The Road To Buenos Aires

Longlisted for the PEN Translation Prize From one of Argentina’s greatest contemporary storytellers, this collection gathers twenty-five of her most remarkable and incandescent short stories in English for the first time The Scent of Buenos Aires offers the first book-length English translation of Uhart’s work, drawing together her best vignettes of quotidian life: moments at the zoo, the hair salon, or a cacophonous homeowners association meeting. She writes in unconventional, understated syntax, constructing a delightfully specific perspective on life in South America. These stories are marked by sharp humor and wit: discreet and subtle—yet filled with eccentric and insightful characters. Uhart’s narrators pose endearing questions about their lives and environments—one asks “Bees—do you know how industrious they are?” while another inquires, “Are we perhaps going to hell in a hand basket?” “Uhart’s stories are concise and filled with both dry and conversational wit and flashes of poignant insight . . . slice-of-life writer . . . ” —Thrillist

Buenos Aires, Argentina, recognized for its European-style architecture and lively theater scene, is a truly special place. The second-largest city in South America, it has been the home of such renowned cultural and historical figures as Jorge Luis Borges and Astor Piazzola, Che Guevara and Eva Peron. Like every truly great city, New York, London and Prague; Buenos Aires is its own universe, with its own center of gravity, its own scents and flavors, its own architectural signature-in short, its own way of being. From San Telmo's oak-paneled restaurants and brightly tiled apothecaries from 1900, and the phantasmagoric Beaux Arts palaces along Avenida Alvear and Plaza San Martin, to the parks of Palermo and the bustling bars and cafes along Corrientes and LaValle, Buenos Aires is steeped in exotic culture and history. In Buenos Aires, Art and culture critic James Gardner offers a colorful biography of the "Paris of the South," from its origins and time as a colonial city, through its Golden age, the rise of Peron, and the Falklands War, to the present day. With entertaining asides about art, architecture, literature, food and dance, as well as local customs and colorful personalities, this is a rich and unique historical narrative of Buenos Aires.

Spanning four seasons, 10 countries, three teaching jobs, and countless buses, Patagonian Road chronicles Kate McCahill's solo journey from Guatemala to Argentina. In her struggles with language, romance, culture, service, and homesickness, she personifies a growing culture of women for whom travel is not a path to love but to meaningful work, rare inspiration, and profound self-discovery. Following Paul Theroux's route from his 1979 travelogue, McCahill transports the reader from a classroom in a Quito barrio to a dingy room in an El Salvadorian brothel, and from the neighborhoods of Buenos Aires to the heights of the Peruvian Andes. A testament to courage, solitude, and the rewards of taking risks, Patagonian Road proves that discovery, clarity, and simplicity remain possible in the 21st century, and that travel holds an enduring capacity to transform.

In the early part of the twentieth century, Buenos Aires erupted from its colonial past as a city in its own right, expressing a unique and vibrant cultural identity.Intersecting Tango engages the city at this key moment, exploring the sweeping changes of 1900-1930 to capture this culture in motion through which Buenos Aires transformed itself into a modern, cosmopolitan city. Taking the reader through a dazzling array of sites, sources, and events, Bergero conveys the city in all its complexity. Drawing on architecture and gendered spaces, photography, newspaper columns, schoolbooks, "high" and "low" literature, private letters, advertising, fashion, and popular music, she illuminates a range of urban social geographies inhabited by the city's defining classes and groups. In mining this vast material, Bergero traces the profound change in social fabric by which these diverse identities evolved, through the processes of modernization and its many dislocations, into a new national identity capable of embodying modernity. In her interdisciplinary study of urban development and cultural encounters with modernity, Bergero leads the reader through the city's emergence, collecting her investigations around the many economic, social, and gender issues remarkably conveyed by the tango, the defining icon of Buenos Aires. Multifaceted and original, Intersecting Tango is as rich and captivating as the dance itself.

Between 1905 and 1930, more than one hundred thousand Jews left Central and Eastern Europe to settle permanently in Argentina. This book explores how these Yiddish-speaking Ashkenazi immigrants helped to create a new urban strain of the Argentine national identity. Like other immigrants, Jews embraced Buenos Aires and Argentina while keeping ethnic identities—they spoke and produced new literary works in their native Yiddish and continued Jewish cultural traditions brought from Europe, from foodways to holidays. The author examines a variety of sources including Yiddish poems and songs, police records, and advertisements to focus on the intersection and shifting boundaries of ethnic and national identities. In addition to the interplay of national and ethnic identities, Nouwen illuminates the importance of gender roles, generation, and class, as well as relationships between Jews and non-Jews. She focuses on the daily lives of ordinary Jews in Buenos Aires. Most Jews were working class, though some did rise to become middleclass professionals. Some belonged to organizations that served the Jewish community, while others were more informally linked to their ethnic group through their family and friends. Jews were involved in leftist politics from anarchism to unionism, and also started Zionist organizations. By exploring the diversity of Jewish experiences in Buenos Aires, Nouwen shows how individuals articulated their multiple identities, as well as how those identities formed and overlapped.