The Sixties Chronicle

Explores the turbulent decade of the 1960s with hundreds of compelling photographs that capture the drama and emotions of the era, both domestic and abroad.

A memoir of what it was like to be a teenager in a tumultuous era, from the New York Times–bestselling author of The Best of Us. Joyce Maynard was eighteen years old when her 1972 New York Times Magazine cover story catapulted her to national prominence. Published one year later, Looking Back is her remarkable follow-up—part memoir, part cultural history, and part social critique. She wrote about diving under her desk for air-raid practice during the Cuban Missile Crisis, the Beatles’ first appearance on The Ed Sullivan Show, and catching the first glimpse (on the cover of Life magazine) of a human fetus in utero. Extraordinarily frank, sincere, and opinionated, Maynard seemed unafraid to take on any subject—including herself. But as she reveals in a poignant and candid new foreword, she carefully kept her inner life off the page. She didn’t write about her difficult relationship with her mother, or her father’s alcoholism, or the fact that her best friend at college had struggled with the knowledge that he was gay. And she did not mention the most important part of her life at the time she was writing this book: her relationship with reclusive author J. D. Salinger, who read and corrected every page, even as he condemned her for writing it. In this special anniversary edition, Maynard’s candid introductory reflections on the girl behind the girl who wrote Looking Back lend a new dimension to this iconic analysis of a generation. This ebook features an illustrated biography of Joyce Maynard including rare photos from the author’s personal collection.

(Limelight). In 1965, Ian Whitcomb's novelty rocker "You Turn Me On" was number eight on the national charts, along with entries from the Beatles, the Rolling Stones, the Beach Boys. In 1966 he was nowheresville a certified rock 'n' roll flash in the pan. It is, then, with a survivor's humor that he tells both his and rock's story from its beginnings in the late fifties to 1969, the year of Woodstock and psychedelic dreams of universal peace and love. Here is the saga of the British Invasion, the genesis of folk rock, the blooming of Flower Power, the Summer of Love and the inner workings of the pop music biz, brought to life by a true insider who is also an uninhibitedly acute observer.

This large-format book is presented as a scrap book of all the features, sports reports, reviews, picture pages and obituaries as originally reported upon by The Daily Telegraph in the 1960s. David Holloway is also the editor of The Fifties.

Say “the Sixties” and the images start coming, images of a time when all authority was defied and millions of young Americans thought they could change the world—either through music, drugs, and universal love or by “putting their bodies on the line” against injustice and war. Todd Gitlin, the highly regarded writer, media critic, and professor of sociology at the University of California, Berkeley, has written an authoritative and compelling account of this supercharged decade—a decade he helped shape as an early president of Students for a Democratic Society (SDS) and an organizer of the first national demonstration against the Vietnam war. Part critical history, part personal memoir, part celebration, and part meditation, this critically acclaimed work resurrects a generation on all its glory and tragedy.

What caused the New Left rebellion of the 1960s? In Smoking Typewriters, historian John McMillian argues that the "underground press" contributed to the New Left's growth and cultural organization in crucial, overlooked ways.

ÒIf you remember the Sixties,Ó quipped Robin Williams, Òyou werenÕt there.Ó That was, of course, an oblique reference to the mind-bending drugs that clouded perceptionÑyet time has proven an equally effective hallucinogen. This book revisits the Sixties we forgot or somehow failed to witness. In a kaleidoscopic global tour of the decade, Gerard DeGroot reminds us that the ÒBallad of the Green BeretÓ outsold ÒGive Peace a Chance,Ó that the Students for a Democratic Society were outnumbered by Young Americans for Freedom, that revolution was always a pipe dream, and that the Sixties belong to Reagan and de Gaulle more than to Kennedy and Dubcek. The Sixties Unplugged shows how opportunity was squandered, and why nostalgia for the decade has obscured sordidness and futility. DeGroot returns us to a time in which idealism, tolerance, and creativity gave way to cynicism, chauvinism, and materialism. He presents the Sixties as a drama acted out on stages around the world, a theater of the absurd in which ChinaÕs Cultural Revolution proved to be the worst atrocity of the twentieth century, the Six-Day War a disaster for every nation in the Middle East, and a million slaughtered Indonesians martyrs to greed. The Sixties Unplugged restores to an era the prevalent disorder and inconvenient truths that longing, wistfulness, and distance have obscured. In an impressionistic journey through a tumultuous decade, DeGroot offers an object lesson in the distortions nostalgia can create as it strives to impose order on memory and value on mayhem.

In his energetic, funny, and intelligent memoir, Peter Coyote relives his fifteen–year ride through the heart of the counterculture—a journey that took him from the quiet rooms of privilege as the son of an East Coast stockbroker to the riotous life of political street theater and the self–imposed poverty of the West Coast communal movement known as The Diggers. With this innovative collective of artist–anarchists who had assumed as their task nothing less than the re–creation of the nation's political and social soul, Coyote and his companions soon became power players. In prose both graphic and unsentimental, Coyote reveals the corrosive side of love that was once called "free"; the anxieties and occasional terrors of late–night, drug–fueled visits of biker gangs looking to party; and his own quest for the next high. His road through revolution brought him to adulthood and to his major role as a political strategist: from radical communard to the chairman of the California Arts Council, from a street theater apprentice to a motion–picture star.