Intertextuality Allusion And Quotation

This bibliography offers a compilation of more than 2000 critical studies that deal not only with the relatively new concept of intertextuality and its predominantly poststructuralist implications, but also with the time-honored concepts of allusion and quotation, which have seen a remarkable renaissance in the wake of intertextual enthusiasm. The first comprehensive work of its kind, this volume goes beyond earlier references, both in scope and quantity, to document scholarly achievements in intertextual research and to serve as a guide to previously unexplored topics. In following such scholars as Gerard Genette, Julia Kristeva, and Wolf Schmid, who consider allusion and quotation prominent manifestations of intertextuality to be perceived by the reader on the text's surface, Hebel maintains that research in these two concepts can be integrated into the more radical and far-reaching theory of intertextuality, and that the yet unsolved question of where to draw a distinct line between them deserves further analysis. The book is organized in three parts: the extensive introduction surveys the heterogeneous field of intertextual studies, provides a first insight into the history and development of the critical concepts under examination, and points to important theoretical sources and exemplary analyses of individual writers or specific aspects. The work is designed not only to direct newcomers through the intricacies of intertextual criticism, but to supply more advanced scholars with further inspiration. Extensive indexing provides easy access, and the book will prove to be an invaluable resource in university and research libraries, and in language and literature departments in the humanities.

Stylistics has become the most common name for a discipline which at various times has been termed 'literary linguistics', 'rhetoric', 'poetics', 'literary philology' and 'close textual reading'. This Handbook is the definitive account of the field, drawing on linguistics and related subject areas such as psychology, sociology, anthropology, educational pedagogy, computational methods, literary criticism and critical theory. Placing stylistics in its intellectual and international context, each chapter includes a detailed illustrative example and case study of stylistic practice, with arguments and methods open to examination, replication and constructive critical discussion. As an accessible guide to the theory and practice of stylistics, it will equip the reader with a clear understanding of the ethos and principles of the discipline, as well as with the capacity and confidence to engage in stylistic analysis.

In A Companion to Celestina, Enrique Fernandez brings together twenty-three hitherto unpublished contributions on the Tragicomedia de Calisto y Melibea, popularly known as Celestina (c. 1499) written by leading experts who summarize, evaluate and expand on previous studies. The resulting chapters offer the non-specialist an overview of Celestina studies. Those who already know the field will find state of the art studies filled with new insights that elaborate on or depart from the well-established currents of criticism. Celestina's creation and sources, the parody of religious and erudite traditions, the treatment of magic, prostitution, the celestinesca and picaresque genre, the translations into other languages as well as the adaptations into the visual arts (engravings, paintings, films) are some of the topics included in this companion. Contributors are: Beatriz de Alba-Koch, Raúl Álvarez Moreno, Consolación Baranda, Ted L. Bergman, Patrizia Botta, José Luis Canet, Fernando Cantalapiedra, Ricardo Castells, Ivy Corfis, Manuel da Costa Fontes, Enrique Fernandez, José Luis Gastañaga Ponce de León, Ryan D. Giles, Yolanda Iglesias, Gustavo Illades Aguiar, Kathleen V. Kish, Bienvenido Morros Mestres, Devid Paolini, Antonio Pérez Romero, Amaranta Saguar García, Connie Scarborough, Joseph T. Snow, and Enriqueta Zafra.

Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near.Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan 's fascinating study sets our present conventions into crosscultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing defi nitions and control of quoting over the millennia and in doing so throws new light on ideas such as imitation, allusion, authorship, originality and plagiarism .

Intertextuality is a matter of reading.--Ralph Hexter, University of California, Berkeley "Classical World"

This volume defines allusion then identifies the 23 likely allusions in the Elihu speeches (Job 32–37) to Job 1–31. The allusiveness of the unit is a compositional feature that explains the varied evaluations of Elihu throughout interpretive history.

An easily accessible introduction to Kristeva's work in English. The essays have been selected as representative of the three main areas of Kristeva's writing--semiotics, psychoanalysis, and political theory--and are each prefaced by a clear, instructive introduction. For beginners or those familiar with Kristeva's work this is a good complement to The Portable Kristeva with a convenient selection of articles from Kristeva's earlier work some of which are otherwise hard to come by.

Many interpreters read John 6 as a contrast between Jesus and Judaism: Jesus repudiates Moses and manna and offers himself as an alternative. In contrast, this monograph argues that John 6 places elements of the Exodus story in a positive and constructive relationship to Jesus. This reading leads to an understanding of John as an interpreter of Exodus who, like other contemporary Jewish interpreters, sees current experiences in light of the Exodus story. This approach to John offers new possibilities for assessing the gospel’s relationship to Jewish scripture, its dualism, and its metaphorical language.

Die jüdische Literatur aus der Zeit des Zweiten Tempels zeichnet sich durch extensiven Gebrauch autoritativer Schriften aus. Die Textfunde von Qumran haben dieses Charakteristikum antik-jüdischer Literatur besonders deutlich gemacht. Bislang war die Wissenschaft zur Identifikation solcher Zitate und Anspielungen auf die Textkenntnis der Forschenden angewiesen. Seit kurzem ist ihre Identifikation mit Hilfe elektronischer Datenbanken möglich geworden. Unter Rückgriff auf die neue Technologie stellt diese Publikation erstmals umfassende Listen der Zitate von und Anspielungen auf die Bücher der Hebräischen Bibel in der jüdischen Literatur aus der Zeit des Zweiten Tempels zusammen. Viele der hier genannten Zitate und Anspielungen wurden erstmalig identifiziert. Die hier vorgelegten Listen sind ein unverzichtbares Hilfsmittel für alle, die zum antiken Judentum im Allgemeinen oder zur Auslegungs- und Textgeschichte der Hebräischen Bibel im Besonderen arbeiten. Die Zitate und Anspielungen werden zum einen nach der Buch-, Kapitel- und Versfolge der Hebräischen Bibel angeordnet und zum anderen nach der Sequenz der zitierenden und anspielenden Texte.