The Poems Of Alexander Pope

A splendid presentation of Pope’s poems, excluding only his translations of Homer, this is the only one-volume edition that can lay claim to completeness and accuracy of text. It presents the corpus of Pope’s poetry as printed in the highly praised Twickenham Edition, except for the 1712 version of The Rape of the Lock and other early versions of phrases preserved in the critical apparatus of the six-volume work. Pope’s own notes to his poems are included, as well as a generous selection of the copious annotation in the Twickenham text. This reduced version of the unsurpassed standard edition of Pope will be of great value to all students and teachers of English literature. John Butt, Regius Professor of Rhetoric and English Literature at Edinburgh University, is general editor of the Twickenham Edition. "The publishers are surely right in claiming that 'this should for long remain the standard one-volume edition of Pope's poems.' The Twichenham edition . . . has been a splendid achievement, and Professor Butt's distillation of the long labours of his fellow-editors is most commendable."—Times Literary Supplement.

Presents sixteen works by eighteenth-century English poet Alexander Pope, including "An Essay on Criticism," "The Rape of the Lock," and "The Dunciad," and includes explanatory notes and a biographical introduction.

The Poems of Alexander Pope is a multi-volume edition of the poetry of Alexander Pope resulting from a thorough reappraisal of his work. Volume One contains the poetry that appeared between 1709 and 1714.

The most complete and usable edition of Pope's poetry presenting the corpus of his poetry as printed in the Twickenham edition with Pope's own notes and a selection of the annotations in the other volumes of the Twickenham edition.

The Poems of Alexander Pope is a multi-volume edition of the poetry of Alexander Pope (1688–1744) resulting from a thorough reappraisal of his work, from composition through to reception. The annotations and headnotes are full and informative, and the layout is designed to enable the reader to navigate easily between the poems, the record of variants and the editorial commentary. The poems are presented in chronological order of publication, with original capitalisation, italicisation, punctuation and spelling preserved. A record of variants to each poem illustrates the changes Pope made in subsequent editions, and full editorial annotation sets the poems in appropriate literary, historical and cultural contexts. This volume contains the poetry that appeared between 1709 and 1714, including the Pastorals and the ‘Rape of the Locke’. Much of the publication history of these poems shows Pope collaborating with the major writers and publishers of his time, as might be expected of a writer whose preparation for a literary career was so meticulous. But Pope was also beginning to establish himself on his own account, publishing (at first anonymously) a substantial statement of ideas, An Essay on Criticism. Another separate pamphlet, Windsor-Forest, constituted his distinctive contribution to the heavy freight of ‘Peace’ poems prompted by the Treaty of Utrecht. In all, the poems presented in this volume reveal an engagement with the literary and publishing industry that is at once amenable and independent.

Poetry.

Alexander Pope has often been termed the first truly professional poet in English. He had an acute awareness of traditions he had inherited and a clear vision of where he stood in literary history. In this representative selection of Pope's most important work Pat Rogers presents all the major poems and a characteristic sample of his prose, including satires, pamphlets, and periodical writing. Pope's criticism is represented by his preface to his edition of Shakespeare, and the personal side of his work is illustrated by short pasages from his conversations with Joseph Spence and examples of his wide-ranging correspondence.