Womens Fiction 1945 2005

Organised around each decade of the post war period, this book analyses novels written by and for women from 1945 to the present. Each chapter identifies a specific genre in popular fiction for women which marked that period and provides case studies focusing on writers and texts which enjoyed a wide readership. Despite their popularity, these novels remain largely outside the 'canon' of women's writing, and are often unacknowledged by feminist literary criticism. However, these texts clearly touched a nerve with a largely female readership, and so offer a means of charting the changes in ideals of femininity, and in the tensions and contradictions in gender identities in the post-war period. Their analysis offers new insights into the shifting demands, aspirations and expectations of what a woman could and should be over the last half century. Through her analysis of women's writing and reading, Philips sets out to challenge the distinction between 'popular' and 'literary' fiction, arguing that neat categories such as 'popular', 'middle brow' and 'serious fiction' need more careful definition.

Now in its second edition and with new chapters covering such texts as Elizabeth Gilbert's Eat, Pray, Love and 'yummy mummy' novels such as Allison Pearson's I Don't Know How She Does It, this is a wide-ranging survey of popular women's fiction from 1945 to the present. Examining key trends in popular writing for women in each decade, Women's Fiction offers case study readings of major British and American writers. Through these readings, the book explores how popular texts often neglected by feminist literary criticism have charted the shifting demands, aspirations and expectations of women in the 20th and 21st centuries.

With shocking and vivid detail, the journal of a woman living through the Russian occupation of Berlin in 1945 tells of the shameful indignities to which women in a conquered city are always subject and describes the common experience of millions.

The author describes her survival of an abusive relationship, her mother's mid-life sexual proclivities, and the interference of friends and her father during a promising new romance, challenges that prompted her visit to an atypical tarot card reader.

Explores representations and re-imaginings of London in post-war fiction from Graham Greene to J.G. Ballard.

Now back in print, these witty, insightful ssays on fashion, cinema, wartime, and everyday life demonstrate why Eileen Chang was and is a major icon of twentieth-century Chinese literature. Eileen Chang is one of the most celebrated and influential modern Chinese novelists and cultural critics of the twentieth century. First published in 1944, and just as beloved as her fiction in the Chinese-speaking world, Written on Water collects Chang’s reflections on art, literature, war, urban culture, and her own life as a writer and woman, set amid the sights and sounds of wartime Shanghai and Hong Kong. In a style at once meditative and vibrant, Chang writes of friends, colleagues, and teachers turned soldiers or wartime volunteers, and her own experiences as a part-time nurse. She also reflects on Chinese cinema, the aims of the writer, and the popularity of the Peking Opera. Chang engages the reader with her sly and sophisticated humor, conversational voice, and intense fascination with the subtleties of everyday life. In her examination of Shanghainese food, culture, and fashions, she not only reveals but also upends prevalent attitudes toward women, presenting a portrait of a daring and cosmopolitan woman bent on questioning pieties and enjoying the pleasures of modernity, even as the world convulses in war and a revolution looms.