The Soul Mirror And Other Sketches

Titus Burckhardt was Swiss and an eminent member of the traditionalist school. He is perhaps best known to the English-speaking public as the author of the following books: Sacred Art in East and West; Siena, City of the Virgin; Moorish Culture in Spain; and Alchemy: Science of the Cosmos, Science of the Soul. A generation ago, he won much acclaim for producing and publishing the first successful, full-scale facsimiles of the Book of Kells and other ancient manuscripts. In more recent years, he acted as a specialist advisor to UNESCO, with particular reference to the preservation of the unique architectural heritage of Fez, which was then in danger. The present volume is a complete collection of Burckhardt's essays, originally published in a variety of German and French journals. They range from modern science in its various forms, through Christianity and Islam, to symbolism and mythology. It is a rich collection. Burckhardt blends an accessible style with a penetrating insight. He interprets the metaphysical, cosmological, and symbolic dimensions of these sacred traditions from the perspective of timeless, spiritual wisdom.

A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.

Mercy Thompson, car mechanic and shapeshifter, must face her greatest fears in this chilling entry in the #1 New York Times bestselling series. The vampire Wulfe is missing. Since he’s deadly, possibly insane, and his current idea of “fun” is stalking me, some may see it as no great loss. But, warned that his disappearance might bring down the carefully constructed alliances that keep our pack safe, my mate and I must find Wulfe—and hope he’s still alive. As alive as a vampire can be, anyway. But Wulfe isn’t the only one who has disappeared. And now there are bodies, too. Has the Harvester returned to the Tri-Cities, reaping souls with his cursed sickle? Or is he just a character from a B horror movie and our enemy is someone else? The farther I follow Wulfe’s trail, the more twisted—and darker—the path becomes. I need to figure out what’s going on before the next body on the ground is mine.

This unique series of paintings takes the viewer on a graphic, visionary journey through the physical, metaphysical, and spiritual anatomy of the self. From anatomically correct rendering of the body systems, Grey moves to the spiritual/energetic systems with such images as "Universal Mind Lattice," envisioning the sacred and esoteric symbolism of the body and the forces that define its living field of energy. Includes essays on the significance of Grey's work by Ken Wilber, the eminent transpersonal psychologist, and by the noted New York art critic, Carlo McCormick.

Looking at one's face in the mirror and finding one's self in the mirror are not the same. The former capacity is something we share with other animals; the latter is a skill: something we have to learn. What does it mean and what does it take to find oneself the mirror? This book provides a comparative anthropological enquiry into the unity and diversity of mirror gazing. The reader is encouraged to reflect upon and experiment with different mirror gazes through a range of case studies. Koukouti and Malafouris weave together anthropology with philosophy and draw on examples from literature and experiments from psychopathology in a way that has never been attempted before. The master metaphor is that of the mirror as trap. Mirror gazing is viewed on a par with hunting. Mirroring signifies the hunt for self-knowledge. In a time obsessed with the digital self-image, Koukouti and Malafouris reflect on the structures of consciousness that underpin the different ways of looking at and through the mirror. Combining metaphor, comparison and estrangement, they gesture towards a therapeutic alliance between body and mirroring. This allows us to look in the mirror, and think of our shared humanity differently.

This book presents essays that consider the status and significance of the 'pictures of the mind', in Freud, and also in the work of the major psychoanalytic thinkers. It offers an unparalleled chance to compare and contrast the fundamental ideas and assumptions of key figures in psychoanalysis.

The Enneagram is like a mirror, reflecting dimensions of ourselves that are sometimes hard to see. In this helpful guide, spiritual director and Enneagram teacher Alice Fryling offers an introduction to each number of the Enneagram, with questions and meditations to lead you into deeper self-awareness and reveal how you can experience God's love more abundantly.

A scientific young woman probes the mysterious death of her magically gifted sister in this quasi-Renaissance epic fantasy sequel to The Spirit Lens. Anne de Vernase is fighting to hold herself together as scandal and tragedy tear her family apart. Her father remains at large, convicted of treason and murder thanks to her own testimony—and his pursuit of depraved sorcery. Her mother has gone insane, and her brother is a prisoner. Her sister, a talented sixth-year student at the Collegia Magica, has recently died under mysterious circumstances. And now the man she despises, Portier de Savin-Duplais, arrives with a foreboding summons from her godfather, the king. Once in Merona, Anne finds herself in a city besieged by dark sorcery and in a royal court full of treacherous machinations. Disturbing rumors surround the queen’s volatile sorcerer, while the queen’s mother is waging a manipulative game. And when a killer strikes, Anne questions what really happened to her sister. With no talent for magic and few allies to protect her, Anne begins a perilous search for the truth that will shake up a kingdom . . . “A compelling and altogether admirable work.” —Kirkus Reviews (starred review) “Lavish. . . . Berg’s characters return to vivid life. . . . Berg refreshes and reinvigorates the familiar trappings of epic fantasy, shaping a novel that rings true both linguistically and imaginatively. This is one to savor.” —Publishers Weekly (starred review) “Berg brings life and grace to a story of magic and politics that should appeal to the author’s fans as well as lovers of Renaissance-style fantasy.” —Library Journal “A novel that stakes an early claim to my Top 10 list of 2011. . . . Traditional fantasy does not get better than this!” —Fantasy Book Critic