The Poetry Of Mens Lives

Alive with the wisdom, artistry, and emotion of more than 250 poets from nearly one hundred countries, this anthology celebrates the multifaceted experience of contemporary manhood. The lives into which these poems invite us reveal the influences of culture, heredity, personal experience, values, beliefs, wishes, desires, loves, and betrayals. Men are notoriously reluctant to open up and discuss these things; and yet when they do--as in these poems--they tell us about their families, lovers, relationships, political and religious beliefs, sexuality, and childhoods. There is much to learn here about who men are and how they see their worlds. Collects close to three hundred poems, in English or English translation, by more than 250 poets. Nearly one hundred countries are represented, from Asia, the Middle East, Europe, Africa, South America, Central America and the Caribbean, North America, and Oceania (including Australia and New Zealand). Organized in topical sections: Boyhood and Youth; Families; Identities: Cultural, Personal, Male; Men and Women; Myth, Archetypes, and Spirituality; Politics, War, and Revolution; Sex and Sexuality; Poets and Poetry, Artists and Art; Brothers, Friends, Mentors, and Rivals; Work, Sports, and Games; Aging, Illness, and Death.

In this groundbreaking volume, Fred Moramarco and Al Zolynas bring together a comprehensive and widely representative selection of poetry reflecting both the diversity and commodity of male experience in the United States today. Since the beginning of the contemporary phase of the women's movement in the 1960s, various anthologies devoted to the poetry of women have articulated and defined a distinctive sensibility attuned to the particularities of a woman's life in our time. Although much has been written recently about the male role in our society as well, the discussion generally has assumed a sociopsychological or mythic perspective. Poetry, Moramarco and Zolynas believe, can reveal most about the nature of male life today, especially the enormous changes men have experienced in recent years. As the editors state in their introduction, "A quiet revolution has been taking place in men's poetry over the past few decades, as men have been chronicling the 'history of their hearts' and have been examining those relationships central to their being in the world: their connections to their fathers and mothers; their own sense of fatherhood and of being sons and brothers; their marriages, divorces, and other aspects of their love lives; as well as the ways they conceive of maleness and femaleness." The poems collected in Men of Our Time--257 from more than 170 poets--include a wide mix of ethnic and racial perspectives that reflect the multicultural tenor of American life. They reveal men's most intimate feelings about the loss of childhood, sexual anxieties and fantasies, aging, self-sufficiency and dependency, and the perennial quest for a masculine identity. Above all, the poems are unapologetically grounded in a distinctly male experience or imagination. Men of Our Time reclaims a poetry that is connected to and expressive of men's lives in the closing decade of the twentieth century.

A dazzling debut collection of raw and explosive poems about growing up in a sexist, sensationalized world, from a thrilling new feminist voice. i’m a good girl, bad girl, dream girl, sad girl girl next door sunbathing in the driveway i wanna be them all at once, i wanna be all the girls I’ve ever loved —from “Girl” Lauded for the power of her writing and having attracted an online fan base of millions for her extraordinary spoken-word performances, Olivia Gatwood now weaves together her own coming-of-age with an investigation into our culture’s romanticization of violence against women. At times blistering and riotous, at times soulful and exuberant, Life of the Party explores the boundary between what is real and what is imagined in a life saturated with fear. Gatwood asks, How does a girl grow into a woman in a world racked by violence? Where is the line between perpetrator and victim? In precise, searing language, she illustrates how what happens to our bodies can make us who we are. Praise for Life of the Party “Delicately devastating, this book will make us all ‘feel less alone in the dark.’ ”—Miel Bredouw, writer and comedian, Punch Up the Jam “Gatwood writes about the women who were forgotten and the men who got off too easy with an effortlessness and empathy and anger that yanked every emotion on the spectrum out of me. Imagine, we get to live in the age of Olivia Gatwood. Goddamn.”—Jamie Loftus, writer and comedian, Boss Whom Is Girl and The Bechdel Cast “I’ve read every poem in Life of the Party. I’ve read each of them more than once. In some parts of the book the spine is already breaking because I’ve spent so much time poring over it and losing hours in this world Olivia Gatwood has partly created, but partly just invited the reader to enter on their own, caution signs be damned. This book is enlightening, inspiring, igniting, and f***ing scary. I loved every word on every page with a ferocity that frightened me.”—Madeline Brewer, actress, The Handmaid’s Tale, Orange Is the New Black, and Cam

In this volume, Fred Moramarco and Al Zolynas bring together a comprehensive and representative selection of poetry reflecting both the diversity and the commonality of male experience in the United States today. Since the beginning of the contemporary phase of the women's movement in the 1960s, various anthologies devoted to the poetry of women have articulated and defined a distinctive sensibility attuned to the particularities of a woman's life in our time. Although much has been written recently about the male role in our society as well, the discussion generally has assumed a socio-psychological or mythic perspective. Poetry, Maramarco and Zolynas believe, can reveal most about the nature of male life today, especially the enormous changes men have experienced in recent years. As the editors state in their introduction, ""a quiet revolution has been taking place in men's poetry over the past few decades, as men have been chronicling the ""history of their hearts"" and have been examining those relationships central to their being in the world: their connections to their fathers and mothers; their own sense of fatherhood and of being sons and brothers; their marriages, divorces, and other aspects of their love lives; as well as the ways they conceive of maleness and femaleness"". The poems collected in ""Men of our time"" - 257 from more than 170 poets - include a wide mix of ethnic and racial perspectives that reflect the multicultural tenor of American life. They reveal men's most intimate feelings about the loss of childhood, sexual anxieties and fantasies, aging, self-dependency, and the perennial quest for a masculine identity. Above all the poems are unapologetically grounded in a distinctly male experience or imagination. ""Men of our time"" reclaims a poetry that is connected to and expressive of men's lives in the closing decade of the 20th century.

This book is a residence for thoughts that cannot live inside a head. The majority of the poems in this collection endeavor to articulate the often-overwhelming elusiveness of the world around us. Each piece intends to invoke an image that relates to moments in our life that we relive every now and then – flavoring our conscious with either hints of nostalgia or the essence of apprehension. Those moments that have been hidden away in our deepest memories, displaced by the bustling substance of “things that matter.” Throughout the text, there is an obvious evolution of emotional depth and complexity in my perception of the adequate words to say. Yet, the entire collection represents my current state as a new author, aspiring to emulate the effortless yet profound simplicity of words as art. As an extension of my own reality, the world inside these pages explores the extremes of emotion that are sometimes better read than felt.

A collection of poems by such authors as William Blake, James Whitcomb Riley, and Robert Louis Stevenson.

The instant New York Times Bestseller • Nominated for the 2019 National Book Award for Fiction “A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” —Ron Charles, The Washington Post Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!

Ghost Fishing is the first anthology to focus solely on poetry with an eco-justice bent. A culturally diverse collection entering a field where nature poetry anthologies have historically lacked diversity, this book presents a rich terrain of contemporary environmental poetry with roots in many cultural traditions. Eco-justice poetry is poetry born of deep cultural attachment to the land and poetry born of crisis. Aligned with environmental justice activism and thought, eco-justice poetry defines environment as “the place we work, live, play, and worship.” This is a shift from romantic notions of nature as a pristine wilderness outside ourselves toward recognition of the environment as home: a source of life, health, and livelihood. Ghost Fishing is arranged by topic at key intersections between social justice and the environment such as exile, migration, and dispossession; war; food production; human relations to the animal world; natural resources and extraction; environmental disaster; and cultural resilience and resistance. This anthology seeks to expand our consciousness about the interrelated nature of our experiences and act as a starting point for conversation about the current state of our environment. Contributors include Homero Aridjis, Brenda Cárdenas, Natalie Diaz, Camille T. Dungy, Martín Espada, Ross Gay, Joy Harjo, Brenda Hillman, Linda Hogan, Philip Metres, Naomi Shihab Nye, Tolu Ogunlesi, Wang Ping, Patrick Rosal, Tim Seibles, Danez Smith, Arthur Sze, Eleanor Wilner, and Javier Zamora.

A groundbreaking anthology containing the work of poets who have witnessed war, imprisonment, torture, and slavery. A companion volume to Against Forgetting, Poetry of Witness is the first anthology to reveal a tradition that runs through English-language poetry. The 300 poems collected here were composed at an extreme of human endurance—while their authors awaited execution, endured imprisonment, fought on the battlefield, or labored on the brink of breakdown or death. All bear witness to historical events and the irresistibility of their impact. Alongside Shakespeare, Milton, and Wordsworth, this volume includes such writers as Anne Askew, tortured and executed for her religious beliefs during the reign of Henry VIII; Phillis Wheatley, abducted by slave traders; Samuel Bamford, present at the Peterloo Massacre in 1819; William Blake, who witnessed the Gordon Riots of 1780; and Samuel Menashe, survivor of the Battle of the Bulge. Poetry of Witness argues that such poets are a perennial feature of human history, and it presents the best of that tradition, proving that their work ranks alongside the greatest in the language.

Until the age of twelve, Georgia Lee Kay-Stern believed she was Jewish — the story of her Cree birth family had been kept secret. Now she’s living on her own and attending first year university, and with her adoptive parents on sabbatical in Costa Rica, the old questions are back. What does it mean to be Native? How could her life have been different? As Winnipeg is threatened by the flood of the century, Georgia Lee’s brutal murder sparks a tense cultural clash. Two families wish to claim her for burial. But Georgia Lee never figured out where she belonged, and now other people have to decide for her.