Welcome To The Underworld

There is a secret society that presides over every world. This society is so powerful that it can control a nation, strike fear into the bravest of men and bring turmoil onto the most unsuspecting of victims. . . .There is a dangerous society in Seoul that is plaguing Choi Yoori. Her world is turned upside down when she is told that she bears a strong resemblance to the "Queen of the Underworld," a notorious Underworld crime lord who died 3 years prior - the exact same time Yoori woke up with amnesia. The dangers of this new world is crashing in on her and Yoori's only grip on stability lies with the guidance from her crime lord boss and the secrets the Queen of the Underworld hid from her powerful society. Welcome to a world where "Gods" walk amongst humans. Where the heartless and vengeful are revered like Kings and Queens - and the weak, the distracted are punished without mercy. It is a cruel world and once you're in, the only exit is death.

The Dirty Harold is a book of a lifetime...it may not take a lifetime to fully read it, but to grasp it...but maybe you get it as soon as you can say Jack Robinson, even if Jack Robinson is new to you.So you can rely on the fact that the Ultra-Short Stories in this book change your perspective on short stories and not only on short stories, as long stories just take too much time to fully read them in our restless times. This much The Dirty Harold can tell you, as his Ultra-Short Stories are loaded with dynamite, sometimes shimmering, sometimes humorous, sometimes bizarre, and sometimes just dynamite, but always something to think about. Welcome to the Underworld of Literature!

Perpetual scaredy-cat Conor O'Neill has the fright of his life when a banshee girl named Ashling shows up in his bedroom. Ashling is--as all banshees are--a harbinger of death, but she's new at this banshee business, and first she insists on going to middle school. As Conor attempts to hide her identity from his teachers, he realizes he's going to have to pay a visit to the underworld if he wants to keep his family safe. "Got your cell?" "Yeah . . . . Don't see what good it'll do me." "I'll text you if anything happens that you should know." "Text me? Javier, we'll be in the afterlife." "You never know. Maybe they get a signal." Discover why Kirkus has called Booraem's work "utterly original American fantasy . . . frequently hysterical." This totally fresh take on the afterlife combines the kid next door appeal of Percy Jackson with the snark of Artemis Fowl and the heart of a true middle grade classic.

"Reproducible comic book-style retellings that introduce kids to these riveting classic stories ..."--Cover.

The Underworld is the land of the dead and ruled by the powerful god Hades. It is not a place where the living are welcome, but that's where you must go. You will need to cross the River Styx and face the three-head dog Cerberus. But once you are there and reach your goal, will you be able to find your way back to the living or be trapped forever? Full-page illustrations, interactive stories, and multiple endings transport you back to ancient Greece and into deep dark depths of the Underworld.

The official novelization of the third installment of the Underworld film series--a prequel to the first two films that explores the origins of the centuries-old blood feud between the ageless, aristocratic vampires known as Death Dealers and their onetime slaves, the Lycans. The film opens in theaters on January 23. Original.

Myths of the Underworld in Contemporary Culture: The Backward Gaze examines a series of twentieth and twenty-first century fictional works that adapt Greco-Roman myths of the catabasis, the heroic journey to the underworld. Covering a range of genres - including novels, comics, and children's culture, by authors such as Elena Ferrante, Salman Rushdie, Neil Gaiman, A. S. Byatt, Toni Morrison, and Anne Patchett - it reveals how an enduring fascination with life after death, and fantasies of accessing the world of the dead while we are still alive, manifest themselves in myriad and varied re-imaginings of the ancient descent myth. The volume begins with a detailed overview of the use of the myth by ancient authors such as Homer, Aristophanes, Vergil, and Ovid, before exploring the ways in which the narrative of a return trip to Hades by Odysseus, Aeneas, Orpheus, and Persephone can be manipulated by contemporary storytellers to fit themes of social marginality and alterity, postmodern rebellion, the position of female authors in the literary canon, and the dislocation endured by refugees, exiles, and diasporic populations. It also argues that citations of classical underworld stories can disrupt and challenge the literary canon by using media - such as comic books, children's culture, or rock music - not conventionally associated with high culture.

You've probably heard of Odin, Thor and Loki. But have you heard of the great tree Yggdrasil and the nine worlds that sit in it's branches? How about Baldur the God of light? Or Idunn, Goddess of spring?Well you're in the right place! Read on to learn all about the Gods of Norse Mythology and the world they live in! Norse Mythology is all around us, even in things as simple as the days of the week (did you know wednesday is named after Odin?). More and more we're seeing it pop up in movies and books and TV. What we don't often see is factual information of the myths themselves, particularly for children. This 32-page, fully illustrated book intends to inform young children on some basics about some of the key characters, places and symbols of Norse Mythology. It also includes pronunciation guides, fun facts and an activity to make learning more engaging.