From Tapestry To Fiber Art

At the end of World War II, the art of tapestry experienced anews boom and throughout Europe national workshops and factories were renewed. By organizing the International Tapestry Biennials in 1962, the city of Lausanne came to be recognised as the capital of contemporary textile art and centre of New Tapestry movement.00Illustrated with more than 100 works and views of rooms, most of them unpublished, the book testifies to the impact and vitality of these exhibitions and their impact abroad. The historical research carried out by Toms Pauli Foundation, heir to the International Center for Ancient and Modern Tapestry, is enriched by the essays of specialists from four countries with a textile tradition: France, Poland, USA and Japan.

A colorful guided tour from an expert, enabling weavers, textile lovers, and art lovers to notice and appreciate what tapestries can do and how they do it. This guide from expert tapestry weaver and historian Sidore gives how-to strategies enabling weavers and nonweavers to notice and appreciate the meaning of these artworks. You'll discover much to enjoy in photos of more than 300 tapestries from the 12th to the 21st centuries. Sidore enables you to think about the weavings in ways you have never before considered as she groups pieces that talk with each other--and that also converse with the viewer. Enjoy learning basic elements of weaving to help you become increasingly sophisticated in understanding what you're seeing. Then, learn six ways in which tapestries can call attention to themselves as cloth. This eye-opening guide to seeing explains the great range of materials and visual themes, the use of trompe l'oeil, the importance of the direction in which the weaver weaves, and more. After this learning experience, you'll bring smarter eyes to your museum wandering, deeper enjoyment to your collection and purchases, and surprising new skills and creativity to your weaving of fibers . . . and of life.

Explore the work of three generations of fine artists who have opened their minds and spirits to the boundless range of expressive possibilities in textile methods or materials. Even as the art on these pages references weaving, crochet or quilting, traditional textile notions disappear in the hands of serious artists, appropriating essential elements for their contemporary concepts

Jean Pierre Larochette is a renowned top-level artist, making this opportunity to learn from him a treasure for all levels of weavers.

The Nature of Things weaves together a life full of happiness and sorrow. In these fourteen collected essays, Tommye McClure Scanlin reflects on her artistic journey and how crafting and life are interwoven, two threads that comprise a larger picture. Readers will find themselves lost in Scanlin's full-color tapestries and comforting writing style as they explore the natural fields and woods of southern Appalachia. A final part of the book gives an overview of tapestry weaving basics with diagrams and descriptions for setting up a simple pipe loom and weaving a small tapestry sampler. Glossary, simple pipe loom illustrations, and a resource list are included for reference.

Put aside those preconceptions of dusty, medieval tapestries hanging on castle walls! Tapestry weaving has a whole new look, and fiber enthusiasts of all levels are eager to try their hand at creating images with yarn. Rebecca Mezoff, a renowned teacher of contemporary tapestry weaving, shares her techniques in this in-depth guide to every aspect of the process, from developing a color palette to selecting yarn, warping the loom, and weaving the image. Crafters can choose from inexpensive tabletop and hand-held looms to larger floor looms. Detailed step-by-step photos and inspiring examples from a range of weaver-artists make this a one-stop resource for tapestry weaving how-to.

Once ideas and images come to mind, the next step in weaving your tapestry--interpreting these into effective compositions--may be challenging. Learn here, in ways that relate specifically to tapestry art, the design basics you need to make your best work. Renowned master weaver Scanlin offers 60 step-by-step "explorations" that lead you from understanding design concepts in your head to using them on your loom. Be inspired to explore "weavable" ways to manage line, shape, color, texture, emphasis, balance, rhythm, and more for results that bring your tapestries to a new level. In Part 1, dive into the fundamentals of design. Parts 2 and 3 hold explorations--exercises with a tapestry twist. Part 4 teaches ways to turn designs into cartoons. A resource treasure trove offers ideas for finishing tapestries (essential to the design's completeness), helpful templates, glossaries, and other core information to carry forward on your creative path.

Part I: A RICH AND TEXTURED PAST. 1. Fiber Art: The First Few Thousand Years. 2. Fiber Art: From the Classical Period to the Industrial Revolution. 3. Fiber Art: The Nineteenth and Twentieth Centuries. Part II: ORIGINS, METHODS, AND MATERIALS. 4. Origins of Hand-Manipulated Fiber Structures. 5. Techniques of Hand-Manipulated Fiber Structures. 6. Looms and Accessory Equipment. 7. Simple Loom. 8. Materials for Weaving. 9. Preparation for Weaving. 10. Drafting. 11. Basic Weave Systems. 12. Compound and Multishaft Weave Structures. 13. Tapestry Weaving. 14. Rug Weaving. 15. Finishing Processes. Part III: A CLOSER LOOK AT WARP AND WEFT. 16. The Spinning Process. 17. Yarn Dyeing. 18. Yarn Patterning. Part IV: THE WORLD OF FIBERS. 19. The Theory of Fiber Art Design. 20. The Practice of Fiber Art Design. 21. The Fiber Artist of Today.