Victorian House Keeping

First published in 1995. The essays in this volume demonstrate how Victorian women took up various positions along a continuum that ranged from the desire of Shelley’s creature for the power and acceptance it associated with the house to the rejection of Brontë’s heroine of the immobility and powerlessness she ultimately experienced there. More specifically the essays in this volume explore the nature of the Victorian woman’s domestic relations by centring in one activity that most informed her place in what was often the father’s house: housekeeping. The essays in this edition determine how writers, especially novelists, both male and female, used housekeeping to construct, reconstruct, represent, and inscribe the female self and condition. This title will be of interest to students of history and literature.

DigiCat Publishing presents to you this special edition of "The English Housekeeper: Or, Manual of Domestic Management" by Anne Cobbett. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The Modern Housewife Or Menagere is a cookbook by Alexis Soyer. It includes almost one thousand recipes for the efficient and thoughtful preparation of every meal of the day.

A Little Housekeeping Book for a Little Girl; Or, Margaret's Saturday Mornings by Caroline French Benton is a charming and practical guide for young girls on the art of housekeeping. With engaging and easy-to-follow instructions, Benton teaches essential skills and responsibilities, promoting a sense of independence and self-reliance. This delightful book is both educational and entertaining, making it an ideal resource for young readers.

DigiCat Publishing presents to you this special edition of "Common Sense for Housemaids" by Ann Fraser Tytler. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Victorian Contagion: Risk and Social Control in the Victorian Literary Imagination examines the literary and cultural production of contagion in the Victorian era and the way that production participated in a moral economy of surveillance and control. In this book, I attempt to make sense of how the discursive practice of contagion governed the interactions and correlations between medical science, literary creation, and cultural imagination. Victorians dealt with the menace of contagion by theorizing a working motto in claiming the goodness and godliness in cleanliness which was theorized, realized, and radicalized both through practice and imagination. The Victorian discourse around cleanliness and contagion, including all its treatments and preventions, developed into a culture of medicalization, a perception of surveillance, a politics of health, an economy of morality, and a way of thinking. This book is an attempt to understands the literary and cultural elements which contributed to fear and anticipation of contagion, and to explain why and how these elements still matter to us today.

A rich selection from diaries, letters, advice books, magazines, and paintings creates a rooms-by-room portrait of Victorian life--from childbirth in the master bedroom to separate gender domains in the drawing room and parlor.

The parlour was the centre of the Victorian home and, as Thad Logan shows, the place where contemporary conflicts about domesticity and gender relations were frequently played out. In The Victorian Parlour: A Cultural Study, Logan uses an interdisciplinary approach that combines the perspectives of art history, social history and literary theory to describe and analyse the parlour as a cultural artefact. She offers a detailed investigation of specific objects in the parlour, and argues that these things articulated social meaning and could present symbolic resolutions to disturbances in the social field. The book concludes with a discussion of how representations of the parlour in literature and art reveal the pleasures and anxieties associated with Victorian domestic life.