Again With One Voice

The middle of the 18th Century saw the birth of a century of striving for political reform in England; not coincidentally, it was also the golden age of the broadside ballad ¿ inexpensive songsheets sold on the street, often targeting popular figures and spreading the word of reform efforts. Scholar and singer Dick Holdstock traces the history of this tumultuous period with a collection of 120 songs from the popular presses of the day, all with appropriate tunes, extensive commentary, and rich illustrations from contemporary publications.

Speak. Laugh. Cry. Shout. Scream. Sing. Whether you're an actor or a singer, your voice is called upon to do many things. But how do you keep your voice healthy while satisfying these demands? Theatre voice specialist Joan Melton is uniquely qualified to show how. She maintains that the training of singers and actors should be similar. Her groundbreaking book outlines a course of study that integrates basic elements of singing technique into the whole range of theatre voice training. The physicality of Melton's approach addresses all the issues of concern for professional voice users in any field. Melton's detailed work on phrasing demonstrates the technical similarities between text that is sung and text that is spoken. She supports her suggestions for relating and integrating voice and movement, too-for those in musical theatre who must sing, speak, and dance-with exercises that fully engage the performer physically and vocally. Kenneth Tom contributes a chapter on vocal anatomy, offering clear and accessible material on how the voice works along with practical advice on its care.

Too often performers are conditioned to think they have a “speaking voice” and a “singing voice.” Yet in fact, the voice we use to speak, laugh, cry, yawn, scream, and call out is the same voice we use to sing! Joan Melton brings together the contrasting worlds of singing and acting training in an approach that is physically energizing, vocally freeing, and infinitely practical. Kenneth Tom contributes a chapter on vocal anatomy and physiology, offering clear and accessible material on how the voice works, along with practical advice on its care. This groundbreaking book outlines a course of study that effectively integrates techniques from theatre and music across a range of performance trainings. The physicality of Melton’s approach addresses the concerns of professional voice users in any field, and her detailed work on phrasing and the use of language applies equally to speaking and singing.

A vital record of the lives and testimony of brave people who have come out of the shadows of anonymity.

A collection of fifty-six short tales, some familiar and some new, from around the world.

“Mothers. Those women with purses the size of meat trays that hold an entire deck of school portrait photos and a chequebook, make a casserole without a recipe, make the tightest bed you'll ever sleep in and only swear under extreme duress. How, how, would I go from me to that?” At twenty-four, Meg Mason was newly married to a man “essentially indistinguishable from a young Matt Damon” after landing her dream job writing for The Times in London. Nothing, she told herself, could possibly go wrong. A holiday shortage of birth control and eight months later, she was heavily pregnant and sobbing on the side of a road over trading her career for something she knew zip about. But she soldiered on. One fine Sunday, she invented motherhood by Having a Baby. On Monday, she discovered that a bunch of women had already done that, but still they couldn't tell her how to do it. Thanks to a helpful neighbour, she learned that convincing a newborn to take a bottle by letting it lick a Dorito first to “get more thirsty” didn't always work, but not what to do when your child won't sleep for roughly two years, why making friends at the park is more difficult than meeting deadlines, or how to remove your hand from a stroller—after you've Super-Glued it to the handle. Hair-raising and hilarious, Say It Again in a Nice Voice is the story of Meg’s journey from parenting novice to . . . well . . . Meg With Kids. Along the way she discovers that being a mother, however disaster-prone, might just be the only thing that she is truly irreplaceable at.

A new, philosophically grounded theory of the voice—the voice as the lever of thought, as one of the paramount embodiments of the psychoanalytic object. Plutarch tells the story of a man who plucked a nightingale and finding but little to eat exclaimed: "You are just a voice and nothing more." Plucking the feathers of meaning that cover the voice, dismantling the body from which the voice seems to emanate, resisting the Sirens' song of fascination with the voice, concentrating on "the voice and nothing more": this is the difficult task that philosopher Mladen Dolar relentlessly pursues in this seminal work. The voice did not figure as a major philosophical topic until the 1960s, when Derrida and Lacan separately proposed it as a central theoretical concern. In A Voice and Nothing More Dolar goes beyond Derrida's idea of "phonocentrism" and revives and develops Lacan's claim that the voice is one of the paramount embodiments of the psychoanalytic object (objet a). Dolar proposes that, apart from the two commonly understood uses of the voice as a vehicle of meaning and as a source of aesthetic admiration, there is a third level of understanding: the voice as an object that can be seen as the lever of thought. He investigates the object voice on a number of different levels—the linguistics of the voice, the metaphysics of the voice, the ethics of the voice (with the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice—and he scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.

A practical field guide for your journey to impactful content operations. Capitalize on the biggest opportunity facing modern marketing teams: To unite revenue teams to speak in one voice across every customer journey and accelerate revenue through content.

2013 ELit Bronze Medal Winner-True Crime One Voice Raised: A Triumph Over Rape "Look at me and I'll kill you " Early in the morning of August 21, 1988, an unknown assailant climbed onto the balcony to the open door of Jennifer Wheatley's home, crept down the stairs, entered her first floor bedroom, and waited for her in the dark. As he grabbed her and pulled something tight around her throat, Jennifer was sure her life was over. Assaulted and raped, Jennifer lived through every woman's worst nightmare. Having never seen her assailant's face, she was sure he would never be caught. She spent two decades wondering who and where he was, and when he would strike again. Twenty years after the attack, through the dedication and tireless efforts of an investigator who refused to let her case go cold, a suspect was found. Jennifer writes about her ordeal and the years of waiting for justice with the candor and fortitude that helped her survive, and Chief Investigator David Cordle illuminates the process of assembling the puzzle pieces that led to the prosecution of one of his longest open cases. ------------------------------------------- Since publication of One Voice Raised, 2 more victims have been linked through DNA to serial rapist, William Joseph Trice. *May 31, 1987 in Montgomery County, Maryland. *August, 1988 in Silver Springs, Maryland "It brings peace of mind to Trice's victims to know their attacker has been caught and convicted. The importance of entering cold-case evidence into the national data-base can not be stressed enough."