When Nights Were Cold

As Queen Victoria’s reign reaches its end, Grace Farringdon dreams of polar explorations and of escape from her stifling home with her protective parents and eccentric, agoraphobic sister. But when Grace secretly applies to Candlin, a women’s college filled with intelligent, like-minded women, she finally feels her ambitions beginning to be take shape. There she forms an Antarctic Exploration Society with the gregarious suffragette Locke, the reserved and studious Hooper and the strange, enigmatic Parr, and before long the group are defying their times and their families by climbing the peaks of Snowdonia and planning an ambitious trip to the perilous Alps. Fifteen years later, trapped in her Dulwich home, Grace is haunted by the terrible events that took place out on the mountains. She is the society’s only survivor and for years people have demanded the truth of what happened, the group’s horrible legacy a millstone around her neck. Now, as the eve of the Second World War approaches, Grace is finally ready to remember and to confess . . . From one of the finest writers of the psychological thriller comes this beautifully woven, deeply unsettling historical novel; powerfully atmospheric, shivering with menace and reminiscent of the very best of Sarah Waters.

Vols. 10-11 include Meteorology of England by James Glaisher as seperately paged section at end.

The period from the early 1880s through the First World War has been called "The Golden Age of the Storytellers." These were the writers who sought not to write great literature, but to entertain, spinning yarns to be printed and read, just as their predecessors, the minstrels and bards, recited and were listened to. Through their countless tales of adventure and derring-do they brought romance and colour to the lives of those who could do no more than dream. This was the age of Sir Arthur Conan Doyle, H. Rider Haggard, Rudyard Kipling, Robert Louis Stevenson, and H.G. Wells. Canadian writers contributed in no small way to the cornucopia of romance and adventure the reading public could find at the newsstands and bookstores. This is the period of which Messrs Roper, Beharriell, and Scheider in Literary History of Canada: Canadian Literature in English (2d ed., 1976) say "the Canadian fiction-writers between 1880 and 1920 were read more widely by their contemporaries, inside and outside Canada, than have been the Canadian fiction-writers - collectively - since." Literary historian David Skene-Melvin, the leading authority on Canadian criminous literature, has garnered from amongst the collections and magazines of the period a second anthology of stirring tales by Grant Allen, Robert Barr, Algernon Blackwood, W. H. Blake, Susan Carleton, William Henry Drummond, William Fraser, Harvey O’Higgins, Sir Gilbert Parker, Hesketh Pearson, Alan Sullivan, and others, some never before anthologized, guaranteed to set the blood a-racing and stimulate the imagination.

Reports for 1908-1929 include Supplement to the "Guide to the experimental plots".