Celtic Songs Strum Together

(Strum Together). The Strum Together series enables players of five different instruments or any combination of them to "strum together" on dozens of great songs. This new, easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. This collection includes 70 traditional Celtic classics: The Ash Grove * Barbara Allen * The Blue Bells of Scotland * Comin' Through the Rye * Danny Boy * Down by the Salley Gardens * The Drunken Sailor * Finnegan's Wake * Garryowen * A Highland Lad My Love Was Born * The Irish Rover * Kerry Dance * Loch Lomond * Molly Malone (Cockles & Mussels) * My Wild Irish Rose * Red Is the Rose * The Rising of the Moon * That's an Irish Lullaby * 'Tis the Last Rose of Summer * Tourelay, Tourelay * When Irish Eyes Are Smiling * Whiskey in the Jar * Will Ye Go, Lassie Go? * Ye Banks and Braes O' Bonnie Doon * and more.

(Strum Together). The Strum Together series enables players of five different instruments or any combination of them to "strum together" on dozens of great songs. This new, easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. This collection includes 70 traditional Celtic classics: The Ash Grove * Barbara Allen * The Blue Bells of Scotland * Comin' Through the Rye * Danny Boy * Down by the Salley Gardens * The Drunken Sailor * Finnegan's Wake * Garryowen * A Highland Lad My Love Was Born * The Irish Rover * Kerry Dance * Loch Lomond * Molly Malone (Cockles & Mussels) * My Wild Irish Rose * Red Is the Rose * The Rising of the Moon * That's an Irish Lullaby * 'Tis the Last Rose of Summer * Tourelay, Tourelay * When Irish Eyes Are Smiling * Whiskey in the Jar * Will Ye Go, Lassie Go? * Ye Banks and Braes O' Bonnie Doon * and more.

(Strum Together). This new, easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. Enjoy strumming and singing 68 traditional American folksongs with your friends: Blowin' in the Wind * City of New Orleans * Down to the River to Pray * The Erie Canal * Folsom Prison Blues * Gentle on My Mind * Hey, Good Lookin' * House of the Rising Sun * I Am a Man of Constant Sorrow * Keep on the Sunny Side * King of the Road * Leaving on a Jet Plane * The Night They Drove Old Dixie Down * The Red River Valley * Sixteen Tons * Take Me Home, Country Roads * Tennessee Waltz * This Land Is Your Land * Wade in the Water * You Are My Sunshine * and many more.

(Strum Together). The Strum Together series enables players of five different instruments or any combination of them to "strum together" on 70 great songs. This easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. This collection includes: All My Loving * The Boys of Summer * Can You Feel the Love Tonight * Don't You (Forget About Me) * Everybody Wants to Rule the World * Free Bird * Hello * I Will Always Love You * My Girl * Open Arms * Sweet Child O' Mine * Unchained Melody * What a Wonderful World * You're the One That I Want * and more.

This 400-page songbook contains all of the best and most beloved traditional songs from Ireland, Scotland and beyond, ready to be played sung and strummed at your favorite session! Love Songs, Rebel Songs, Drinking Songs, Session Tunes, Folk Ballads, Sea Shanties and more. The author created this book specifically for people who like to play and sing Celtic songs. Full large-print lyrics are given for each song, along with the guitar chords for strumming along. A short informational snippet for each song, explaining some of its origin and history, is also included. A special "First Lines and Alternate Titles" index is also included, to help you find the song you are looking for. Each song is given in two different keys (C and G), with capo information to help you find your best key for singing. This is not a tablature songbook: only the lyrics and chords are given.This is a wonderful treasury of Celtic music perfect for session musicians or anyone wanting to learn more of this beautiful music.

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

(Guitar Solo). A beautiful collection of 15 Celtic arrangements: The Ash Grove * Birniebouzle * Carrickfergus * Danny Boy * Loch Lomond * Mist Covered Mountains of Home * O My Love Is like a Red, Red Rose * Ned of the Hill * O'Carolan's Journey to Cashel * Scarborough Fair * Sheebeg and Sheemore (Si Bheag, Si Mhor) * The Skye Boat Song * Tarboulton Reel * Wild Mountain Thyme * Ye Banks and Braes O' Bonnie Doon.

This meticulously researched anthology presents detailed biographies and transcriptions, including bowing, ornamentation, and accentuation of 39 fiddle tunes as played by 25 Newfoundland fiddlers from locations throughout the island. For unparalleled authenticity, the author’s live field recordings of each tune are available online, offering a unique perspective of the various types of tunes and techniques favoured by past and present Newfoundland fiddlers. Newfoundland, a former British colony, possesses a rich and varied cultural heritage due to its history of unique settlement patterns. Beginning in the 16th century, European migrants from Ireland, Scotland, West-Country England, and France settled on the island, bringing with them their various cultural practices, including their fiddles! This collection provides insight to the backgrounds, geographical locations, and musical preferences of the individual players, and how music-making and the role and status of Newfoundland fiddlers have evolved over time. The tunes included here vary from original compositions and revival collectors’ treasures, to reinterpreted versions of timeless Irish, Scottish, and French tunes. Together, they form a part of the modern-day Newfoundland fiddling tradition. This book will delight fiddle players and any musician who wishes to further enhance their repertoire and technique, or simply learn more about the island of Newfoundland and its music. Includes access to online audio.

I began listening to Celtic music in the early 90's when a friend introduced me to Fiona Ritchie's NPR radio program, The Thistle and Shamrock. I'd already become aware of some session tunes through the pennywhistle primer my father had given me in the 80's (when he was still a well, active musician and would play duets with me at family Christmas parties), but I had never before heard recordings of the masters of the whistle, fiddle, harp and uilleann pipes. Needless to say, it was a revelation. Shortly thereafter it seemed like the entire world was listening to the lilting jigs and high-stepping dance tunes in the wake of 1995's Riverdance phenomenon. I loved most everything I heard in that period, from the very traditional, but incredibly virtuosic playing of The Chieftains to the dreamy Celtic-inspired pop of Enya, to the amazing blend of the two extremes by artists like Loreena McKennitt. Fast forward to 2010s . . . Ever since I started writing and arranging for the ukulele I've been planning this book; one that combines my love of traditional Celtic music with my love of the reentrant ukulele (gCEA), which sounds fantastic on solo dance tunes played in the campanella-style (where you try to avoid playing two consecutive notes on the same string to give the sonic illusion of playing on a harp). I'd like to acknowledge Alistair Wood for introducing me to this style of playing as well as three other inspiring arrangers of Celtic tunes for uke: Jonathan Lewis, Rob MacKillop and Wilfried Welti (though I've avoided their books while working on this title to avoid any unintentional borrowing). If you love this style, please check out their work as well! How were the 'Top 25' Celtic session tunes chosen out of the thousands of tunes and variations that are available? Quite simply, I went to the top two sites for traditional tunes and chose to arrange the 25 most bookmarked tunes. Hardly scientific, but a good measure of tune popularity nonetheless. I hope you enjoy the results! Slainte mhaith (good health)! M. Ryan Taylor CONTENTS: There are no page numbers in this book. The contents are listed in alphabetical order, as follows. Although there are no 'easy' tunes in this volume, 10 of the 'easier' tunes are marked with an asterisk. Banish Misfortune Banshee* Blarney Pilgrim* Boys of Bluehill Butterfly Conaughtman's Rambles Cooley's Drowsy Maggie Gravel Walks* Harvest Home* Jimmy Ward's* Kesh Kid on the Mountain King of the Fairies Lilting Banshee* Maid Behind the Bar Mason's Apron Morrison's* Mountain Road Musical Priest* Out on the Ocean Rights of Man Silver Spear Tam Lin* Wind that Shakes the Barley* NOTES: * All of the tunes (except 'King of the Fairies') are arranged in the campanella-style. There are some places, however, where a repetition of a note on separate strings was not practical. * Slur marks have been used in the staff notation to indicate places you may wish to use a hammer-on, pull-off or slide. * A number of the arrangements go up to the 14th fret. I realize not all players have more than 12 frets, but I think enough do to warrant the inclusion. If your ukulele does not go above the 12th fret, experiment with taking these sections or phrases down an octave. * Although there are no 'easy' tunes in this volume, 10 of the 'easier' tunes are marked with an asterisk on the contents page."

(Instructional). The Hal Leonard Irish Bouzouki Method is designed for anyone just learning to play the Irish bouzouki. This comprehensive and easy-to-use beginner's guide focuses on teaching the basics of the instrument as well as accompaniment techniques for a variety of Irish song forms.