Caravan To The North

"This novel in verse is a powerful first-person account of Misael Martâinez, a Salvadoran boy whose family joins the caravan heading north to the United States. We learn all the different reasons why people feel the need to leave -- the hope that lies behind their decision, but also the terrible sadness of leaving home. We learn about how far and hard the trip is, but also about the kindness of those along the way. Finally, once the caravan arrives in Tijuana, Misael and those around him are relieved. They think they have arrived at the goal of the trip -- to enter the United States. But then tear gas, hateful demonstrations, force and fear descend on these vulnerable people. The border is closed. The book ends with Misael dreaming of El Salvador. This beautiful and timely story is written in simple but poetic verse by Jorge Argueta, the award-winning author of Somos como las nubes / We Are Like the Clouds. Award-winning Mexican illustrator Manuel Monroy illuminates Misael's journey. An author's note is included, along with a map showing the caravan's route."--

An urgent and eloquent account of a boy traveling in a caravan from his beloved homeland of El Salvador to the US border. This novel in verse is a powerful first-person account of Misael Martínez, a Salvadoran boy whose family joins the caravan heading north to the United States. We learn all the different reasons why people feel the need to leave — the hope that lies behind their decision, but also the terrible sadness of leaving home. We learn about how far and hard the trip is, but also about the kindness of those along the way. Finally, once the caravan arrives in Tijuana, Misael and those around him are relieved. They think they have arrived at the goal of the trip — to enter the United States. But then tear gas, hateful demonstrations, force and fear descend on these vulnerable people. The border is closed. The book ends with Misael dreaming of El Salvador. This beautiful and timely story is written in simple but poetic verse by Jorge Argueta, the award-winning author of Somos como las nubes / We Are Like the Clouds. Award-winning Mexican illustrator Manuel Monroy illuminates Misael’s journey. An author’s note is included, along with a map showing the caravan’s route. Key Text Features author’s note map illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).

Fourteen-year-old Debu sets off across the high mountain passes from Kumaon to Tibet to search for his father who got lost in a blizzard the year before. Adventures follow thick and fast—a forced stay in a monastery with a boy lama who takes a fancy to him, his capture by the cruel, enigmatic bandit Nangbo, who has magical powers, and a stay in the legendary goldfields of Thok Jalong. And finally—a heart-pounding, breathtaking horse race. Does Debu find his father. Does he win the race? Pick up this page-turner to find out!

THE FAIRY CARAVAN is the story of a miniature circus, William and Alexander's Travelling Circus. It is no ordinary circus, for Alexander is a highland terrier and William is Pony Billy who draws the caravan. Beatrix Potter wrote this chapter book for older children towards the end of her writing career. She wrote it for her own pleasure and at the request of friends in America who shared her love of the Lake District and north country tales.

Join the caravan for an exciting year-long trek along China's ancient Silk Road. Following the rhyming, treasure-filled story are informational endnotes about the history of the Silk Road, the story of silk, important cities of China, and a full-spread map. Ages: 4-10 Colour illustrations

Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.

“A lushly romantic adventure story set in the North African desert in 1914, told by the impeccable Lady Treal as she reminisces in her London town house about her decidedly peccable past . . . Well-written, expertly plotted, perfectly paced.”—Newsday With her anthropologist husband murdered and their caravan stolen by fierce Tuareg tribesmen, Caressa has two choices: death or a life of slavery. Concealing her dangerous beauty beneath the faded robes of an Arab boy, she embarks on the adventure of her life, harassed by vicious nomads, slave traders and the envious witch doctor, Isa. Only a handful of carnival magic tricks stands between her and oblivion. Then she discovers an inner magic so mysteriously compelling that the desert people call her a sorceress. . . . “Sheer reading pleasure.”—Publishers Weekly

(Ages 5-8) You live in Tibet in 1696. Your parents say you're not old enough to go on the long caravan to India, through the Himalayan mountains of Nepal. You know the trip could be dangerous (bandits, bad weather, rock falls), but it would be the journey of a lifetime.

Junius Wilson (1908-2001) spent seventy-six years at a state mental hospital in Goldsboro, North Carolina, including six in the criminal ward. He had never been declared insane by a medical professional or found guilty of any criminal charge. But he was deaf and black in the Jim Crow South. Unspeakable is the story of his life. Using legal records, institutional files, and extensive oral history interviews--some conducted in sign language--Susan Burch and Hannah Joyner piece together the story of a deaf man accused in 1925 of attempted rape, found insane at a lunacy hearing, committed to the criminal ward of the State Hospital for the Colored Insane, castrated, forced to labor for the institution, and held at the hospital for more than seven decades. Junius Wilson's life was shaped by some of the major developments of twentieth-century America: Jim Crow segregation, the civil rights movement, deinstitutionalization, the rise of professional social work, and the emergence of the deaf and disability rights movements. In addition to offering a bottom-up history of life in a segregated mental institution, Burch and Joyner's work also enriches the traditional interpretation of Jim Crow by highlighting the complicated intersections of race and disability as well as of community and language. This moving study expands the boundaries of what biography can and should be. There is much to learn and remember about Junius Wilson--and the countless others who have lived unspeakable histories.