The Song Of The Three Spirits

When life gave Fenrir Goldson a second chance, he asked for a gift receipt.Mr. Goldson is filthy rich. He's also callous and cruel and hasn't got a festive bone in his ancient body. Naturally, he's due for a holiday haunting. When his business partner, Bolbi Baggs, announces that they're to be visited by three spirits, Mr. Goldson braces himself for a whirlwind tour of his past, present, and future.Typically, a trio of time-traveling ghosts heralds a heartwarming tale of hope and redemption for the human race. Mr. Goldson, however, isn't a member of the human race. He's a Dwarf, and Mr. Baggs is a Halfling, and the adventure that's about to take them across the enchanted world of Arth is anything but typical. Holiday magic and economic realities collide in A Song of Three Spirits. It's A Christmas Carol for the 21st century, with a dash of high fantasy. Read this hilarious satire of Charles Dickens's classic today!

"Lark recounts...the sometimes peaceful, sometimes uneasy relationship between the Maori natives and the pakeha--the colonists. And the land, which can be rocky and formidable and also breathtakingly beautiful, is as much a character as anyone else." --Historical Novel Society New Zealand, 1893: William Martyn is better educated and more cultivated than the other men breaking their backs searching for gold near Queenstown. William is the son of landed Irish nobility, and he comes to town ready to invest in the best equipment. On his search for supplies, he encounters spirited and beautiful young Elaine O'Keefe, who promptly falls in love with him. He is captivated by her charms until Kura, Elaine's half-Maori cousin, comes to visit. William succumbs at once to Kura's exotic beauty and free-spiritedness, and tension develops not only between the two cousins but also between the colonial settlers and their Maori neighbors.

New York Times best-selling author Jentezen Franklin is back with a message that will inspire you to break free and reclaim a life of passion, purpose, and praise.

The Spirit and the Song:Pneumatological Reflections on Popular Music explores pertinent pneumatological issues that arise in music. It offers three distinct contributions: first, it asks what, if anything, music tells listeners about God’s Spiritedness. Can the experience of music speak to human spiritedness, the world’s transcendentality, or a person’s own self-transcendence in ways nothing else does or can? Second, this book explores how the Spirit functions within, and even determines, culture through music. Because music is a profound human expression, it can find itself in a rich dialogue with the Spirit. Third and finally, this book explores the contested status of music in Christian spiritual traditions. It deals with music as inspired by the Spirit, music as participation in Spiritedness, and music as temptation of “the flesh.” As such, this book also engages music’s placement in Christian spiritual traditions. The contributors of this book ask how Christian convictions about and experiences of the Spirit might shape the way one thinks about music.

Helen Davenport, governess for a wealthy London household, spots an advertisement seeking young women to marry New Zealand's honorable bachelors and begins correspondence with a gentleman farmer. When her church offers to pay her travels under an unusual arrangement, she jumps at the opportunity. On the ship, she meets Gwyneira Silkham, traveling to meet a New Zealand baron who won her in a game of blackjack. When their new husbands turn out to be very different than expected, the women must help one another find the life they'd hoped for.

A disgraced dwarven hero. A band of deadbeat adventurers. His last shot at redemption could get him killed. Orconomics: A Satire is the first book in The Dark Profit Saga of humorous epic fantasy novels. If you like down-and-out heroes, sidesplitting misadventures, and ingenious world-building, then you’ll love J. Zachary Pike’s dark and delightful ribbing of high fantasy. Version 2.2.1

In Spirit Song: Afro-Brazilian Religious Music and Boundaries, Marc Gidal investigates how and why a multi-faith community in southern Brazil utilizes music to combine and segregate three Afro-Brazilian religions: Umbanda, Quimbanda, and Batuque. Combining ethnomusicology and symbolic boundary studies, Gidal advances a theory of musical boundary-work: the ways music reinforces, bridges, or blurs boundaries, whether for personal, social, spiritual, or political purposes. Gidal focuses on spirit-mediumship rituals and their musical accompaniment, exploring how the Afro-gaucho religious community employs music and rituals to variously promote innovation and egalitarianism in Umbanda and Quimbanda, while it reinforces musical preservation and hierarchies in Batuque. Religious and musical leaders carefully restrict the cosmologies, ceremonial sequences, and sung prayers of one religion from affecting the others so as to safeguard Batuque's African heritage. Members of disenfranchised populations view the religions as vehicles for empowerment, whether based on race-ethnicity, gender, or religious belief; and innovations in ritual music reflect this activism. These rituals come to life through illustrative video and audio examples on the book's companion website. The first book in English to focus on music in Afro-Brazilian religions, Spirit Song is a landmark study that will be of interest to ethnomusicologists, anthropologists, and religious studies scholars.

This volume explains how a multi-faith community in Brazil uses music both to combine and segregate three Afro-Brazilian religions: Batuque, Umbanda, and Quimbanda. It is a book-length study in English about music in Afro-Brazilian religions, which have synthesized African religions, folk Catholicism, Amerindian traditions, and in some cases European Spiritism.