The Photographic Lens

The lens is generally the most expensive and least understood part of any camera. In this book, Rudolf Kingslake traces the historical development of the various types of lenses from Daguerre's invention of photography in 1839 through lenses commonly used today. From an early lens still being manufactured for use in low-cost cameras to designs made possible through such innovations as lens coating, rare-earth glasses, and computer aided lens design and testing, the author details each major advance in design and fabrication. The book explains how and why each new lens type was developed, and why most of them have since been abandoned. This authoritative history of lens technology also includes brief biographies of several outstanding lens designers and manufacturers of the past.

The purpose of this book is to explain the basic principles of optics and image fomation particular to such lenses and optical systems. Much importance is placed on clear and detailed diagrams of contemporary equipment, and graphs of performance characteristics. The book begins with an explanation of visual perception, followed by sections on basic optics and image formation by representative systems; the design, the manufacture and testing of lenses andd optical systems; optical attachments, including filters and converters; the optics of a numbr of different types of camera; the projection of images; the anicllary and auxillary systems associated with image capture; and related optical and optp-electronic systems including fibre optics, LEDs and LCDs. The book is intended as a compact source of useful data, for anyone concerned with th visual communications industry, from secondary school pupils to professional camera users and euipment specialists. Sindey F Ray is Priniciple Lecturer in Photographic Sciences and Electronic Imaging at the University of Westminster. His other book for Focal Press, Applied photographic Optics has been acclaimed as the definitive work on the subject. he is also the co-author of The Manual of Photography.

This is a working camera that pops up from the pages of a book..The book concisely explains--and actively demonstrates--how a structure as humble as a folded piece of paper can tap into the intrinsic properties of light to produce a photograph.The book includes:- a piece of paper folded into a working 4x5" camera- a lightproof bag- 5 sheets of photo-paper "film"- development instructions (from complete DIY to "outsource it")- a foil-stamped cover- a satisfying demonstration of the connection between design & science / structures & functions

Ansel Adams (1902-1984) produced some of the 20th century's most iconic photographic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. The Camera--the first volume in Adams' celebrated series of books on photographic techniques--has taught generations of photographers how to harness the camera's artistic potential. This time-honored handbook distills the knowledge gained through a lifetime in photography and remains as vital today as when it was first published. Along with visualization, image management, Adams' famous Zone System, and other keys to photographic artistry, The Camera covers 35mm, medium-format, and large-format view cameras, while offering detailed advice on camera components such as lenses, shutters, and light meters. Beautifully illustrated with photographs as well as instructive line drawings, this classic manual belongs on every serious photographer's bookshelf. "Adams is a clear-thinking writer whose concepts cannot but help the serious photographer." - New York Times "A master-class kind of guide from an undisputed master." - Publishers Weekly Over 1 million copies sold. Publisher's Note: This ebook of The Camera works best as a digital companion to the print edition. The ebook was produced by electronically scanning and digitizing a print edition, and as a result, your reading device may display images with halftone or moiré patterns.

Contents: Introduction. Meniscus Landscape Lenses; Portrait Lenses; Early Double Objectives; Optical Glass; The First Anastigmats; The Triplet Lens and Its Modifications; Meniscus Anastigmats; Telephoto Lenses; Reversed Telephoto Lenses; Varifocal and Zoom Lenses; Catadioptric (Mirror) Systems; Lens Attachments; Brief Biographies. Appendix: A Glossary of Optical Terms. Index. In this book, author Kingslake traces the historical development of the various types of lenses from Daguerre's invention of photography in 1839 through lenses commonly used today. Provides valuable information to anyone interested in the evolution of lens design.

For anyone who has ever wondered how cameras work, this book is a pleasant way to learn. It is generously endowed with enough fundamentals to satisfy the technical specialist, without intimidating the casual but curious amateur photographer. The author has repaired, modified, and designed and analyzed cameras for the past forty five years. With this background, he goes beyond describing camera functions based on advertised data, instead the book explains how various cameras really work. The book peels off the cover panels and lets you look into the dark side of the lens. The dozen or so formulas use simple math and the drawings alone are worth the price of admission. Describes how cameras work and how well they overcome the difficulties in making a technically perfect photo Covers causes of image faults Presents unique methods for testing cameras Covers integration of optics, electronics, and mechanics in contemporary cameras

This book explains fundamental optical principles that apply to photography, cameras, and lenses. It is intended for professionals and serious amateur photographers as well as lens designers and optical engineers.

Photography of art has served as a basis for the reconstruction of works of art and as a vehicle for the dissemination and reinterpretation of art. This book provides the first definitive treatment of the subject, with essays from noted authorities in the fields of art history, architecture, and photography. The essays explore the many meanings of photography as documentation for the art historian, inspiration for the artist, and as a means of critical interpretation of works of art. Art History Through the Camera's Lens will be important reading for students, historians, librarians, and curators of the visual arts.