Madness And Marginality

Based on over two hundred and fifty psychiatric case files, this book offers a radical new departure from existing historical accounts of what is still commonly thought of as the most picturesque of Britain’s colonies overseas. By tracing the life histories of Kenya’s ‘white insane’, the book allows for a new account of settler society: one that moves attention away from the ‘great white hunters’ and heroic pioneer farmers to all those Europeans who did not manage to emulate the colonial ideal. In doing so, it raises important new questions around deviance, transgression and social control. Sitting at the intersection of a number of fields, the book will appeal to students and teachers of imperial history, colonial medicine, African history and postcolonial theory and will prove a valuable addition to both undergraduate and postgraduate courses.

The Routledge History of Madness and Mental Health explores the history and historiography of madness from the ancient and medieval worlds to the present day. Global in scope, it includes case studies from Africa, Asia, and South America as well as Europe and North America, drawing together the latest scholarship and source material in this growing field and allowing for fresh comparisons to be made across time and space. Thematically organised and written by leading academics, chapters discuss broad topics such as the representation of madness in literature and the visual arts, the material culture of madness, the perpetual difficulty of creating a classification system for madness and mental health, madness within life histories, the increased globalisation of knowledge and treatment practices, and the persistence of spiritual and supernatural conceptualisations of experiences associated with madness. This volume also examines the challenges involved in analysing primary sources in this area and how key themes such as class, gender, and race have influenced the treatment and diagnosis of madness throughout history. Chronologically and geographically wide-ranging, and providing a fascinating overview of the current state of the field, this is essential reading for all students of the history of madness, mental health, psychiatry, and medicine.

Historically, one of the recurring arguments in psychiatry has been that heredity is the root cause of mental illness. In Inheriting Madness, Ian Dowbiggin traces the rise in popularity of hereditarianism in France during the second half of the nineteenth century to illuminate the nature and evolution of psychiatry during this period. In Dowbiggin's mind, this fondness for hereditarianism stemmed from the need to reconcile two counteracting factors. On the one hand, psychiatrists were attempting to expand their power and privileges by excluding other groups from the treatment of the mentally ill. On the other hand, medicine's failure to effectively diagnose, cure, and understand the causes of madness made it extremely difficult for psychiatrists to justify such an expansion. These two factors, Dowbiggin argues, shaped the way psychiatrists thought about insanity, encouraging them to adopt hereditarian ideas, such as the degeneracy theory, to explain why psychiatry had failed to meet expectations. Hereditarian theories, in turn, provided evidence of the need for psychiatrists to assume more authority, resources, and cultural influence. Inheriting Madness is a forceful reminder that psychiatric notions are deeply rooted in the social, political, and cultural history of the profession itself. At a time when genetic interpretations of mental disease are again in vogue, Dowbiggin demonstrates that these views are far from unprecedented, and that in fact they share remarkable similarities with earlier theories. A familiarity with the history of the psychiatric profession compels the author to ask whether or not public faith in it is warranted.

Mandatory Madness offers an unprecedented social and cultural history of colonial psychiatry in Palestine under British rule before 1948.

"Little attention is given in psychiatry to the temporal aspect of psychiatric illness. My thesis argues that without the ability to mentally time travel (MTT), to direct your future self and reflect on your past self in the way that humans are designed to, mental distress follows shortly after. This thesis explores how being stuck in time, where one feels trapped in a traumatic memory repertoire, a set of circumstances, or a set of beliefs, prevents an individual from being able to MTT. It argues that this feeling of being stuck in time can result from oppressive social structures, psychological conditions, and a combination of both. This thesis thus aims to flesh out the connections between madness, marginalization, and MTT. My thesis begins by unpacking the psychological threats which can occur to one's ability to MTT. I show that whilst MTT is currently theorized as an individualistic and rationalistic capacity; trauma shows us that there are more cognitive, affective, and relational elements than the current literature acknowledges. After exploring this figurative sense of being stuck in time, in which one cannot psychologically move past certain experiences, the following two chapters explore the social sense of being stuck in time through the cases of racialization and dementia patients. Given the relational nature of the self - that the self is constituted by our relations with others - there are degrees to which individuals can be hindered in the task of developing a coherent sense of self. Indeed, when one is socially or mentally struggling, people can be 'held in place' by others to preserve a sense of self. This holding can be supportive, but one central concern in my thesis is that it can also be oppressive. My thesis ends by showing that whilst feeling stuck in time can cause several personal and relational harms, these harms can be overcome by our connections with others in our social circle through interpersonal trust"--

A unique work that brings together a number of specialist disciplines, such as archaeology, anthropology, disability studies and psychiatry to create a new perspective on social and physical exclusion from society. A range of evidence throws light on such things as the causes and consequences of social exclusion stigma, marginality and dangerousness. It is an important text that breaks down traditional academic disciplinary boundaries and brings a much needed comparative approach to the subject.

This volume explores the theme of marginality in the literature and history of the Neronian and Flavian periods. As a concept of modern criticism, the term marginality has been applied to the connection between the uprooted experience of immigrant communities and the subsequent diasporas these groups formed in their new homes. The concept also covers individuals or groups who were barred from access to resources and equal opportunities based on their deviation from a "normal" or dominant culture or ideology. From a literary vantage point, we are interested in the voices of "marginal," or underappreciated authors and critical voices. The distinction between marginalia and "the" text is often nebulous, with marginal comments making their way into the paradosis and being regarded, in modern criticism, as important sources of information in their own right. The analysis of relevant passages from various authors including Lucan, Petronius, Persius, Philo of Alexandria, Pliny the Elder, Silius Italicus, and Statius, as well as the Moretum of the Appendix Vergiliana is vital for our understanding of the treatment of marginalized people in various literary genres in relation to each one’s different purposes.

This book offers an original and compelling analysis of women’s madness, gender and the Australian family. Taking up Anne McClintock’s call for critical works that psychoanalyze colonialism, this radical re-assessment of novels by Christina Stead and Kate Grenville provides a sustained account of women’s madness and masculine colonial psychosis from a feminist postcolonial perspective. This book rethinks women’s madness in the context of Australian colonialism. Taking novels of madness by Christina Stead and Kate Grenville as its point of critical departure, it applies a post-Reconciliation lens to the study of Australia’s gender and racial codes, to place Australian sexism and misogyny in their proper colonial context. Employing madness as a frame to rethink postcolonial theorizing in Australia, Gender, Madness, and Colonial Paranoia in Australian Literature psychoanalyses colonialism to argue that Australia suffers from a cultural pathology based in the strategic forgetting of colonial violence. This pathology takes the form of colonial paranoia about ‘race’ and gender, producing distorted gender codes and ways of being Australian. This book maps the contours of Australian colonial paranoia, weaving feminist literary theory, psychoanalysis and postcolonial theory with poststructuralist approaches to reassess the traditional canon of critical madness scholarship, and the place of women’s writing within it. This provocative work marks a radical departure from much recent feminist, cultural, and postcolonial criticism, and will be essential reading for students of Australian literature, cultural studies and gender studies wanting a new insight into how the Australian psyche is shaped by settler colonialism.

Writing to his brother, G’Ra Asim reflects on building his own identity while navigating Blackness, masculinity, and young adulthood—all through wry social commentary and music/pop culture critique How does one approach Blackness, masculinity, otherness, and the perils of young adulthood? For G’Ra Asim, punk music offers an outlet to express himself freely. As his younger brother, Gyasi, grapples with finding his footing in the world, G’Ra gifts him with a survival guide for tackling the sometimes treacherous cultural terrain particular to being young, Black, brainy, and weird in the form of a mixtape. Boyz n the Void: a mixtape to my brother blends music and cultural criticism and personal essay to explore race, gender, class, and sexuality as they pertain to punk rock and straight edge culture. Using totemic punk rock songs on a mixtape to anchor each chapter, the book documents an intergenerational conversation between a Millennial in his 30s and his zoomer teenage brother. Author, punk musician, and straight edge kid, G’Ra Asim weaves together memoir and cultural commentary, diving into the depths of everything from theory to comic strips, to poetry to pizza commercials to mapping the predicament of the Black creative intellectual. With each chapter dedicated to a particular song and placed within the context of a fraternal bond, Asim presents his brother with a roadmap to self-actualization in the form of a Doc Martened foot to the behind and a sweaty, circle-pit-side-armed hug. Listen to the author’s playlist while you read! Access the playlist here: https://sptfy.com/a18b

‘Schizo’: The Liberatory Potential of Madness presents an interdisciplinary exploration of the potential of madness as a force for liberation from societies of control.