Wizard Girl

Kat believed she would be a wizard someday. She believed in a land called Kimyra where dragons skimmed the skies and wallacatoons whirled along the ground on three legs. She believed it because her father said his stories were true. Then, when Kat was almost a teenager, she began to doubt it all. That's when the ribek showed up.

While an epidemic rages and a strangler stalks the streets of the city, Luskell trains and works as a healer, but she aspires to greater power. Though everyone knows girls can't become wizards, she persuades Wizard Bardin to make her his apprentice. Luskell leaves the city on a quest for new magic and to explore mysteries that have more to do with love and desire. But the strangler follows her. She must gain the trust of old friends and an unexpected ally if she's going to stop the murderer before he strikes again.

A William C. Morris Award Finalist "Brown has written a guidebook of survival and wonder."—The New York Times "Just brilliant."—Kirkus Reviews Heavily autobiographical and infused with magical realism, Black Girl Unlimited fearlessly explores the intersections of poverty, sexual violence, depression, racism, and sexism—all through the arc of a transcendent coming-of-age story for fans of Renee Watson's Piecing Me Together and Ibi Zoboi's American Street. Echo Brown is a wizard from the East Side, where apartments are small and parents suffer addictions to the white rocks. Yet there is magic . . . everywhere. New portals begin to open when Echo transfers to the rich school on the West Side, and an insightful teacher becomes a pivotal mentor. Each day, Echo travels between two worlds, leaving her brothers, her friends, and a piece of herself behind on the East Side. There are dangers to leaving behind the place that made you. Echo soon realizes there is pain flowing through everyone around her, and a black veil of depression threatens to undo everything she’s worked for. Christy Ottaviano Books

A mysterious library book opens the door to a world of magic and danger in the first book in the beloved Young Wizards series. Bullied by her classmates, Nita Callahan is miserable at school. So when she finds a mysterious book in the library that promises her the chance to become a wizard, she jumps at the opportunity to escape her unhappy reality. But taking the Wizard's Oath is no easy thing, and Nita soon finds herself paired with fellow wizard-in-training Kit Rodriguez on a dangerous mission. The only way to become a full wizard is to face the Lone Power, the being that created death and is the mortal enemy of all wizards. As Nita and Kit battle their way through a deadly alternate version of New York controlled by the Lone Power, they must rely on each other and their newfound wizarding skills to survive--and save the world from the Lone One's grasp.

Luskell's parents are wizards, but she has no power. She's stuck spending a summer in the small town of Deep River. There, the dead start to visit her dreams with a dire warning. If these dreams can be trusted, Luskell has a lot more magic than she thinks. ...and she's going to need it to save the country ...and her parents' lives.

Two mismatched teenage girls must find their way back home to New Jersey after being zapped into the pages of a fantasy novel.

[Savage Melting VS Magical False Benevolence] Ezra Continent was a world where magic and martial arts prevailed. After death, they accidentally witnessed the murder scene and were forced to bind to the Child of Fate. Who said that the heart of the child of destiny must be filled with money? The one he met was a black bag, he thought he had found a thick leg, but who knew that this person was not only black-hearted, even the leg he hugged was black, and his conscience was also a passerby.

Essays by popular children's authors reveal the books that shaped their personal and literary lives, explaining how the stories they loved influenced them creatively, politically, and intellectually.

Girls can't become wizards, but Luskell aims to do it anyway. She leaves the city on her quest ... with a murderer close behind. Now she must repair damaged friendships and trust an unexpected ally if she's going to stop the killer before he strikes again.

It is multi-volume series work. The main pupose of this work is literary criticism, evaluating a great tradition of literature and to present comprehensive study of sanskrit literature. So far 6 volumes have been published. Each volume presents literature itself in successive periods of its development. Volume VI continues the exploration of Indian Literature (Kavya) into the eleventh century, from Padmagupta and Atula to Hilhana and Manovinoda. In the eleventh century besides what seems to be the culminating point of the storytelling tradition (Bhoja, Ksemendra, Somadeva, etc.), there are a number of surviving long novels, bu Soddhala, Jinesvara, Dhanesvara and Vardhamana. Even epics (e.g. Padmagupta`s) seem to be assimilated to fiction, and that even when extracted from Tradition (Laksmidhara). The Jaina narratives of jinas and the like, supposed to be historical, are likewise subject to the all-pervading influence of fiction (Bhavacandra, Gunapala).Beyond the scope of this influence, the rich imagination of the lyric poet Vallana composed verses in the best, and original, tradition of kavya. Among the rare dramas surviving from the eleventh century is Krsnamisra`s allegorical religious play personifying Vedic categories and the virtues, led by Discrimination, and vices, led by elusion.