Under The Spell Of Freedom

In Under the Spell of Freedom, Hans Joas deconstructs the grand Hegelian narrative of human history as the self-realization of the idea of freedom, setting as a counterpart the sketches of a theory of the emergence of moral universalism. He takes the classical views of Hegel and his emphasis on the role of Protestant Christianity and the extremely negative views about Christianity in the work of the philosopher Friedrich Nietzsche to elaborate on this new understanding of religion and freedom, which encompasses a range of intellectual traditions and avoids Eurocentrism. Joas answers the empirical question of when, where, why, and how such a moral universalism emerged and developed.

"How do the history of religion and the history of political freedom relate to each other? The variety of views on this subject in philosophy, the humanities and social sciences, and the public is broad and confusing. But the grandiose synthesis in which Hegel brought together Christianity and political freedom is still an enormous source of orientation for many - despite or even because of the influential provocations of Friedrich Nietzsche"--

How do the history of religion and the history of political freedom relate to each other? The variety of views on this subject in philosophy, the humanities and social sciences, and the public is broad and confusing. But the grandiose synthesis in which Hegel brought together Christianity and political freedom is still an enormous source of orientation for many-despite or even because of the influential provocations of Friedrich Nietzsche. As Hans Joas shows in Under the Spell of Freedom, a different view has developed in the religious thinking of the twentieth century based on a conception of history that is more open to the future and on a concept of freedom that is richer than that of Hegel. Using sixteen selected thinkers, Joas deconstructs the grand Hegelian narrative of human history as the self-realization of the idea of freedom, setting as a counterpart the sketches of a theory of the emergence of moral universalism. Further, taking the classical views of Hegel and his emphasis on the role of Protestant Christianity and the extremely negative views about Christianity in the work of the philosopher Friedrich Nietzsche, Joas elaborates on this new understanding of religion and freedom, which avoids both Eurocentrism and an intellectualist view of religious faith and practice. The result is a forceful plea for a global history of moral universalism. Under the Spell of Freedom is an important step in this direction.

Equally moving and disturbing, this book chronicles the rise and fall of the religion Rajneeshism and the Rolls Royce guru, and Jane's part in the events that led to its collapse.

In A Social Theory of Freedom, Mariam Thalos argues that the theory of human freedom should be a broadly social and political theory, rather than a theory that places itself in opposition to the issue of determinism. Thalos rejects the premise that a theory of freedom is fundamentally a theory of the metaphysics of constraint and, instead, lays out a political conception of freedom that is closely aligned with questions of social identity, self-development in contexts of intimate relationships, and social solidarity. Thalos argues that whether a person is free (in any context) depends upon a certain relationship of fit between that agent’s conception of themselves (both present and future), on the one hand, and the facts of their circumstances, on the other. Since relationships of fit are broadly logical, freedom is a logic—it is the logic of fit between one’s aspirations and one’s circumstances, what Thalos calls the logic of agency. The logic of agency, once fleshed out, becomes a broadly social and political theory that encompasses one’s self-conceptions as well as how these self-conceptions are generated, together with how they fit with the circumstances of one’s life. The theory of freedom proposed in this volume is fundamentally a political one.

Disenchantment is a key term in the self-understanding of modernity. But what exactly does this concept mean? What was its original meaning when Max Weber introduced it? And can the conventional meaning or Max Weber's view really be defended, given the present state of knowledge about the history of religion? In The Power of the Sacred, Hans Joas develops the fundamentals of a new sociological theory of religion by first reconstructing existing theories, from the eighteenth century to the present. Through a critical reading and reassessment of key texts in the three empirical disciplines of history, psychology, and sociology of religion, including the works of David Hume, J.G. Herder, Friedrich Schleiermacher, William James, Emile Durkheim, and Ernst Troeltsch, Joas presents an understanding of religion that lays the groundwork for a thorough study of Max Weber's views on disenchantment. After deconstructing Weber's highly ambiguous use of the concept, Joas proposes an alternative to the narratives of disenchantment and secularization which have dominated debates on the topic. He constructs a novel interpretation that takes into account the dynamics of ever new sacralizations, their normative evaluation in the light of a universalist morality as it first emerged in the "Axial Age," and the dangers of the misuse of religion in connection with the formation of power. Built upon the human experience of self-transcendence, rather than human cognition or cultural discourses, The Power of the Sacred challenges both believers and non-believers alike to rethink the defining characteristics of Western modernity.

Religion and Violence: Philosophical Perspectives from Kant to Derrida's careful posing of such questions and rearticulations pioneers new modalities for systematic engagement with religion and philosophy alike.--Arthur Bradley "Year's Work in Critical and Cultural Theory"

The New York Times bestseller – a “crystal-clear, constantly engaging” (Jared Diamond) exploration of the role that religious belief plays in our lives and our interactions For all the thousands of books that have been written about religion, few until this one have attempted to examine it scientifically: to ask why—and how—it has shaped so many lives so strongly. Is religion a product of blind evolutionary instinct or rational choice? Is it truly the best way to live a moral life? Ranging through biology, history, and psychology, Daniel C. Dennett charts religion’s evolution from “wild” folk belief to “domesticated” dogma. Not an antireligious screed but an unblinking look beneath the veil of orthodoxy, Breaking the Spell will be read and debated by believers and skeptics alike.

A 2016 Caldecott Honor Book A 2016 Robert F. Sibert Honor Book A 2016 John Steptoe New Talent Illustrator Award Winner Stirring poems and stunning collage illustrations combine to celebrate the life of Fannie Lou Hamer, a champion of equal voting rights. “I am sick and tired of being sick and tired.” Despite fierce prejudice and abuse, even being beaten to within an inch of her life, Fannie Lou Hamer was a champion of civil rights from the 1950s until her death in 1977. Integral to the Freedom Summer of 1964, Ms. Hamer gave a speech at the Democratic National Convention that, despite President Johnson’s interference, aired on national TV news and spurred the nation to support the Freedom Democrats. Featuring vibrant mixed-media art full of intricate detail, Voice of Freedom celebrates Fannie Lou Hamer’s life and legacy with a message of hope, determination, and strength.

Combining black feminist theory, philosophy, and performance studies, Sarah Jane Cervenak ruminates on the significance of physical and mental roaming for black freedom. She is particularly interested in the power of wandering or daydreaming for those whose mobility has been under severe constraint, from the slave era to the present. Since the Enlightenment, wandering has been considered dangerous and even criminal when associated with people of color. Cervenak engages artist-philosophers who focus on wayward movement and daydreaming, or mental travel, that transcend state-imposed limitations on physical, geographic movement. From Sojourner Truth's spiritual and physical roaming to the rambling protagonist of Gayl Jones's novel Mosquito, Cervenak highlights modes of wandering that subvert Enlightenment-based protocols of rationality, composure, and upstanding comportment. Turning to the artists Pope.L (William Pope.L), Adrian Piper, and Carrie Mae Weems, Cervenak argues that their work produces an otherworldly movement, an errant kinesis that exceeds locomotive constraints, resisting the straightening-out processes of post-Enlightenment, white-supremacist, capitalist, sexist, and heteronormative modernity. Their roaming animates another terrain, one where free, black movement is not necessarily connected to that which can be seen, touched, known, and materially valued.