Zuleikha

WINNER OF THE BIG BOOK AWARD, THE LEO TOLSTOY YASNAYA POLYANA AWARD AND THE BEST PROSE WORK OF THE YEAR AWARD SHORTLISTED FOR THE 2020 READ RUSSIA PRIZE RUNNER-UP FOR THE EBRD LITERATURE PRIZE, 2020 A sweeping, multi-award winning novel set in the aftermath of the Russian Revolution, as gangs of marauding soldiers terrorise and plunder the countryside. Zuleikha, the 'pitiful hen', is living in the home of her brutal husband and despotic mother-in-law in a small Tatar village. When her husband is executed by communist soldiers for hiding grain, she is arrested and sent into exile in Siberia. In the first gruelling winter, hundreds die of hunger, cold and exhaustion. Yet forced to survive in that harsh, desolate wilderness, she begins to build a new life for herself and discovers an inner strength she never knew she had. Exile is the making of Zuleikha.

One of the world's oldest recorded folktales tells the story of a handsome young man and the older woman in whose house he resides. Overcome by her feelings for him, the woman attempts to seduce him. When he turns her down she is enraged, and to her husband she accuses the young man of attacking her. The husband, seemingly convinced of his wife's innocence, has the young man punished. But it is precisely that punishment that leads to the hero's vindication and eventual rise to power and prominence. In the West we know this tale--classified in folklore as the Potiphar's Wife motif--from its vivid narration in the Hebrew Bible. But as Shalom Goldman demonstrates in this book, the Bible's is only one telling of a story that appears in the scriptures and folklore of many peoples and cultures, in many different eras, including ancient Egypt, classical Greece, and ancient Mesopotamia, as well as post-Biblical Jewish literature, the Qur'an, and Inuit culture. Goldman compares and contrasts the treatment of this motif especially in the literature and lore of the ancient Near East, Biblical Israel, and early Islam, at the same time touching on gender issues--the status of women in Middle Eastern societies and the varying constructions of male-female relationships--and the vexed question of "originality" in the narratives of the monotheistic traditions.

Zuleika Dobson, or, an Oxford love story, is the only novel by English essayist Max Beerbohm, a satire of undergraduate life at Oxford published in 1911. It includes the famous line "Death cancels all engagements" and presents a corrosive view of Edwardian Oxford. The all-male campus of Oxford—Beerbohm’s alma mater—is a place where aesthetics holds sway above all else, and where witty intellectuals reign. Things haven’t changed for its privileged student body for years . . . until the beguiling music-hall prestidigitator Zuleika Dobson shows up. The book’s marvelous prose dances along the line between reality and the absurd as students and dons alike fall at Zuleika’s feet, and she cuts a wide swath across the campus—until she encounters one young aristocrat for whom she is astonished to find she has feelings. As Zuleika, and her creator, zero in on their targets, the book takes some surprising and dark twists on its way to a truly startling ending—an ending so striking that readers will understand why Virginia Woolf said that “Mr. Beerbohm in his way is perfect.” In 1998, the Modern Library ranked Zuleika Dobson 59th on its list of the 100 best English-language novels of the 20th century.

The Big Green Tent epitomizes what we think of when we imagine the classic Russian novel. With epic breadth and intimate detail, Ludmila Ulitskaya’s remarkable work tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for individual integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. A man and his wife each become collaborators, without the other knowing; an artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward. Ludmila Ulitskaya’s novel belongs to the tradition of Dostoevsky, Tolstoy, and Pasternak: it is a work consumed with politics, love, and belief—and a revelation of life in dark times.

Offering writings in Middle East studies by renowned scholars and by the new generation of scholars of Islam and gender, this collection includes a wide variety of cases from Middle Eastern and Islamic societies. By including case-based articles, the collection highlights the clear links between concepts and theories and actual practices.

Can we ever really understand the present without first understanding the past? From the winner of the 2019 Aleksandr Solzhenitsyn Prize, and the author of the multi-award winning Laurus, comes a sweeping novel that takes readers on a fascinating journey through one of the most momentous periods in Russian history. What really happened to General Larionov of the Imperial Russian Army, who somehow avoided execution by the Bolsheviks? He lived out his long life in Yalta leaving behind a vast heritage of undiscovered memoirs. In modern day Russia, a young student is determined to find out the truth. Solovyov and Larionov is a ground-breaking and gripping literary detective novel from one of Russia's greatest contemporary writers.

The Industry of Souls is the story of Alexander Bayliss, a British citizen who was wrongfully arrested for espionage by the KGB in the 1950s and sentenced to twenty-five years of hard labor in the work camps of Siberia. Eventually freed in the 1970s, he decides not to return to the West--a world he barely remembers and to which he no longer belongs--and instead finds his way to a small Russian village where he becomes a much beloved schoolmaster. Now, on the day of his eightieth birthday, communism has evaporated and Russia is changed. This moving story alternates between this momentous day to his harrowing past in the camp and his life in the village. And in the end, he is presented with a choice, perhaps for the first time in his life. Martin Booth's brilliantly crafted novel is a celebration of life in the face of death, of humanity in the midst of a system that robs men of their dignity. It stands as a mature and profound exploration of the meaning and the essence of human friendship.

An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.