Nothing But Gold

Gold was discovered in Australia in 1851, and within a year the infant colony was transformed from a sump for convicts to a Land of Opportunity. Robyn Annear's lively history describes in detail life on the diggings: the mud of winter and dust of summer, the pluckiness of the women and children, the grog shanties, the flies, the mania of mining, the despair and the delirium, and the much hated licensing system which was to culminate in the Eureka Stockade. 'Robyn Annear tells the story of the 1852 gold rushes in imaginative detail ... she tells us how it felt to be there. You find yourself worrying about the problems long ago resolved, sharply aware of the gold diggers' hopes and ordeals, diverted by the high comedy of a chaotic life. Like all good narratives, it looks easy because it is so easily read and enjoyed ... She makes a mosaic out of small moments of experience ... The physical realities of the diggings are evoked, with all the ingenious ways of managing tent space, cooking, guarding gold, finding feed for horses, keeping off wind and rain, ants and mice.' Brenda Niall Robyn Annear was born in Melbourne in 1960. She spends her time writing and researching, typing for other people and looking after her family. She is also a part-time bookseller and President of the Friends of the Castlemaine Library. 'History from the inside; wonderfully entertaining.' Age 'A welcome addition to Australian history, pointing to badly needed ways in which history can be made more reader-friendly.' Quadrant

From Ron Rash, PEN / Faulkner Award finalist and New York Times bestselling author of Serena, comes a new collection of unforgettable stories set in Appalachia that focuses on the lives of those haunted by violence and tenderness, hope and fear—spanning the Civil War to the present day. The darkness of Ron Rash’s work contrasts with its unexpected sensitivity and stark beauty in a manner that could only be accomplished by this master of the short story form. Nothing Gold Can Stay includes 14 stories, including Rash’s “The Trusty,” which first appeared in The New Yorker.

In twenty-two simple yet profound reflections, seasoned minister Mark Belletini explores the many and varied forms of grief. His honest, poetic essays serve as a prism, revealing the distinct colors and manifestations of grief in our lives. He addresses the way we respond to loss of people in our lives, loss of love, loss of focus, and loss of the familiar—understanding that grief is as much a part of our lives as our breathing. Belletini uses specific and personal stories to open up to the universal experience. Nothing Gold Can Stay is a gift of awareness, showing how the shades of grief serve our deepest needs.

A ninth-grader's suspension for singing "The Star-Spangled Banner" during homeroom becomes a national news story.

A New York Times Bestseller Winner of the Chicago Tribune Heartland Prize Winner of the Hillman Prize for Book Journalism Named a best book of the year by: the Los Angeles Times the San Francisco Chronicle the Saint Louis Post-Dispatch the Chicago Tribune the Seattle Times "A stunning look at a problem that has dire consequences for our country.”-New York Post The dramatic story of Methamphetamine as it comes to the American Heartland-a timely, moving, account of one community's attempt to confront the epidemic and see their way to a brighter future. Crystal methamphetamine is widely considered to be the most dangerous drug in the world, and nowhere is that more true than in the small towns of the American heartland. Methland is the story of the drug as it infiltrates the community of Oelwein, Iowa (pop. 6,159), a once-thriving farming and railroad community. Tracing the connections between the lives touched by meth and the global forces that have set the stage for the epidemic, Methland offers a vital and unique perspective on a pressing contemporary tragedy. Oelwein, Iowa is like thousand of other small towns across the county. It has been left in the dust by the consolidation of the agricultural industry, a depressed local economy and an out-migration of people. If this wasn't enough to deal with, an incredibly cheap, long-lasting, and highly addictive drug has come to town, touching virtually everyone's lives. Journalist Nick Reding reported this story over a period of four years, and he brings us into the heart of the town through an ensemble cast of intimately drawn characters, including: Clay Hallburg, the town doctor, who fights meth even as he struggles with his own alcoholism; Nathan Lein, the town prosecutor, whose case load is filled almost exclusively with meth-related crime, and Jeff Rohrick, who is still trying to kick a meth habit after four years. Methland is a portrait of a community under siege, of the lives the drug has devastated, and of the heroes who continue to fight the war. It will appeal to readers of David Sheff's bestselling Beautiful Boy, and serve as inspiration for those who believe in the power of everyday people to change their world for the better.

Robyn Annear lends her signature wit to this fantastic history of second-hand: from the origins of the op shop to eBay, up-cycling and how new became normal.

An offer from a city man to buy the trees on his land awakens in a country fellow a keener awareness of the value of both his trees and his friends at Christmas.

The early works of beloved poet Robert Frost, collected in one volume. The poetry of Robert Frost is praised for its realistic depiction of rural life in New England during the early twentieth century, as well as for its examination of social and philosophical issues. Through the use of American idiom and free verse, Frost produced many enduring poems that remain popular with modern readers. A Collection of Poems by Robert Frost contains all the poems from his first four published collections: A Boy’s Will (1913), North of Boston (1914), Mountain Interval (1916), and New Hampshire (1923), including classics such as “The Road Not Taken,” “Fire and Ice,” and “Stopping by Woods on a Snowy Evening.”

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR A WASHINGTON POST NOTABLE BOOK OF THE YEAR ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR ONE OF NPR'S BEST BOOKS OF 2020 LONGLISTED FOR THE 2020 BOOKER PRIZE FINALIST FOR THE 2020 CENTER FOR FICTION FIRST NOVEL PRIZE WINNER OF THE ROSENTHAL FAMILY FOUNDATION AWARD, FROM THE AMERICAN ACADEMY OF ARTS AND LETTERS A NATIONAL BOOK FOUNDATION "5 UNDER 35" HONOREE NATIONAL BESTSELLER “Belongs on a shelf all of its own.” —NPR “Outstanding.” —The Washington Post “Revolutionary . . . A visionary addition to American literature.” —Star Tribune An electric debut novel set against the twilight of the American gold rush, two siblings are on the run in an unforgiving landscape—trying not just to survive but to find a home. Ba dies in the night; Ma is already gone. Newly orphaned children of immigrants, Lucy and Sam are suddenly alone in a land that refutes their existence. Fleeing the threats of their western mining town, they set off to bury their father in the only way that will set them free from their past. Along the way, they encounter giant buffalo bones, tiger paw prints, and the specters of a ravaged landscape as well as family secrets, sibling rivalry, and glimpses of a different kind of future. Both epic and intimate, blending Chinese symbolism and reimagined history with fiercely original language and storytelling, How Much of These Hills Is Gold is a haunting adventure story, an unforgettable sibling story, and the announcement of a stunning new voice in literature. On a broad level, it explores race in an expanding country and the question of where immigrants are allowed to belong. But page by page, it’s about the memories that bind and divide families, and the yearning for home.