The Recurrent Haunting Ghost

"Reading about Marcel Duchamp can be hard work, unless the writer has Francis Naumann's ability to leaven imaginitive scholarship with clarity, candor, insight, and high spirits. The most influential artist of the last century caught Naumann's attention more than forty years ago, when he saw a reproduction of Duchamp's bicucle wheel mounted on a kitchen stool, and asked himself how this could be art. The question has pursued him ever since, and his consistently fresh approaches to Duchamp's work and Duchamp's life, set down in agile and jargon-free prose, make these collected essays the single most informative book you will find on the endlessly fascinating artist."--Calvin Tomkins.

Among the Americans were the photographer/painter/constructor Man Ray, the Precisionist painter and Fortune photographer Charles Sheeler, the Futurist Joseph Stella, and the Pennsylvania artists Charles Demuth and Morton Schamberg.

An intellectual feast for fans of offbeat history, Ghostland takes readers on a road trip through some of the country's most infamously haunted places--and deep into the dark side of our history.

Marcel Duchamp left a large volume of correspondence, a thousand documents that form a unique source for our knowledge of the artist's personality and work. In his letters, Duchamp talks of his latest plans and works in progress. He discusses important projects, including the ready-made - a concept that was radically to change the course of 20th-century art.

In 1916, as World War I raged around them, a group of bohemians gathered at a small nightclub in Zurich, Switzerland for a series of bizarre performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another young man flung bits of papier-mâché into the air and glued them into place where they landed. One of these artists called the sessions “both buffoonery and a requiem mass.” Soon they would be known by a more evocative name: Dada. In Destruction Was My Beatrice, modernist scholar Jed Rasula presents the first narrative history of the emergence, decline, and legacy of Dada, showing how this strange artistic phenomenon spread across Europe and then the world in the wake of the Great War, fundamentally reshaping modern culture in ways we’re still struggling to understand today.

The book begins by describing why the paranormal is worthy of scientific investigation and why belief in the paranormal has increased over the last 10 years. Next it reviews the areas of neuroscience, neurotheology, and quantum physics. These are relatively new areas to mainstream science and therefore can be unfamiliar even to the veteran paranormal investigator. The brief overview of each topic provides one with a general understanding of the topic and explains why they are important to paranormal research and how they may someday make the paranormal very normal.

This is the catalogue for the landmark exhibition that opens at the Whitney Museum of American Art in November 1996. Hundreds of paintings, sculptures, drawings, etc. will explore the branch of Dada that flourished in N.Y. from about 1915 to the early 1920

"This collection of essays revisits gender and urban modernity in nineteenth-century Paris in the wake of changes to the fabric of the city and social life. In rethinking the figure of the flâneur, the contributors apply the most current thinking in literature and urban studies to an examination of visual culture of the period, including painting, caricature, illustrated magazines, and posters. Using a variety of approaches, the collection re-examines the long-held belief that life in Paris was divided according to strict gender norms, with men free to roam in public space while women were restricted to the privacy of the domestic sphere." http://www.loc.gov/catdir/enhancements/fy0743/2007533305-d.html.

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

A case-centred study of Phantom Hitch-Hikers & Phantom Jaywalkers in Folklore and Fact. Tales of Phantom Hitch-Hikers are found the world over. But is there anything more to them than the staple of contemporary folklore they appear to be? Cases like Blue Bell Hill suggest there is. Here, and in numerous other modern cases, witnesses report vivid and terrifying encounters with solid-looking figures that step into the paths of their vehicles. These events show an affinity with the legendary Phantom Hitch-Hiker, suggesting that far from being mere vestiges of a superstitious folk tradition, they may reflect a genuine but complex phenomenon that continues to manifest in modern times and settings, and challenges our very notions of reality. This book traces Blue Bell Hill's ghost from its roots in folklore to compelling fact, with nearly 50 witness accounts attesting to it as an important modern example of haunting on record, and arguably the foremost case of its kind in the world today.