Walt And Skeezix Book Four

THE LONG-AWAITED NEW VOLUME FROM THE CRITICALLY ACCLAIMED ARCHIVAL COLLECTION OF FRANK KING'S CLASSIC STRIP In this fourth volume of Walt and Skeezix, the newly married Walt Wallet settles into domestic life with his wife, Phyllis, and their adopted son, Skeezix, but their family bliss is soon disrupted by a man who claims to be Skeezix's natural father. A long custody battle erupts, raising questions as to the importance of blood ties compared with a loving environment. Later, Walt and Phyllis have to deal with all the dilemmas of a young couple's life as their family starts to unexpectedly expand. This is the very stuff of life—paying the bills, nursing a sick child, finding the right job while spending quality time with family—expertly explored with cartoonist Frank King's unerring fidelity to reality. In unfolding the drama of the Wallet family's life, King displays his full mastery of long and complex narratives, which made his work a forerunner to the modern graphic novel. In his introduction to the series, Jeet Heer explores King's storytelling prowess and links the concerns of the strip with changes in American culture in the 1920s. Lavishly illustrated with King's family photos, the book is designed by Chris Ware, whose elegant and detail-rich books have revolutionized the graphic novel field.

Sunday Press Books presents a masterpiece in comic art by Frank King. Collected for the first time, here are the best Gasoline Alley Sunday comics, starting from the very first Sunday in 1921. King's innovations in art, layout and storytelling brought a new warmth and style to the medium at the dawn of the Golden Age of newspaper comic strips. This book is designed by Chris Ware with an introduction by Jeet Heer. As with the Sunday Press editions of Little Nemo in Slumberland, these incredible Sunday pages are shown digitally restored to their original colorful brilliance and reproduced at full size (16 by 21 inches). The book is filled with images of comics memorabilia and photographs of King's life. It also includes texts on King's life and work by journalist Tim Samuels and comics historian/critic Donald Phelps. Included in the book is a full-sheet cardboard insert replica of a 1920's Skeezix cut-out toy.

THE LONG-AWAITED NEW VOLUME FROM THE CRITICALLY ACCLAIMED ARCHIVAL COLLECTION OF FRANK KING'S CLASSIC STRIP In this fourth volume of Walt and Skeezix, the newly married Walt Wallet settles into domestic life with his wife, Phyllis, and their adopted son, Skeezix, but their family bliss is soon disrupted by a man who claims to be Skeezix's natural father. A long custody battle erupts, raising questions as to the importance of blood ties compared with a loving environment. Later, Walt and Phyllis have to deal with all the dilemmas of a young couple's life as their family starts to unexpectedly expand. This is the very stuff of life—paying the bills, nursing a sick child, finding the right job while spending quality time with family—expertly explored with cartoonist Frank King's unerring fidelity to reality. In unfolding the drama of the Wallet family's life, King displays his full mastery of long and complex narratives, which made his work a forerunner to the modern graphic novel. In his introduction to the series, Jeet Heer explores King's storytelling prowess and links the concerns of the strip with changes in American culture in the 1920s. Lavishly illustrated with King's family photos, the book is designed by Chris Ware, whose elegant and detail-rich books have revolutionized the graphic novel field.

"Forty-plus years earlier, Walt Wallet found baby Skeezix in a basket on his doorstep and in the 1964-1966 strips reproduced in this volume. Skeezix is now middle-aged and has a family of his own. For the first time since they appeared in newspapers fifty years ago, readers can enjoy these classic strips featuring Walt and his wife Phyllis, Skeezix and his wife Nina, Corky, Clovia, Slim, Avery, Mr. Pert, Joel, Rufus, and a whole cast of familiar characters. Reproduced from syndicate proofbooks and featuring an enlightening introduction by Rick Norwood."--

From the bestselling author of Shopgirl comes the tender story of a troubled man who finds love, and life, in the most unexpected place. Daniel resides in his Santa Monica apartment, living much of his life as a bystander: He watches from his window as the world goes by, and his only relationships seem to be with people who barely know he exists. He passes the time idly filling out contest applications, counting ceiling tiles, and estimating the wattage of light bulbs. It is through Daniel's growing attachment to Clarissa, and to Teddy, that he finally gains the courage to begin to engage the world outside, and in doing so, he discovers love, and life, in the most surprising places. Filled with his trademark humor, tenderness, and out and out hilarious wordplay, The Pleasure of My Company is a tour de force sure to delight all of Steve Martin's fans.

From the famed New Yorker illustrator comes one of the lost treasures of American comic strips.

Gasoline Alley was one of the most influential and critically-acclaimed comic strips of all time. Dark Horse is reprinting all of the colour Sundays from the 1920s, with this volume collecting the Sundays from 1923 through 1925. Readers will discover the abundant wonder and dazzling beauty in the world - as seen through the eyes of creator Frank King and his beloved characters, Walt and Skeezix - in some of Gasoline Alley's most artistically imaginative art!

The enchanting comic strip that introduced adult readers to the wonderful world of Moomin Tove Jansson is revered around the world as one of the foremost children's authors of the twentieth century for her illustrated chapter books regarding the magical worlds of her creation, the Moomins. The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of world's largest newspaper the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in 40 countries. Moomin Book One is the first volume of Drawn & Quarterly publishing plan to reprint the entire strip drawn by Jansson before she handed over the reigns to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century. The Moomins are a tight-knit family — hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

In a partnership spanning four decades, Francoise Mouly and Art Spiegelman have been the pre-eminent power couple of cutting-edge graphic art. From Raw magazine to the New York, where she serves as art editor, Mouly and Spiegelman have revolutionized the art. In Love with Art profiles the pair and interviews Chris Ware, Dan Clowes, Adrian Tomine and more.

"Mit dose kids, society is nix!" So said the Inspector about the Katzenjammer kids, but he could have been speaking of all comic strips in their formative years at the turn of the last century. From the very first color Sunday supplement, comics were a driving force in newspaper sales, even though their crude and often offensive content placed them in a whirl of controversy. Sunday comics presented a wild parody of the world and the culture that surrounded them. Society didn't stand a chance. These are the origins of the American comic strip, born at a time when there were no set styles or formats, when artistic anarchy helped spawn a new medium. Here are the earliest offerings from known greats like R. F. Outcault, George McManus, Winsor McCay, and George Herriman, along with the creations of more than fifty other superb cartoonists; over 150 Sunday comics dating from 1895 to 1915.