fate.” The narrative follows the incidents of 1857 till the British Durbars and highlights that the Fort was not the home of the Mughals only in their prime, but also in their decline and till their very extinction. The book seeks to present the lived culture of Mughals in all its multiple facets. The book is divided in four parts. In Part 1 the focus is on the Imperial court and the court etiquette, cultivation of Persian and its enrichment with translations from Sanskrit, patronage of Hindu and Jain scholars. Part 2 contains detailed accounts of the Red Fort and the symbolism of its architecture, the philosophy of jharokha darshan, ceremonies, games and pastimes, the material culture of costumes and jewellery, food, drink and perfumery. The remaining two parts deal with the decline and fall of the Mughal rule and the British Colonial Durbars at the Red Fort. The broadly historical narrative is enlivened by various anecdotes.

Focusing on the non-Western context and case studies, this book explores theories of interdisciplinary architectural thinking and the construction of urban memory in Chinese cities, with an emphasis on contemporary architecture and the diversity of agencies. China has undergone one of the fastest urbanisation and urban renewal processes in human history, but discussions of urban memory in China have tended to be practice-oriented and lack theoretical reflection. This book brings together interdisciplinary architectural scholarship to interrogate the production of urban memory and examine experiences in China. The 14 chapters explore different processes, projects, materials, architecture and urban spaces in different Chinese cities by analysing cityscapes such as temples, bridges, conservation projects, architectural design, historical architecture, memorial hall, market street, city images, custom bike, food market and so on. The book deals with different agencies and methods, tangible and intangible, in the construction of memories aimed at promoting hybridised multiple identities, and explores the interplay of different versions of memory, i.e. state, public, regional, local, individual and collective memory. This book will be essential reading for scholars and students of architecture and urbanism, cultural studies and China studies, as well as architects, urban planners and historians interested in these fields.

In the early twentieth century, thousands of women from the Samsui area of Guangdong, China migrated to Singapore during a period of economic and natural calamity, leaving their families behind. In their new country, many found work in the construction industry, with others working in households or factories where they were called hong tou jin, translated literally as “red-head-scarf,” after the headgear that protected them from the sun. In Singapore, the women have been celebrated as pioneering figures for their hard work and resilience, and in China for the sacrifices they made for their families. Remembering the Samsui Women looks at who these women really are and at how both countries have commemorated their experiences. It is an illuminating study of the connection between memory and nation, including the politics of what is remembered and what is forgotten.

The Foundations of Remembering presents a collection of essays written by top memory scholars in honor of Henry L. Roediger III. The chapters were originally delivered as part of the "Roddyfest" conference held in March 2005 to celebrate Purdue University's awarding of an honorary doctor of letters to Roediger in recognition of his many contributions to the field of psychology. Authors were given a simple charge: choose your own topic, but place your work in historical context. Roediger is fascinated by the intellectual lineage of ideas, so addressing historical "foundations" seemed a fitting tribute. The Chapters contained in this volume help to establish the foundations of remembering, circa the first decade of the 21st century, as perceived by some of the leading memory researchers in the world. Not surprisingly, each of the chapters touches on Roediger's research as well, largely because his work has helped to define and clarify many topics of interest to the memory field. The Foundations of Remembering is intended for a wide audience: students, scholars, and anyone interested in exploring the historical and conceptual roots of modern memory theory.

The Chinese Cultural Revolution is the single most important internal social event in contemporary Chinese history. The plethora of history, literary, and artistic representations inspired by this event are critical to our understanding of the diversified, often contested, interpretations of contemporary China. Li Li’s critical examination of autobiographic, filmic and fictional presentations in Memory, Fluid Identity, and the Politics of Remembering: The Representations of the Chinese Cultural Revolution in English-speaking Countries demonstrates that “memory works” not only reflect memories of those who lived through that period, but memories about their past, and, more importantly, about their identity remapping and artistic negotiation in a cross-cultural environment.