The Prophets And The Goddess

This text discusses how W. B. Yeats, Aleister Crowley, Ezra Pound and Robert Graves had access to the forbidden knowledge of the Goddess. These four poets experienced a confrontation with their unconscious and let the grace of the Goddess touch their heart strings. Consequently, through this surrendering, they created avant-garde poetry and were inspired to write seditious manifestos that would teach humanity an esoteric creed. This creed, based on humans’ eternal divine essence, aspires to liberate the eternal feminine. These poets became the instruments of the Goddess. As defenders of the Light, they took arms against the forces of inertia and proclaimed the eleusis of a new faith. This creed pledges to overthrow the anachronistic religious and social institutions and initiate a new world order and a new divinity based on the ancient rites of the Great Goddess. No matter how disparate these four were in character, they shared the vision of transmitting esoteric knowledge to profane humanity. They were specifically chosen by the Goddess as Her troubadours and they pave Her way to the religious consciousness of the people.

Ninth century BCE. In the middle of a severe drought, a young Phoenician widow named Arishat is on the brink of starvation. When she prays to her goddess, Asherah, for help, Elijah, a prophet of Israel arrives at her door with bread, oil, and an allegiance to the god Yahweh. Willing to accept Elijah's help, but not his god or his vow of celibacy, Arishat follows him to Israel determined not only to win his love but also to convince him of his need for a goddess. However, as she becomes embroiled in Elijah's mission against the corrupt King Ahab, she soon discovers a cause of her own among Israelite women trying to keep goddess traditions alive against the opposition of their men. Arishat will soon have to choose between her love for a man who rejects the goddess, and her loyalty to her own beloved Asherah. Brimming over with vibrant period detail and peopled with characters who bring these ancient times to life, The Prophet's Woman is a wonderful story and a fresh, well-needed addition to the genre of biblical historical fiction.

Why Were the Teachings of the Original Christians Brutally Suppressed by the Roman Church? • Because they portray Jesus and Mary Magdalene as mythic figures based on the Pagan Godman and Goddess • Because they show that the gospel story is a spiritual allegory encapsulating a profound philosophy that leads to mythical enlightenment • Because they have the power to turn the world inside out and transform life into an exploration of consciousness Drawing on modern scholarship, the authors of the international bestseller The Jesus Mysteries decode the secret teachings of the original Christians for the first time in almost two millennia and theorize about who the original Christians really were and what they actually taught. In addition, the book explores the many myths of Jesus and the Goddess and unlocks the lost secret teachings of Christian mysticism, which promise happiness and immortality to those who attain the state of Gnosis, or enlightenment. This daring and controversial book recovers the ancient wisdom of the original Christians and demonstrates its relevance to us today.

A few ideas, which are only vaguely described or fleetingly hinted at in the footnotes, deserve more attention than they are given in Smiths and Prophets. The two articles in this volume are meant to fill out the gaps and they are also readable without referring to the book. The subjects discussed range from metallurgy to astronomy* and they are illustrated with an iconic figure that is engraved on numerous rock faces in the Negev Desert. The author calls it "The Goddess". * Includes a glossary of astronomical terms and definitions

This groundbreaking book proposes that the rise of alphabetic literacy reconfigured the human brain and brought about profound changes in history, religion, and gender relations. Making remarkable connections across brain function, myth, and anthropology, Dr. Shlain shows why pre-literate cultures were principally informed by holistic, right-brain modes that venerated the Goddess, images, and feminine values. Writing drove cultures toward linear left-brain thinking and this shift upset the balance between men and women, initiating the decline of the feminine and ushering in patriarchal rule. Examining the cultures of the Israelites, Greeks, Christians, and Muslims, Shlain reinterprets ancient myths and parables in light of his theory. Provocative and inspiring, this book is a paradigm-shattering work that will transform your view of history and the mind.

Reveals the tradition of goddess worship in early Judaism and how Jesus attempted to restore the feminine side of the faith • Provides historical and archaeological evidence for an earlier form of Hebrew worship with both male and female gods, including a 20th-century discovery of a Hebrew temple dedicated to both Yahweh and the warrior goddess Anat • Explores the Hebrew pantheon of goddesses, including Yahweh’s wife, Asherah, goddess of fertility and childbirth • Shows how both Jesus and his great rival Simon Magus were attempting to restore the ancient, goddess-worshipping religion of the Israelites Despite what Jews and Christians--and indeed most people--believe, the ancient Israelites venerated several deities besides the Old Testament god Yahweh, including the goddess Asherah, Yahweh’s wife, who was worshipped openly in the Jerusalem Temple. After the reforms of King Josiah and Prophet Jeremiah, the religion recognized Yahweh alone, and history was rewritten to make it appear that it had always been that way. The worship of Asherah and other goddesses was now heresy, and so the status of women was downgraded and they were blamed for God’s wrath. However, as Lynn Picknett and Clive Prince reveal, the spiritual legacy of the Jewish goddesses and the Sacred Feminine lives on. Drawing on historical research, they examine how goddess worship thrived in early Judaism and included a pantheon of goddesses. They share new evidence for an earlier form of Hebrew worship that prayed to both male and female gods, including a 20th-century archaeological discovery of a Hebrew temple dedicated to both Yahweh and the goddess Anat. Uncovering the Sacred Feminine in early Christianity, the authors show how, in the first century AD, both Jesus and his great rival, Simon Magus, were attempting to restore the goddess-worshipping religion of the Israelites. The authors reveal how both men accorded great honor to the women they adored and who traveled with them as priestesses, Jesus’s Mary Magdalene and Simon’s Helen. But, as had happened centuries before, the Church rewrote history to erase the feminine side of the faith, deliberately ignoring Jesus’s real message and again condemning women to marginalization and worse. Providing all the necessary evidence to restore the goddess to both Judaism and Christianity, Picknett and Prince expose the disastrous consequences of the suppression of the feminine from these two great religions and reveal how we have been collectively and instinctively craving the return of the Sacred Feminine for millennia.

Over 35 International contributors reflect on finding Goddess within (and without) Christianity and Islam. "By altering tradition -- and amending the translation from the (now) traditional "He" to "She" -- does the collective consciousness of the Ummah shift? Do we authentically reclaim The Divine Feminine inside Allah that was acknowledged 1400 years ago? Do we eliminate the neo-patriarchal paradigm that infects the Islam of our "modern" era?" -Shahla Khan Salter Contributors include: Dr. Amina Wadud, Andrew Gurevich, Anna Ruiz, Bonnie Odiorne, PhD, Carol P. Christ, PhD, Dominique Christina, Donna Snyder, Glenys Livingstone, PhD, Helen Hye-Sook Hwang, PhD, Rev. Dr. Karen Tate, Kelly Stewart Hall, Kim Mohiuddin, Laurence Galian, Liona Rowan, Lisa Artis, Marianne Widmalm, Marilyn McFarlane, Mary Petiet, Mary Saracino, Monette Chilson, Rev. Nano Boye Nagle, Nicola O'Hanlon, Noor-un-nisa Gretasdottir, Patty Kay, Penny-Anne Beaudoin, Poet on Watch, Rachael Patterson, Shahla Khan Salter, Shehnaz Zindabad, Susan Klahr, Susan Morgaine, Susannah Gregan, Tamara Albanna, Trista Hendren, Vanessa Rivera de la Fuente, Victoria A. Brownworth and Wynn Manners

Here, archaeologically documented,is the story of the religion of the Goddess. Under her, women’s roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women’s status.

Here, archaeologically documented, is the story of the religion of the Goddess. Known by many names--Astarte, Isis, Ishtar, among others--she reigned supreme in the Near and Middle East. Beyond being worshipped for fertility, she was revered as the wise creator and the one souce of universal order. Under her, women's roles differed markedly from those in patriarchal Judeo-Christian cultures. Women bought and sold property and traded in the marketplace, and the inheritance of title and property was passed from mother to daughter. How did the change come about? By documenting the wholesale rewriting of myth and religious dogmas, Merlin Stone details a most ancient conspiracey: the patriarchal reimaging of the Goddess as a wanton, depraved figure. This portrait that laid the foundation for one of culture's greatest shams--the legend of Adam and fallen Eve.

In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.