Why Jesus Aint Gonna Do Nothin

Jesus Ain't Gonna Do Nothin', because He already did everything for us. Then He declared, "IT IS FINISHED." This book is a personalized message to you from God. You are not reading this by chance. The King of Kings and Lord of Lords gave us His power. He forgave us all once and for all, of all of our sins: past, present, and future by being brutally beaten and executed on the cross to ransom us from the cost of our sins. He freely paid for our salvation and gave us ALL things that pertain to life and Godliness. He destroyed illness by dying from every disease known and unknown to man at one time on the cross. He gave us dominion and power over all of the power and forces of the evil one so that now nothing shall harm us in any way. He gave us the ability to gain wealth, and He gave us a life of divine prosperity Our beloved King suffered the indignity of leaving His throne in heaven to walk the earth as a human, being tempted at all points as are we, yet not sinning. He was tortured to death by vicious brutal Roman soldiers, skilled in the art of pain infliction. He suffered the worst, most painful death anyone ever had or ever will. Why? BECAUSE HE LOVES YOU THAT MUCH!

A Black man wrongly convicted of murder attempts to rebuild his life and bring the real killer to justice, in this historical novel based on a true story. In the summer of 1932, Ben Jordan was wrongfully accused of killing a white pastor in Georgia. After a hasty trial, he was sentenced to a life of grueling labor on a chain gang and abuse at the hands of brutal wardens. But now, with his forty-year prison sentence completed, Ben is finally returning home. As he struggles to understand the profound changes the world has undergone, some things remain painfully the same—including the hateful animosity towards Black people and the fact that the real murderer is still living the life of a genteel southerner. Working to rebuild his life and see justice served, Ben faces one confrontation after another—with friend, foe, and a daughter who thinks he is dead. In this novel based on a real Depression Era murder case, author and Georgia historian Stephen Doster presents a vividly accurate depiction of Jim Crow’s long and painful legacy.

It's so easy to forget what the Christian faith is all about. We struggle so much, work so hard, and fail so often that we frequently sense something in the equation of life must be missing.Tullian Tchividjian argues that what we are missing is the gospel-a fuller, more powerful understanding of what the finished work of Jesus means for everyday life.During a year of great turmoil, Pastor Tchividjian discovered the power of the gospel in his own life. Sharing his story of how Jesus became more real to him, Tchividjian delves deeply into the fundamentals of the faith, explaining the implications of Christ's sufficiency, a revelation that sets us free and keeps us anchored through life's storms.Ultimately, Tchividjian reminds us that Jesus is the whole of the equation as he boldly proclaims that Jesus plus nothing really is everything.

A Bird by Bird for the African-American market--A top-notch writer's guide filled with practical guidance, essays, and journal exercises for the African-American writer including advice from E.Lynn Harris, Charles Johnson, and Yolanda Joe. In her introduction, Jewell Parker Rhodes writes: "Never (in four years of college or five years of graduate school) was I assigned an exercise or given a story example that included a person of color...While the educational system and the publishing world have become progressively more welcoming of African-American authors, there is still little attention to educating, supporting, and sustaining the writing process of African-American authors. Free Within Ourselves is a solid first step--it is the book I wished I had when I started out as a writer. It is meant to be a song of encouragement for African-American artisits and visionaries. Free Within Ourselves is a step-by-step introduction to fictional technique, exploring story ideas, and charting one's progress, as well as a resource guide for publishing fiction." For the legions of people who have a novel stuck in their word processors, help is finally on the way! Free Within Ourselves is an excellent guide to all the elements necessary to crafting fiction: character development, point of view, plot, atmosphere, dialogue, diction, sentence variety, and revision. Writing techniques are taught using exercises, journaling, story examples, and analyses of famous writing fragments, as well as several complete stories (including those of James Baldwin, Zora Neale Hurston, and Edwidge Dandicat, among others). The book is further enhanced by inspirational advice from successful contemporary black writers (such as Bebe Moore Campbell, Rita Dove, Henry Louis Gates, John Edgar Wideman, and others), a bibliography, and a guide to workshops, journals, magazines, contests, and fellowships supportive of black arts.

The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison). During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press. I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston as an intellectual leader for future generations of black writers. A testament to the power and breadth of Hurston's oeuvre, this edition—newly reissued for the Feminist Press's fiftieth anniversary—features a new preface by Walker. "Through Hurston, the soul of the black South gained one of its most articulate interpreters." —The New York Times

First Published in 1996. One of the most interesting features of the Harlem Renaissance was the degree to which black writers and poets were involved in promoting and analyzing their own literary movement. One of its formative events was the 1926 attempt by Wallace Thurman, Langston Hughes and other young writers to publish a literary magazine, FIRE!! This was the first of several efforts by black writers to establish literary journals. While these efforts failed, the magazine Opportunity employed a series of black poets as columnists to analyze and review black literary efforts. This volume collects the writings of this important literary journal as well as including many autobiographical and historical sketches.

Nathan Irvin Huggins showcases more than 120 selections from the political writings and arts of the Harlem Renaissance. Featuring works by such greats as Langston Hughes, Aaron Douglas, and Gwendolyn Bennett, here is an extraordinary look at the remarkable outpouring of African-American literature and art during the 1920s.

Revised Curriculum and Credit Framework of Under Graduate Programme, Haryana According to KUK/CRSU University Syllabus as Per NEP-2020

‘Sweat’ is an early feminist short story by Harlem Renaissance writer, Zora Neale Hurston. This pocket-sized tale presents the contrasting lives of a married couple: the sweat and toil of Delia and the leisure and privilege of her husband, Sykes. Delia works incredibly long hours as a washerwoman, making sure that she earns enough to pay rent for her and her husband’s home, while also ensuring the house is clean and there is food on the table. Her husband, Sykes, is unemployed, abusive, and having an affair. As the story progresses, it becomes apparent that both Delia and Sykes want their relationship to end, but Sykes is willing to go to horrific measures to ensure she is out of his life for good. Zora Neale Hurston presents the lack of job opportunities for Black men in the South following the American civil war, and she investigates the psychological impact of a man at that time having to financially depend on his wife. Sykes resorts to abusing Delia because it is the only way he can assert his dominance. Hurston explores early feminist ideals and ensures her work features characters who are strong Black women. First published in 1926, ‘Sweat’ is now in a brand new pocket-sized edition featuring an introductory essay on the Harlem Renaissance, and is a brilliant read for those interested in early feminist writings.