Palmyrena

This volume deals with the religion of Palmyrenes in Dura-Europos during the first three centuries of the Common Era, and focuses upon the religious interaction between this migrant community and their new residence. By studying the religious interaction of distinct groups on a local level, this study aims to contribute to a better understanding of the process of religious development and change in Syria during the Roman period. Information on the Palmyrenes of Dura-Europos consists primarily of archaeological remains that have been found there. The Palmyrene materials from Dura-Europos have never been published collectively, and for this reason they are enumerated and re-evaluated in the appendix. The book is richly illustrated with 20 figures and 22 plates.

The ancient city of Palmyra, which today lies in the desert of modern Syria, was once a flourishing city of trade. During the Roman era, when Palmyra was at the height of its powers, several hundred funerary monuments were constructed in the city, and within these, portraits of Palmyra's inhabitants were once displayed. These representations of men, women, and children from the Roman Imperial period form the largest body of portraiture known outside of Rome itself, and their study is essential to our understanding of how funerary portraiture in the Roman provinces was used as a mechanism to shape and express identity. This volume offers a study and catalogue of the funerary portraits of Palmyrene women from the first century BC to the third century AD. It explores both the visual qualities of the portraits themselves, and the complexities of the space in which they were originally situated. By analysing the civic and religious activities of women within Palmyra, this book also situates these portraits in a broader context. Through this approach, the work thus addresses key questions concerning the characteristics of Palmyrene female portraits and what this indicates about the nature of female identity in Roman Palmyra, how the portrayals of women changed over time, and what might have caused such changes.

This history of Roman Palmyra offers an examination of how the Palmyrenes constructed and maintained a unique identity, individually and collectively, amid progressive communal changes.

The rebellion of the dazzling Arab queen Zenobia against the fist of Roman domination

"A Journey to Palmyra" originates from the desire to remember Delbert R. Hillers, who greatly contributed with his work to Palmyrene studies. However, it is not meant just as a memorial volume, but as a research tool. It contains thirteen papers by scholars in the field of Palmyrene studies and Semitics focusing on different aspects of Palmyrene history, social history, art, archaeology and philology, with publication of newly discovered inscriptions. It offers a state-of-the-art discussion on several issues pertaining to the field of Palmyrene studies, and illustrates methodologies to be employed in order to increase our knowledge of the complex and multifaceted culture of ancient Palmyra and of neighbouring areas.

This book sets out to replace the outdated notion of ‘Indo-Roman trade’, integrating new findings from the last 30 years. Analysis conducted demonstrates that highly substantial levels of trade took place between the Mediterranean and the Indian Ocean in the 1st–6th c. altering consumption and production in India, South Arabia and the Roman Empire.

With contributions from thirty archaeologists, epigraphists, historians, and philologists, this book covers Palmyra's archaeological remains and history from its earliest phases in the pre-Roman era to the destruction of many of its monuments during the Syrian Civil War and subsequent looting. The authors give comprehensive overviews of already published evidence, as well as significant new findings and analyses from fieldwork, and cover a broad range of themes, which not only relate to the archaeology and history of the site, but also to its relationship with the rest of the ancient world as a major trade hub during the Roman period.

"Romano describes each piece completely, with measurements, accession data where known, report of condition, a list of the published sources, and commentary reflecting the most recent scholarship. Photographs provide additional information for each entry. An accompanying CD includes 54 color images, many of which are of the pieces. Various audiences will appreciate the accessibility of the scholarship presented here; students may engage in further study on some of the topics raised by individual pieces or groups of sculptures, and the scholarly community will welcome a work that provides an up-to-date and comprehensive examination of a significant Classical sculpture collection."--BOOK JACKET.