The Music Of Simon Holt

Duende y Duelos : the Andalusian spirit in the Lorca settings / Anthony Gilbert -- An interplay of passion and spirit : The nightingale's to blame / Richard E. McGregor -- Images in sound : movement, harmony and colour in the early music / Philip Rupprecht -- Myth and narrative in 3 for Icarus / Edward Venn -- Sound, sense and syntax : the Emily Dickinson settings / Steph Power -- Piano music / Stephen Gutman -- Redefining the cello's voice : musical agency in feet of clay / Rebecca Thumpston -- Performance and reflections : Holt's music for oboe and cor anglais / Melinda Maxwell -- Shaking the bars : the yellow wallpaper / Steph Power -- Listening to the river's road : stance, texture and space in the concertos / David Beard -- Orchestral works in performance / Thierry Fischer -- Oblique themes and still centres : a conversation between / Julia Bardsley and Simon Holt -- Sketching and idea-gathering / Simon Speare -- Art, conceptualism and politics in Holt's music / David Charlton

When Reggie finds an old journal and reads about the Vours, supernatural creatures who feast on fear and attack on the eve of the winter solstice, she assumes they are just the musings of some lunatic author. But soon, they become a terrifying reality when she begins to suspect that her timid younger brother might be one of their victims. Risking her life and her sanity, Reggie enters a living nightmare to save the people she loves. Can she devour own her fears before they devour her? Bone-chilling, terrifying, thrilling...what are you waiting for?

A revelatory account of the life of beloved American music icon, Paul Simon, by the bestselling rock biographer Peter Ames Carlin To have been alive during the last sixty years is to have lived with the music of Paul Simon. The boy from Queens scored his first hit record in 1957, just months after Elvis Presley ignited the rock era. As the songwriting half of Simon & Garfunkel, his work helped define the youth movement of the '60s. On his own in the '70s, Simon made radio-dominating hits. He kicked off the '80s by reuniting with Garfunkel to perform for half a million New Yorkers in Central Park. Five years later, Simon’s album “Graceland” sold millions and spurred an international political controversy. And it doesn’t stop there. The grandchild of Jewish emigrants from Galicia in the Austro-Hungarian empire, the 75-year-old singer-songwriter has not only sold more than 100 million records, won 15 Grammy awards and been installed into the Rock ‘n’ Roll Hall of Fame twice, but has also animated the meaning—and flexibility—of personal and cultural identity in a rapidly shrinking world. Simon has also lived one of the most vibrant lives of modern times; a story replete with tales of Carrie Fisher, Leonard Bernstein, Bob Dylan, Woody Allen, Shelley Duvall, Nelson Mandela, drugs, depression, marriage, divorce, and more. A life story with the scope and power of an epic novel, Carlin’s Homeward Bound is the first major biography of one of the most influential popular artists in American history.

This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.

WINNER AUSTRALIAN CHRISTIAN BOOK OF THE YEAR 2008. What if God lived next door? Would you recognise him, talk to him at the fence or avoid catching his eye? Simon Carey Holt has uncovered the spiritual possibilities of our urban and suburban neighbourhoods. Simon Carey Holt is Lecturer in Spirituality at Whitley College (University of Melbourne & Melbourne College of Divinity).

The popularity of the motion picture soundtrack O Brother, Where Art Thou? brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album’s inclusion of more modern tracks misrepresented the genre. This soundtrack, these purists argued, wasn’t bluegrass, but “roots music,” a new and, indeed, more overarching category concocted by journalists and marketers. Why is it that popular music genres like these and others are so passionately contested? And how is it that these genres emerge, coalesce, change, and die out? In Genre in Popular Music, Fabian Holt provides new understanding as to why we debate music categories, and why those terms are unstable and always shifting. To tackle the full complexity of genres in popular music, Holt embarks on a wide-ranging and ambitious collection of case studies. Here he examines not only the different reactions to O Brother, but also the impact of rock and roll’s explosion in the 1950s and 1960s on country music and jazz, and how the jazz and indie music scenes in Chicago have intermingled to expand the borders of their respective genres. Throughout, Holt finds that genres are an integral part of musical culture—fundamental both to musical practice and experience and to the social organization of musical life.

It all starts with the release of fidgety, suspicious Percy Talbott from state prison after serving a five-year sentence. We don't know why, only that she's released and on her way to Gilead and its "colors of paradise." But when she arrives it is February and bitter cold, and the only one around to meet her is restless Sheriff Joe Turner, who takes her to the Spitfire Grill to help the aging Hannah Ferguson run the diner. All is gray, dismal and listless around them, and the characters are in the "winter of their lives" emotionally and spiritually.

From his earliest days as a culture-beat reporter, through a wildly successful four decades in the book business, to his latest philanthropic ventures, Stephen Rubin has witnessed up close the highs and lows of publishing, music, and entertainment over the last half-century. Now, in this refreshingly forthright and uninhibited memoir, he shares the stories and secrets of a legendary career. Freshly graduated from New York University, Rubin parlayed what had been a music column in his college paper into a freelance writing gig, covering culture, pop and classical music, and Hollywood. This landed him spots in major newspapers and put him in the company of fabulous opera divas, pop singers, and other unforgettable personalities (including his future wife Cynthia, a talent manager). Here, he shares his adventures with such varied and iconic figures as Luciano Pavarotti, Judy Garland, Pierre Boulez, Burt Lancaster, Dimitri Shostakovich, and Gregory Peck. Rubin recounts how, after joining Bantam Books in 1984, he rose steadily through the ranks of the publishing business, taking readers behind the scenes of the publication of record-breaking bestsellers such as John Grisham’s The Firm and Dan Brown’s The Da Vinci Code. With an uncanny ability to right the ship of floundering houses and imprints, he stepped into roles (and on some toes) at Bantam, Doubleday, Transworld, Henry Holt, and Simon & Schuster. He spares no details or feelings as he recounts corporate missteps and personal feuds at the highest levels of the literary world. Full of riveting detail, engagingly told, and generously leavened with insider dish, this is an unparalleled look at the culture industry from the man who’s seen it all first-hand.

Founded in London in 1984 by Mark Holt, Simon Johnston, and Hamish Muir, 8vo was one of the most influential design studios in the 1980s and continues to be significant in the design world today. The design studio used traditional, craft-based working methods but an experimental approach to design in order to anticipate the computer-aided aesthetic of the 90s. Designed and written by two of the studio's partners, this attractive, chunky-format book will be a delight to students and practioners of architecture, design, and art alike.