To Catch A Spy

In To Catch a Spy: The Art of Counterintelligence, former Chief of CIA counterintelligence James M. Olson offers a wake-up call for the American public, showing how the US is losing the intelligence war and how our country can do a better job of protecting its national security and trade secrets.

In 2008, almost two decades after the Cold War was officially consigned to the history books, an average American guy helped to bring down a top Russian spy based at the United Nations. He had no formal espionage training. Everything he knew about spying he'd learned from books, films, video games and TV. And yet, with the help of an initially reluctant FBI duo, he ended up at the centre of a highly successful counterintelligence operation that targetted Russian espionage in America. For four nerve-wracking years, he worked as a double agent, spying on America for the Russians, trading cash for sensitive US military secrets, handing over thumb-drives of valuable technical data, pretending to sell out his country across noisy restaurant tables and in quiet parking lots. Now, for the first time, he will reveal the fascinating mechanics behind his double-agent operation that helped disrupt Russia's New York-based espionage apparatus and forced Moscow to reassign its top operatives

In To Catch a Spy: The Art of Counterintelligence, former Chief of CIA counterintelligence James M. Olson offers a wake-up call for the American public, showing how the US is losing the intelligence war and how our country can do a better job of protecting its national security and trade secrets.

The United States is losing the counterintelligence war. Foreign intelligence services, particularly those of China, Russia, and Cuba, are recruiting spies in our midst and stealing our secrets and cutting-edge technologies. In To Catch a Spy: The Art of Counterintelligence, James M. Olson, former chief of CIA counterintelligence, offers a wake-up call for the American public and also a guide for how our country can do a better job of protecting its national security secrets. Olson takes the reader into the arcane world of counterintelligence as he lived it during his thirty-year career in the CIA. After an overview of what the Chinese, Russian, and Cuban spy services are doing to the United States, Olson gives a masterclass on the principles and practice of counterintelligence. Readers will learn his ten commandments of counterintelligence and about specific aspects such as running double-agent operations and surveillance. The book also analyzes twelve actual case studies in order to illustrate why people spy against their country, the tradecraft of intelligence, and where counterintelligence breaks down or succeeds. A "lessons learned" section follows each case study, and the book also includes an appendix of recommended further reading. This book will fascinate anyone with an interest in the real world of espionage.

The Spycatcher affair remains one of the most intriguing moments in the history of British intelligence and a pivotal point in the public's relationship with the murky world of espionage and security. It lifted the lid on alleged Soviet infiltration of British services and revealed a culture of law-breaking, bugging and burgling. But how much do we know about the story behind the scandal? In To Catch a Spy, Tim Tate reveals the astonishing true story of the British government's attempts to silence whistleblower Peter Wright and hide the truth about Britain's intelligence services and political elites. It's a story of state-sanctioned cover-up plots; of the government lying to Parliament and courts around the world; and of stories leaked with the intention to mislead and deceive. This is a tale of high treason and low farce. Drawing on thousands of pages of previously unpublished court transcripts, the contents of secret British government files, and original interviews with many of the key players in the Spycatcher trials, it draws back the curtain on a hidden world. A world where spies, politicians and Britain's most senior civil servants conspired to ride roughshod over the law, prevented the public from hearing about their actions and mounted a cynical conspiracy to deceive the world. It is the story of Peter Wright's ruthless and often lawless obsession to uncover Russian spies, both real and imagined, his belated determination to reveal the truth and the lengths to which the British government would go to silence him.

Catching a Russian Spy is the story of the FBI's investigation of Aldrich Ames, CIA agent who turned Russian spy, and the agent who helped bring him to justice. Aldrich H. "Rick" Ames was a 31-year veteran of the CIA. He was also a Russian spy. By the time Ames was arrested in 1994, he had betrayed the identities of dozens and caused the deaths of ten agents. The notorious KGB (and later the Russian intelligence service, SVR) paid him millions of dollars. Agent Leslie G. “Les” Wiser, Jr. ran the FBI's Nightmover investigation tasked with uncovering a mole in the CIA. The team worked night and day to collect evidence—sneaking into Ames' home, hiding a homing beacon in his Jaguar, and installing a video camera above his desk. But the spy kept one step ahead, even after agents followed him to Bogota, Colombia. In a crazy twist, the FBI would score its biggest clue from inside Ames' garbage can. At the time of his arrest on February 21, 1994, he had compromised more highly-classified CIA assets than any other agent in history. Go behind the scences of some of the FBI's most interesting cases in award-winning journalist Bryan Denson's FBI Files series, featuring the investigations of the Unabomber, al-Qaeda member Mohamed Mohamud, and Michael Young's diamong theft ring. Each book includes photographs, a glossary, a note from the author, and other detailed backmatter on the subject of the investigation.

Prague, Czechoslovakia. Fall 1964. The alliances between the Russians and the Germans have solidified—and they both found a safe place dangerously close to the free Western world in Prague. Living in the shadows along with his wife and daughter is former Nazi scientist Otto Voss, whose greatest fear is getting captured by the U.S. When Voss goes missing in allied territory, the CIA’s freshly-minted civilian agent Ed Maddux must embark on a mission to capture the scientist. However, as Maddux nears his target, he learns that the stakes are far higher than anyone ever imagined and that his target knows something about the mysterious disappearance of Maddux’s father. As the clock is ticking, Maddux must slip behind enemy lines and stop powerful forces intent on reigniting the war. An explosive edge-of-your-seat thriller fought in the shadows sure to keep readers flipping the pages until the exciting conclusion!

Russia branded George Michael Stevens a traitor and shortly thereafter it was announced he died of natural causes. Journalist Bill Johnson is assigned the task of finding out the truth about his "death", but the facts are elusive and lead him on an evasive hunt for the truth.

"A sophisticated, deeply informed account of real life in the real CIA that adds immeasurably to the public understanding of the espionage culture—the good and the bad." —Bob Woodward Jack Devine ran Charlie Wilson's War in Afghanistan. It was the largest covert action of the Cold War, and it was Devine who put the brand-new Stinger missile into the hands of the mujahideen during their war with the Soviets, paving the way to a decisive victory against the Russians. He also pushed the CIA's effort to run down the narcotics trafficker Pablo Escobar in Colombia. He tried to warn the director of central intelligence, George Tenet, that there was a bullet coming from Iraq with his name on it. He was in Chile when Allende fell, and he had too much to do with Iran-Contra for his own taste, though he tried to stop it. And he tangled with Rick Ames, the KGB spy inside the CIA, and hunted Robert Hanssen, the mole in the FBI. Good Hunting: An American Spymaster's Story is the spellbinding memoir of Devine's time in the Central Intelligence Agency, where he served for more than thirty years, rising to become the acting deputy director of operations, responsible for all of the CIA's spying operations. This is a story of intrigue and high-stakes maneuvering, all the more gripping when the fate of our geopolitical order hangs in the balance. But this book also sounds a warning to our nation's decision makers: covert operations, not costly and devastating full-scale interventions, are the best safeguard of America's interests worldwide. Part memoir, part historical redress, Good Hunting debunks outright some of the myths surrounding the Agency and cautions against its misuses. Beneath the exotic allure—living abroad with his wife and six children, running operations in seven countries, and serving successive presidents from Nixon to Clinton—this is a realist, gimlet-eyed account of the Agency. Now, as Devine sees it, the CIA is trapped within a larger bureaucracy, losing swaths of turf to the military, and, most ominous of all, is becoming overly weighted toward paramilitary operations after a decade of war. Its capacity to do what it does best—spying and covert action—has been seriously degraded. Good Hunting sheds light on some of the CIA's deepest secrets and spans an illustrious tenure—and never before has an acting deputy director of operations come forth with such an account. With the historical acumen of Steve Coll's Ghost Wars and gripping scenarios that evoke the novels of John le Carré even as they hew closely to the facts on the ground, Devine offers a master class in spycraft.

A simple job turns treacherous when Toby Peters stumbles upon a corpse It’s a lucky thing that Cary Grant once trained as an acrobat, because Toby Peters’s life is in the actor’s hands. As the two men sprint through the pitch-dark woods, trying to elude the man with the gun, they come to a canyon ledge. With nowhere to go but down, they scramble over the side. Peters slips, and Grant grabs hold of his wrist. As the killer closes in, Cary’s grip begins to falter. The job began simply. Grant hired the Hollywood detective as a bagman in a blackmailing hand-off. He gives Toby a satchel full of cash, to be exchanged for an envelope of the leading man’s secrets—not sexual or financial, but details of his work for the British crown. When the envelope bearer winds up dead, Toby and Cary dive into a complex plot of murder, money, and Nazi spies, which ends with them trapped in an all-too-literal cliffhanger.