The Whiteness Of The Whale

"First published in late 2007, Paul Graham's a shimmer of possibility was quickly hailed as "one of the most important advances in contemporary photographic practice that has taken place in a long while" and marked a paradigm shift in the medium. The first edition redefined what a photobook can be. Comprising 12 individual hardback books in an edition of 1,000 copies, it sold out immediately. This second edition brings together the 12 books in one single volume at an accessible price. Loosely inspired by Chekhov's short stories, a shimmer of possibility comprises a series of photographic short stories of everyday life in today's America. Each story is a small sequence of images, such as a man smoking a cigarette while he waits for a bus in Las Vegas, or a walk down a street in Boston on an autumn afternoon. Often two, three or four sequences intertwine in a single chapter, like separate but related lives co-existing in suburban America. Sometimes the quiet narrative breaks unexpectedly into a sublime moment - while a couple carry their shopping home in Texas a small child dances with a plastic bag in a garden; as a man cuts the grass in Pittsburgh it begins to rain and the low sun breaks through to illuminate every raindrop. These filmic haikus avoid the forceful summation we usually find in photography, shunning any tidy packaging of the world into perfect images. Instead, life simply flows around and past us while we stand and stare, quietly astonished by its beauty and grace. The radical form of this work is reflected in the book's sequences, giving the flow of life precedence over conclusiveness, where nothing much happens, but nothing is foreclosed either, where everything shimmers with possibility." -- Publisher's description

AHOY! Come with us aboard the Pequod. We search for Moby Dick, the Great White Whale! Along with Captain Ahab, you'll meet danger face to face, hunting the fiercest creature the seas have ever known! Are you brave enough— and bold enough— for the adventure of your life? The award-winning author and illustrator team of Eric A. Kimmel and Andrew Glass introduce a new generation of readers to a magnificent and memorable retelling of Herman Melville's masterpiece, Moby Dick.

"There have been a lot of crazy books about Melville and Moby-Dickiut this isn't one of them. Dowling's overarching analogy, between Ishmael's and Melville's obsessions and the annual marathon group-reading of Moby-Dick in New Bedford, makes perfect sense and generates illuminating analyses of the novel and its cultural contexts. It also lets him open his book up into a passionate exploration of how great literature can still play a vital role in people's lives today"-Damion Searls, editor, Thoreau's The Journal: 1837-1861 and Melville's; or The Whale --Book Jacket.

In Herman Melville's classic tale of revenge, Ishmael tells his story of becoming a whaler on the Pequod. When Ishmael and his unexpected friend Queequeg join Captain Ahab's hunt for Moby Dick, the voyage of a lifetime turns into tragedy. The adventures of sailing the seas on the hunt for the great white whale is retold in the Calico Illustrated Classics adaptation of Melville's Moby Dick. Calico Chapter Books is an imprint of Magic Wagon, a division of ABDO Group. Grades 3-8.

Pantheism is the idea that God and the world are identical—that the creator, sustainer, destroyer, and transformer of all things is the universe itself. From a monotheistic perspective, this notion is irremediably heretical since it suggests divinity might be material, mutable, and multiple. Since the excommunication of Baruch Spinoza, Western thought has therefore demonized what it calls pantheism, accusing it of incoherence, absurdity, and—with striking regularity—monstrosity. In this book, Mary-Jane Rubenstein investigates this perennial repugnance through a conceptual genealogy of pantheisms. What makes pantheism “monstrous”—at once repellent and seductive—is that it scrambles the raced and gendered distinctions that Western philosophy and theology insist on drawing between activity and passivity, spirit and matter, animacy and inanimacy, and creator and created. By rejecting the fundamental difference between God and world, pantheism threatens all the other oppositions that stem from it: light versus darkness, male versus female, and humans versus every other organism. If the panic over pantheism has to do with a fear of crossed boundaries and demolished hierarchies, then the question becomes what a present-day pantheism might disrupt and what it might reconfigure. Cobbling together heterogeneous sources—medieval heresies, their pre- and anti-Socratic forebears, general relativity, quantum mechanics, nonlinear biologies, multiverse and indigenous cosmologies, ecofeminism, animal and vegetal studies, and new and old materialisms—Rubenstein assembles possible pluralist pantheisms. By mobilizing this monstrous mixture of unintentional God-worlds, Pantheologies gives an old heresy the chance to renew our thinking.

An action-packed sea adventure of men, women, and whales by master thriller writer Poyer. A disgraced primate behaviorist from Nantucket joins six other activists to sail a racing yacht into Antarctic waters. They plan to shadow, embarrass, and expose a Japanese whaling fleet.

A “brilliant and provocative” (The New Yorker) celebration of Melville’s masterpiece—from the bestselling author of In the Heart of the Sea, Valiant Ambition, and In the Hurricane's Eye One of the greatest American novels finds its perfect contemporary champion in Why Read Moby-Dick?, Nathaniel Philbrick’s enlightening and entertaining tour through Melville’s classic. As he did in his National Book Award–winning bestseller In the Heart of the Sea, Philbrick brings a sailor’s eye and an adventurer’s passion to unfolding the story behind an epic American journey. He skillfully navigates Melville’s world and illuminates the book’s humor and unforgettable characters—finding the thread that binds Ishmael and Ahab to our own time and, indeed, to all times. An ideal match between author and subject, Why Read Moby-Dick? will start conversations, inspire arguments, and make a powerful case that this classic tale waits to be discovered anew. “Gracefully written [with an] infectious enthusiasm…”—New York Times Book Review

In Moby-Dick’s wide philosophical musings and central narrative arch, Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick’s construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books—offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

In this lyrical picture book with subtle conservation themes, a girl helps rescue a whale who has washed ashore. Here is a beautifully written, moving story that will appeal to all animal lovers, and to those interested in protecting our oceans and marine life. Emma lives in a crooked house in an old whaling town, and often takes her dog, Nemo, to the beach. On their walks, they find amazing treasures, like shells and stones and sea glass—and even a loggerhead turtle. But one day, they find something completely unexpected: a baby whale, washed ashore. Emma empathizes with the animal’s suffering, imagining what the whale is thinking and feeling. When the tide starts to come in, Emma pushes as the water swirls and rises, and eventually the whale swims free, back to her mother.

Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.