Junes Memoirs

Iconic music and film legend Grace Jones gives an in-depth account of her stellar career, professional and personal life, and the signature look that catapulted her into the stardom stratosphere. Grace Jones, a veritable “triple-threat” as acclaimed actress, singer, and model, has dominated the entertainment industry since her emergence as a model in New York City in 1968. Quickly discovered for her obvious talent and cutting-edge style, Grace signed her first record deal in 1977 and became one of the more unforgettable characters to emerge from the Studio 54 disco scene, releasing the all-time favorite hits, “Pull Up to the Bumper,” “Slave to the Rhythm,” and “I’m Not Perfect (But I’m Perfect for You).” And with her sexually charged, outrageous live shows in the New York City nightclub circuit, Grace soon earned the title of “Queen of the Gay Discos.” But with the dawn of the ’80s came a massive anti-disco movement across the US, leading Grace to focus on experimental-based work and put her two-and-a-half-octave voice to good use. It was also around this time that she changed her look to suit the times with a detached, androgynous image. In this first-ever memoir, Grace gives an exclusive look into the transformation to her signature style and discusses how she expanded her musical triumph to success in the acting world, beginning in the 1984 fantasy-action film Conan the Destroyer alongside Arnold Schwarzenegger, then the James Bond movie A View to a Kill, and later in Eddie Murphy’s Boomerang. Featuring sixteen pages of stunning full-color photographs, Miss Grace Jones takes us on a journey from Grace’s religious upbringing in Jamaica to her heyday in Paris and New York in the ’70s and ’80s, all the way to present-day London, in what promises to be a no holds barred tell-all for the ages.

The first openly gay professional athlete in North America tells the story of his landmark decision to come out of the closet and how he changed the playing field of professional sports forever. “Rogers made history.” —Sports Illustrated Robbie Rogers knows better than most that keeping secrets can crush you. But for much of his life Robbie lived in paralyzing fear that sharing his big secret would cost him the love of his family and his career as a professional soccer player. So he never told anyone what was destroying his soul, both on and off the field. While the world around Robbie was changing with breathtaking speed, he knew that for a gay man playing a professional team sport it might as well be 1958. He could be a professional soccer player. Or he could be an out gay man. He couldn’t do both. Then last year, at the age of twenty-five and after nearly stepping away from a brilliant career—one that included an NCAA Championship, winning the MLS Cup, and competing in the Olympics—he chose to tell the truth. But instead of facing the rejection he feared, he was embraced—by his family, by his teammates, and his fans. In Coming Out to Play, Robbie takes readers on his incredible journey from terrified teenager to a trailblazing out and proud professional soccer player for the L.A. Galaxy, who has embraced his new identity as a role model and champion for those still struggling with the secrets that keep them from living their dreams.

A deeply affecting memoir of motherhood and daughterhood, and how we talk about both, from popular writer Laura June “Laura June writes with wit and melancholy, unabashed joy and tenderness. . . . When I reached the end, I found myself in tears.” —Roxane Gay Laura June’s daughter, Zelda, was only a few moments old when she held her for the first time, looked into her eyes, and thought, I wish my mother were here. It wasn’t a thought she was used to having. Laura was in second grade when she realized her mother was an alcoholic. As the years went by, she spiraled deeper, and by the time of her death, before Zelda’s birth, the two had drifted apart entirely. In Now My Heart is Full, Laura June explores how raising her daughter forced her to confront this tragic legacy and recognize the connective tissue that binds generations of women together. As she documents in beautiful and irreverent prose the pain and joy of raising a child, Laura shows how, even a generation later, we still do not have the language to fully discuss the change that a woman undergoes when she becomes a parent and finds that, to her surprise, she has more in common with her mother than she ever knew.

From award-winning poet Saeed Jones, How We Fight for Our Lives—winner of the Kirkus Prize and the Stonewall Book Award—is a “moving, bracingly honest memoir” (The New York Times Book Review) written at the crossroads of sex, race, and power. One of the best books of the year as selected by The New York Times; The Washington Post; NPR; Time; The New Yorker; O, The Oprah Magazine; Harper’s Bazaar; Elle; BuzzFeed; Goodreads; and many more. “People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’” Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir about a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves. An award-winning poet, Jones has developed a style that’s as beautiful as it is powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one-of-a-kind memoir and a book that cements Saeed Jones as an essential writer for our time.

When Hans Jonas died in 1993 at the age of 89, he was revered among American scholars specializing in European philosophy, but his thought had not yet made great inroads among a wider public. In Germany, conversely, during the 1980s, when Jonas himself was an octogenarian, he became a veritable intellectual celebrity, owing to the runaway success of his 1979 book, The Imperative of Responsibility, a dense philosophical work that sold 200,000 copies. An extraordinarily timely work today, The Imperative of Responsibility focuses on the ever-widening gap between humankind’s enormous technological capacities and its diminished moral sensibilities. The book became something of a cultural shibboleth; he himself became a celebrated public intellectual. For Jonas, this development must have been enormously gratifying. In the 1920s, Jonas studied philosophy with Edmund Husserl and Martin Heidegger at the universities in Marburg and Freiburg, but the Nazi regime’s early attempts at Aryanizing the universities forced Jonas to leave Germany for London in 1933. He emigrated to Palestine in 1935 and eventually enlisted in the British Army’s Jewish Brigade to fight against Hitlerism. Following the Israeli War of Independence (in which he also fought), he emigrated to the United States and took a position in 1955 at the New School for Social Research in New York. He became part of a circle of friends around Hannah Arendt and Heinrich Blucher, which included Adolph Lowe and Paul Tillich. Because Jonas’s life spanned the entire twentieth century, this memoir provides nuanced pictures of German Jewry during the Weimar Republic, of German Zionism, of the Jewish emigrants in Palestine during the 1930s and 1940s, and of German Jewish émigré intellectuals in New York. In addition, Jonas outlines the development of his work, beginning with his studies under Husserl and Heidegger and extending through his later metaphysical speculations about “God after Auschwitz.” This memoir, a collection of heterogeneous unpublished materials—diaries, memoirs, letters, interviews, and public statements—has been shaped and organized by Christian Wiese, whose afterword links the Jewish dimensions of Jonas’s biography and philosophy.

Reprint of the original, first published in 1843.

Best known for his 1980s hit songs “Super Freak,” “Give it to Me Baby,” and “Mary Jane,” the late singer and funk music pioneer Rick James collaborated with acclaimed music biographer David Ritz in this posthumously published, no-holds-barred memoir of a rock star’s life and soul. He was the nephew of Temptations singer Melvin Franklin; a boy who watched and listened, mesmerized from underneath cocktail tables at the shows of Etta James and Miles Davis. He was a vagrant hippie who wandered to Toronto, where he ended up playing with Neil Young and Joni Mitchell, and he became a household name in the 1980s with his hit song “Super Freak.” Later in life, he was a bad boy who got caught up in drug smuggling and ended up in prison. But since his passing in August 2004, Rick James has remained a legendary icon whose name is nearly synonymous with funk music—and who popularized the genre, creating a lasting influence on pop artists from Prince to Jay-Z to Snoop Dogg, among countless others. In Glow, Rick James and acclaimed music biographer David Ritz collaborated to write a no-holds-barred memoir about the boy and the man who became a music superstar in America’s disco age. It tells of James’s upbringing and how his mother introduced him to musical geniuses of the time. And it reveals details on many universally revered artists, from Marvin Gaye and Prince to Nash, Teena Marie, and Berry Gordy. James himself said, “My journey has taken me through hell and back. It’s all in my music—the parties, the pain, the oversized ego, the insane obsessions.” But despite his bad boy behavior, James was a tremendous talent and a unique, unforgettable human being. His “glow” was an overriding quality that one of his mentors saw in him—and one that will stay with this legendary figure who left an indelible mark on American popular music.

Deceptively simple and surprisingly addictive, Not Quite What I Was Planning is a thousand glimpses of humanity—six words at a time. One Life. Six Words. What's Yours? When Hemingway famously wrote, "For Sale: baby shoes, never worn," he proved that an entire story can be told using a half dozen words. When the online storytelling magazine SMITH asked readers to submit six-word memoirs, they proved a whole, real life can be told this way too. The results are fascinating, hilarious, shocking, and moving. From small sagas of bittersweet romance ("Found true love, married someone else") to proud achievements and stinging regrets ("After Harvard, had baby with crackhead"), these terse true tales relate the diversity of human experience in tasty bite-sized pieces. From authors Jonathan Lethem and Richard Ford to comedians Stephen Colbert and Amy Sedaris, to ordinary folks around the world, everyone has a six-word story to tell.