The Non Resident Indian And Other Stories

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California has always been America's promised land—for American Indians as much as anyone. In the 1950s, Native people from all over the United States moved to the San Francisco Bay Area as part of the Bureau of Indian Affairs Relocation Program. Oakland was a major destination of this program, and once there, Indian people arriving from rural and reservation areas had to adjust to urban living. They did it by creating a cooperative, multi-tribal community—not a geographic community, but rather a network of people linked by shared experiences and understandings. The Intertribal Friendship House in Oakland became a sanctuary during times of upheaval in people's lives and the heart of a vibrant American Indian community. As one long-time resident observes, "The Wednesday Night Dinner at the Friendship House was a must if you wanted to know what was happening among Native people." One of the oldest urban Indian organizations in the country, it continues to serve as a gathering place for newcomers as well as for the descendants of families who arrived half a century ago. This album of essays, photographs, stories, and art chronicles some of the people and events that have played—and continue to play—a role in the lives of Native families in the Bay Area Indian community over the past seventy years. Based on years of work by more than ninety individuals who have participated in the Bay Area Indian community and assembled by the Community History Project at the Intertribal Friendship House, it traces the community's changes from before and during the relocation period through the building of community institutions. It then offers insight into American Indian activism of the 1960s and '70s—including the occupation of Alcatraz—and shows how the Indian community continues to be created and re-created for future generations. Together, these perspectives weave a richly textured portrait that offers an extraordinary inside view of American Indian urban life. Through oral histories, written pieces prepared especially for this book, graphic images, and even news clippings, Urban Voices collects a bundle of memories that hold deep and rich meaning for those who are a part of the Bay Area Indian community—accounts that will be familiar to Indian people living in cities throughout the United States. And through this collection, non-Indians can gain a better understanding of Indian people in America today. "If anything this book is expressive of, it is the insistence that Native people will be who they are as Indians living in urban communities, Natives thriving as cultural people strong in Indian ethnicity, and Natives helping each other socially, spiritually, economically, and politically no matter what. I lived in the Bay Area in 1975-79 and 1986-87, and I was always struck by the Native (many people do say 'American Indian' emphatically!) community and its cultural identity that has always insisted on being second to none. Yes, indeed this book is a dynamic, living document and tribute to the Oakland Indian community as well as to the Bay Area Indian community as a whole." —Simon J. Ortiz "When my family arrived in San Francisco in 1957, the people at the original San Francisco Indian Center helped us adjust to urban living. Many years later, I moved to Oakland and the Intertribal Friendship House became my sanctuary during a tumultuous time in my life. The Intertribal Friendship House was more than an organization. It was the heart of a vibrant tribal community. When we returned to our Oklahoma homelands twenty years later, we took incredible memories of the many people in the Bay Area who helped shape our values and beliefs, some of whom are included in this book." —Wilma Mankiller, former Principal Chief, Cherokee Nation

For 100 years, nobody wanted to give their body to the ghost of the ill-fated Devdas, but Lieutenant Devdutt Sharma, a naval officer, accepted. Can Devdas fulfill his unfinished business through Devdutt? What will be the fate of Devdas this time and what was his unfinished business? 14 Screenplays of a Spiritual Filmmaker are about some unique characters: a Chamiya cow, a suicidal young man, an angry Goddess Durga, a killer doctor, a naughty child, extra-terrestrial beings from different planets, a wacky artist, a rebel farmer, a failed filmmaker, a Bangladeshi buyer, an NRI marrying a girl he hasn’t seen yet, a lonely, rich lady, a planet where children are born as old people and grow up to be children, a sad Goddess Saraswati and a VJ who faked his guest’s death on live TV. Part 2 of this series, coming soon.

Presents a reference on Asian-American literature providing profiles of Asian-American writers and their works.

This reader’s guide provides uniquely organized and up-to-date information on the most important and enjoyable contemporary English-language novels. Offering critically substantiated reading recommendations, careful cross-referencing, and extensive indexing, this book is appropriate for both the weekend reader looking for the best new mystery and the full-time graduate student hoping to survey the latest in magical realism. More than 1,000 titles are included, each entry citing major reviews and giving a brief description for each book.

“Reddi’s understated prose and her choice of detail give her revelations a quiet power.” — The New Yorker “[A]mong such time-tested topics of immigrant fiction, Reddi suddenly soars.” — San Francisco Chronicle “While many of the stories seem simple, characters and plots linger long after you turn the page.” — Washington Post “...reminiscent of Jhumpa Lahiri... The immigrant experience...is rendered with the starkest honesty... substance and depth.” — Philadelphia Inquirer “Reddi has produced a piece of writing that masterfully contrasts the assumed with the experienced, myth with reality.” — India Currents “...superb debut collection... much like Jhumpa Lahiri...a gem of a book...characters remain etched in memory...” — Indian Express “In deceptively simple prose...a compassionate look at what happens when the insular world of the Indian immigrant is breached.” — St. Louis Post-Dispatch “...Reddi deftly employs images to crystallize... the isolation and occasional bewilderment shared by her sympathetic characters.” — Publishers Weekly “This excellent debut collection... [offers] elegant studies of a culture that is both familiar and foreign.” — Booklist “Reddi’s voice is gentle and her eye watchful...A soft-spoken, sympathetic collection.” — Kirkus Reviews “Sad, sweet, tender--a truly lovely book.” — Kiran Desai, Man Book Prize-winning author of THE INHERITANCE OF LOSS “Only the finest writers can craft short stories with the richness of a novel...[an] exceptional debut collection.” — Arthur Golden, bestselling author of MEMOIRS OF A GEISHA “Rishi Reddi has written a unique and beautiful book with the power to both entertain and educate.” — Judith Guest, bestselling author of ORDINARY PEOPLE “Reddi’s characters are complicated people...and, as are the stories they inhabit, memorable and very worthy of our attention. Exquisite.” — Binnie Kirshenbaum, author of AN ALMOST PERFECT MOMENT “Reddi is the brightest light in Boston’s latest literary constellation.” — Boston magazine

Indian writers of English such as G. V. Desani, Salman Rushdie, Amit Chaudhuri, Amitav Ghosh, Vikram Seth, Allan Sealy, Shashi Tharoor, Arundhati Roy, Vikram Chandra and Jhumpa Lahiri have taken the potentialities of the novel form to new heights. Against the background of the genre’s macro-history, this study attempts to explain the stunning vitality, colourful diversity, and the outstanding but sometimes controversial success of postcolonial Indian novels in the light of ongoing debates in postcolonial studies. It analyses the warp and woof of the novelistic text through a cross-sectional scrutiny of the issues of democracy, the poetics of space, the times of empire, nation and globalization, self-writing in the auto/meta/docu-fictional modes, the musical, pictorial, cinematic and culinary intertextualities that run through this hyperpalimpsestic practice and the politics of gender, caste and language that gives it an inimitable stamp. This concise and readable survey gives us intimations of a truly world literature as imagined by Francophone writers because the postcolonial Indian novel is a concrete illustration of how “language liberated from its exclusive pact with the nation can enter into a dialogue with a vast polyphonic ensemble.”