Ultimate Werewolf Preiss

Some of the world’s best-known authors of the fantastic and the mysterious explore the classic legend of the werewolf. From Mel Gilden’s gripping fable of a small town with werewolf fever, to Nancy Collins’s tale of a young boy unaware of the evil within him, to Stuart Kaminsky’s wolfman in Moscow—here are spectacular new werewolf stories transcending time and place. New Stories By Kevin J. Anderson Stuart M. Kaminsky Kim Antieau Kathe Koja Jerome Charyn Brad Linaweaver Nancy A. Collins Pat Murphy A.C. Crispin Kathleen O’Malley Philip José Farmer Bill Pronzini Craig Shaw Gardner Robert J. Randisi Mel Gilden Brad Strickland Nina Kiriki Hoffman Robert E. Weinberg FEATURING THE CLASSIC WEREWOLF STORIES BY HUGO AND NEBULA AWARD-WINNERS HARLAN ELLISON & ROBERT SILVERBERG Introduction by Harlan Ellison Selected Filmography by Leonard Wolf

In this fascinating book, Brian J. Frost presents the first full-scale survey of werewolf literature covering both fiction and nonfiction works. He identifies principal elements in the werewolf myth, considers various theories of the phenomenon of shapeshifting, surveys nonfiction books, and traces the myth from its origins in ancient superstitions to its modern representations in fantasy and horror fiction. Frost's analysis encompasses fanciful medieval beliefs, popular works by Victorian authors, scholarly treatises and medical papers, and short stories from pulp magazines of the 1930s and 1940s. Revealing the complex nature of the werewolf phenomenon and its tremendous and continuing influence, The Essential Guide to Werewolf Literature is destined to become a standard reference on the subject.

From “Who Put the Bomp (in the Bomp, Bomp, Bomp)?” to a list of all song titles containing the word “werewolf,” Rock Music in American Popular Culture II: More Rock ’n’Roll Resources continues where 1995’s Volume I left off. Using references and illustrations drawn from contemporary lyrics and supported by historical and sociological research on popular cultural subjects, this collection of insightful essays and reviews assesses the involvement of musical imagery in personal issues, in social and political matters, and in key socialization activities. From marriage and sex to public schools and youth culture, readers discover how popular culture can be used to explore American values. As Authors B. Lee Cooper and Wayne S. Haney prove that integrated popular culture is the product of commercial interaction with public interest and values rather than a random phenomena, they entertainingly and knowledgeably cover such topics as: answer songs--interchanges involving social events and lyrical commentaries as explored in response recordings horror films--translations and transformations of literary images and motion picture figures into popular song characters and tales public schools--images of formal educational practices and informal learning processes in popular song lyrics sex--suggestive tales and censorship challenges within the popular music realm war--examinations of persistent military and home front themes featured in wartime recordings Rock Music in American Popular Culture II: More Rock ‘n’Roll Resources is nontechnical, written in a clear and concise fashion, and explores each topic thoroughly, with ample discographic and bibliographic resources provided for additional research. Arranged alphabetically for quick and easy reference to specific topics, the book is equally enjoyable to read straight through. Rock music fans, teachers, popular culture professors, music instructors, public librarians, sound recording archivists, sociologists, social critics, and journalists can all learn something, as the book shows them the cross-pollination of music and social life in the United States.

Based on the original motion picture Frankenstein, some of the best-known authors of the fantastic and the mysterious explore the legend of Mary Shelley’s classic monster. From Brian Aldiss’s eerie look at a mysterious creature hidden for centuries, to S.P. Somtow’s tale of passion and dismemberment in Thailand, to Katherine Dunn’s examination of a bizarre affair—here are spectacular new Frankenstein stories transcending time and place. New Stories by Various Authors Featuring Kurt Vonnegut Classic, “Fortitude” Introduction by Isaac Asimov Selected Filmography by Leonard Wolf Illustrations by C.B. Mordan Cover design by Fearn Cutler Cover art by Bruce Jensen A Byron Preiss Book

This annual selection guide covers new novels in the mystery fiction, science fiction, fantasy, horror, western fiction and romance genres. By identifying similarities in various books, it seeks to help readers to independently choose titles of interest published during 1995 - 1996. Entries are arranged by author within six genre sections, and provide: publisher and publication date; series name and number; description of characters; time/geographical setting; review citation; genre and setting notations; and related books.

Half-man-half-myth, the werewolf has over the years infiltrated popular culture in many strange and varied shapes, from Gothic horror to the 'body horror' films of the 1980s and today's graphic novels. Yet despite enormous critical interest in myths and in monsters, from vampires to cyborgs, the figure of the werewolf has been strangely overlooked. Embodying our primal fears - of anguished masculinity, of 'the beast within' - the werewolf, argues Bourgault du Coudray, has revealed in its various lupine guises radically shifting attitudes to the human psyche. Tracing the werewolf's 'use' by anthropologists and criminologists and shifting interpretations of the figure - from the 'scientific' to the mythological and psychological - Bourgault du Coudray also sees the werewolf in Freud's 'wolf-man' case and the sinister use of wolf imagery in Nazism. "The Curse of the Werewolf" looks finally at the werewolf's revival in contemporary fantasy, finding in this supposedly conservative genre a fascinating new model of the human's relationship to nature. It is a required reading for students of fantasy, myth and monsters. No self-respecting werewolf should be without it.