Bloody Pollock

Fresh off the streets of Detroit, Lavelle finds himself locked up in one of America's most dangerous prisons, U.S.P. Pollock. Realizing his hometown crew is at the mercy of Marvin, an inmate who is currently running the prison, Lavelle decides to take matters into his own hands and make a way for him and his crew to eat. His vision is realized when he catches the eye of Nikki, a nurse in the prison who is no stranger to the streets. His position of blood spill clean-up man makes it easier for Lavelle to navigate his way around the prison, and soon his crew is doing well. But not everyone is happy about the change in luck for the Michigan men, and some people will do anything to knock their hustle. When you enter Pollock it's like entering a whole new dimension where the only rule is: there ain't no rules. Lavelle and his crew take you on a journey through these deadly grounds in which author T. Stuckey walks every day.

This collection of essays is the first book on Sharon Pollock's work, a career which spans over thirty years and several cities. Essays by Anne F. Nothof, Malcolm Page, Robert Nunn, Diane Bessai, Susan Stratton, Heidi Holder, Craig Stewart Walker, and Kathy Chung. Sharon Pollock became the most controversial playwright in Canada with her plays.

From Donald Ray Pollock, author of the highly acclaimed The Devil All the Time and Knockemstiff, comes a dark, gritty, electrifying (and, disturbingly, weirdly funny) new novel that will solidify his place among the best contemporary American authors. It is 1917, in that sliver of border land that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family's entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it? In the gothic tradition of Flannery O'Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre's literary masters.

These new essays explore the ways in which contemporary dramatists have retold or otherwise made use of myths, fairy tales and legends from a variety of cultures, including Greek, West African, North American, Japanese, and various parts of Europe. The dramatists discussed range from well-established playwrights such as Tony Kushner, Caryl Churchill, and Timberlake Wertenbaker to new theatrical stars such as Sarah Ruhl and Tarell Alvin McCraney. The book contributes to the current discussion of adaptation theory by examining the different ways, and for what purposes, plays revise mythic stories and characters. The essays contribute to studies of literary uses of myth by focusing on how recent dramatists have used myths, fairy tales and legends to address contemporary concerns, especially changing representations of women and the politics of gender relations but also topics such as damage to the environment and political violence.

Finding her mother dead at the hands of her father forever changed Sara, adding more devastation to her already poverty-stricken life. Just when she'd lost all hope, an honest hustla named Smooth came to her rescue. He took her from rags to hood riches. But little did they know, someone wanted to destroy the life they had created together--page 4 of cover.

Evil Among Them "Skinwalker" is the Navajo term for a demon in human form. But no mythical beast was as frightening as the true-life fiend who for four years spread fear throughout the deserts of the Shiprock, New Mexico area. The nightmare began on Thanksgiving 1996, when a feast of horror was served up to Joseph Fleming, 24, and Matthew Trecker, 18. Both young men were stabbed and slashed to death in an alleged attempt to cover up a robbery. Body Count The reign of terror continued as a woman was subjected to a grotesque sexual assault--but somehow managed to escape with her life. Donald Tsosie, 40, wasn't so lucky. After leaving a local watering hole, he was savagely bludgeoned, stabbed, and left to die. On June 9, 2000, Betty Lee, 36, was stabbed and then slain with a sledgehammer after being stripped of her clothing. Desert Dragnet Justice finally arrived in the form of county detectives Bob Melton and Tyler Truby, whose investigation zeroed in on hulking, hate-ridden Robert "Bobby" Fry, a misfit with a taste for brutality. Aided by Navajo trackers, Melton and Truby conducted a sleepless two-and-a-half day manhunt to bag the killer before the trail went cold. Then, like the Hero Twins of local legend, they brought a monster's murderous rampage to an end. . . Includes 16 Pages Of Shocking Photos!

Bonita was willing to do whatever it took to get out of the murderous city of Detroit. Witnessing her parents and best friend Krystal become a statistic in the murder mitten gave birth to her alter ago "Bo" and made her even more determined to relocate and start a new life. While shuffling the three men in her life and a dangerous new profession, Bo's goal was to stack a million and leave the city and all her ghosts behind. But is it possible to make a clean getaway when you're deep in the crime-ridden streets of Detroit?--P. [4] of cover

Modernity, Community, and Place in Brian Friel’s Drama shows how the leading Irish playwright explores a series of dynamic physical and intellectual environments, charting the impact of modernity on rural culture and on the imagined communities he strove to create between readers, and script, actors and audience.

"When he learns that his father is a hood legend who ran the city in the late 80s and early 90s, Saw has no interest in meeting this man who has been in prison for the last twenty years despite their mutual thirst for the good life"--