The Scientist In Popular Culture

In this collection, contributors analyze the depiction of scientists in a wide range of films and television programs that span across genres, including horror, science fiction, crime drama, comedy, and children’s media. Scientists in popular culture, they argue, often embody the hopes and fears associated with real-life science, which continue to be prevalent in both fictional and non-fiction media. By becoming the “human face” of scientific insight and innovation, the scientist in popular culture plays a key role in encouraging public engagement with scientific ideas. Scholars of media studies, popular culture, and health communication will find this book particularly useful.

From the author of "Hollywood Gothic" and "The Monster Show" comes the definitive book on the men in white coats who haunt our technological dreams and nightmares: mad scientists. 100 photos. College lectures.

Since its origin cinema has had an uneasy relationship with science and technology: scientists are almost always impossibly mad or impossibly saintly, and technology is nearly always very bad for you. In Mad, Bad and Dangerous?, Christopher Frayling explores the genealogy of the film scientist in films made in Western Europe, and especially in Hollywood after the 1930s, showing how in film the scientist has often been used to represent the prevailing phobias of the time. In the 1950s, for example, films were dominated by the fear of botched atomic research, and were a showcase of mutated, outsized creatures and radioactive zombies. Since Hitchcock’s The Birds, however, the role of the scientist has been less straightforward, and by the 1970s damage to the environment and the spread of diseases were the predominant consequences of science gone wrong. Scientists – and the corporations that controlled them – became the ‘baddies’. The author also examines in parallel the portrayal of real-life scientists in the movies, noting how they are in the main depicted as misfits, immersed in their work, sacrificing any normal life to the interests of science, yet distrusted by the scientific establishment. Interestingly, the cinematic portrayal of fictional and real-life scientists follow very similar dramatic conventions, and Frayling concludes that the mad scientist and the saintly one are two sides of the same Hollywood coin.

The importance of science and technology and future of education and research are just some of the subjects discussed here.

In Don't Be Such a Scientist, Randy Olson shares lessons of his transformation from tenured professor to Hollywood filmmaker, challenging the science world to toss out its stodgy past in favor of something more dymanic --and ultimately more human. In this second edition, Olson buils upon the radical approach of Don't Be Such a Scientist throught timely updates and new stories. In his signature candid style, Olson weighs in on recent events in the science community, celebrating the rise in grassroots activism while critiquing the scientific establishment. In an age of renewed attack on science, Don't Be Such a Scientist, Second Edition is a provocative guide to making your voice heard.--

This eye-opening look at the intellectual culture of today--in which science, not literature or philosophy, takes center stage in the debate over human nature and the nature of the universe--is certain to spark fervent intellectual debate.

A study of the scientist in Western culture, from medieval images of alchemists to present-day depictions of cyberpunks and genetic engineers. They were mad, of course. Or evil. Or godless, amoral, arrogant, impersonal, and inhuman. At best, they were well intentioned but blind to the dangers of forces they barely controlled. They were Faust, Frankenstein, Jekyll, Moreau, Caligari, Strangelove—the scientists of film and fiction, cultural archetypes that reflected ancient fears of tampering with the unknown or unleashing the little-understood powers of nature. In From Madman to Crime Fighter, Roslynn D. Haynes analyzes stereotypical characters—including the mad scientist, the cold-blooded pursuer of knowledge, the intrepid pathbreaker, and the bumbling fool—that, from medieval times to the present day, have been used to depict the scientist in Western literature and film. She also describes more realistically drawn scientists, characters who are conscious of their public responsibility to expose dangers from pollution and climate change yet fearful of being accused of lacking evidence. Drawing on examples from Britain, America, Germany, France, Russia, and elsewhere, Haynes explores the persistent folklore of mad doctors of science and its relation to popular fears of a depersonalized, male-dominated, and socially irresponsible pursuit of knowledge for its own sake. She concludes that today’s public response to science and scientists—much of it negative—is best understood by recognizing the importance of such cultural archetypes and their significance as myth. From Madman to Crime Fighter is the most comprehensive study of the image of the scientist in Western literature and film.

A new cultural icon strode the world stage at the turn of the twenty-first century: the celebrity scientist, as comfortable in Vanity Fair and Vogue as Smithsonian. Declan Fahy profiles eight of these eloquent, controversial, and compelling sellers of science to investigate how they achieved celebrity in the United States and internationally—and explores how their ideas influence our understanding of the world. Fahy traces the career trajectories of Richard Dawkins, Stephen Hawking, Steven Pinker, Neil deGrasse Tyson, Brian Greene, Stephen Jay Gould, Susan Greenfield, and James Lovelock. He demonstrates how each scientist embraced the power of promotion and popularization to stimulate thinking, impact policy, influence research, drive controversies, and mobilize social movements. He also considers critical claims that they speak beyond their expertise and for personal gain. The result is a fascinating look into how celebrity scientists help determine what it means to be human, the nature of reality, and how to prepare for society’s uncertain future.

Mathematics has maintained a surprising presence in popular media for over a century. In recent years, the movies Good Will Hunting, A Beautiful Mind, and Stand and Deliver, the stage plays Breaking the Code and Proof, the novella Flatland and the hugely successful television crime series NUMB3RS all weave mathematics prominently into their storylines. Less obvious but pivotal references to the subject appear in the blockbuster TV show Lost, the cult movie The Princess Bride, and even Tolstoy's War and Peace. In this collection of new essays, contributors consider the role of math in everything from films, baseball, crossword puzzles, fantasy role-playing games, and television shows to science fiction tales, award-winning plays and classic works of literature. Revealing the broad range of intersections between mathematics and mainstream culture, this collection demonstrates that even "mass entertainment" can have a hidden depth.