The Moving Picture Girls In War Plays

Laura Lee Hope was a pseudonym used by the Stratemeyer Syndicate. The Stratemeyer Syndicate was the producer of a number of series for children and adults at the beginning of the twentieth-century, including the Nancy Drew mysteries, The Hardy Boys, the various Tom Swift series, The Bobbsey Twins and others. It pioneered the technique of producing long-running, consistent series of books using a team of freelance authors to write standardised novels, which were published under a pen name owned by his company. Actual writers taking up the pen of Laura Lee Hope include Howard and Lilian Garis, Elizabeth Ward, Edward Stratemeyer, Harriet (Stratemeyer) Adams, and Nancy Axelrad. Series written under this pseudonym include: The Bobbsey Twins, The Outdoor Girls, The Moving Picture Girls, Bunny Brown, Six Little Bunkers, Make Believe Stories and Blythe Girls.

There, I think I have everything in that I'll need at Oak Farm. "Everything! Good gracious, Ruth, how quickly you pack! Why, I've oceans and oceans of things yet to go into my trunk! Oh, there are my scout shoes. I've been looking everywhere for them. I'll need them if I do any hiking in those war scenes," and Alice DeVere dived under a pile of clothing, bringing to light a muddy, but comfortable, pair of walking shoes. "I don't know what I'd do without them," she murmured. "Alice!" cried Ruth, her sister, and the shocked tone of her voice made the younger girl look up quickly from the contemplation of the shoes. "Why, what have I done now?" came in rather injured accents. "I'm sure I didn't use any slang; and as for not having all my things packed as quickly as you, why, Ruth, my dear, you must remember that you are an exception-the one that proves the rule."

Mr. Pertell and the film company return to Oak Farm to film a war drama based on the Civil War. Mr. Pertell plans to take advantage of the public's interest in war films due to the raging war in Europe. A Girl in Blue and a Girl in Gray is to feature especially prominent roles for Ruth and Alice as relatives on opposite sides of the war between the states.

"There, I think I have everything in that I'll need at Oak Farm.""Everything! Good gracious, Ruth, how quickly you pack! Why, I've oceans and oceans of things yet to go into my trunk! Oh, there are my scout shoes. I've been looking everywhere for them. I'll need them if I do any hiking in those war scenes," and Alice DeVere dived under a pile of clothing, bringing to light a muddy, but comfortable, pair of walking shoes. "I don't know what I'd do without them," she murmured."Alice!" cried Ruth, her sister, and the shocked tone of her voice made the younger girl look up quickly from the contemplation of the shoes."Why, what have I done now?" came in rather injured accents. "I'm sure I didn't use any slang; and as for not having all my things packed as quickly as you, why, Ruth, my dear, you must remember that you are an exception—the one that proves the rule.""I didn't say you used any slang, Alice dear. Nor did I intimate that you were behind in your packing. I'll gladly help you. But it—— Those shoes!" and she pointed a finger dramatically at the "brogans," as Alice sometimes called them."Those shoes? What's the matter with them? They're a perfectly good pair, as far as I can see; and they're mighty comfortable.""Oh, Alice—mighty?"

Mr. Pertell and the film company return to Oak Farm to film a war drama based on the Civil War. Mr. Pertell plans to take advantage of the public's interest in war films due to the raging war in Europe. A Girl in Blue and a Girl in Gray is to feature especially prominent roles for Ruth and Alice as relatives on opposite sides of the war between the states. During filming the girls become acquainted with the many people who have been cast as extras in the film. One girl in particular, Estelle Brown, becomes an immediate friend of the two sisters. Estelle seems troubled and gives vague answers whenever she is asked questions about her past life. After a time, Estelle reveals that she has no memory of her past before the last three to four years. She feels certain that her name is Estelle Brown, but she has no memory of her relatives or where she lived.

Laura Lee Hope's 'The Moving Picture Girls in War Plays. Or, The Sham Battles at Oak Farm' is a captivating novel that follows the adventures of the moving picture girls as they become involved in creating war plays at Oak Farm. The book, written in a vivid and engaging style, provides a unique insight into the early days of motion pictures and the challenges faced by those in the film industry. The literary context of the novel reflects the growing interest in visual storytelling during the early 20th century, making it a valuable piece of historical fiction. Readers will be drawn into the world of silent movies and the creative process behind filmmaking. Laura Lee Hope's attention to detail and descriptive language bring the setting to life, creating a compelling narrative that will appeal to fans of both historical fiction and film history. Laura Lee Hope, a pseudonym used by the Stratemeyer Syndicate, was a collective group of authors who contributed to the popular 'Moving Picture Girls' series. Their extensive experience in writing children's literature and their passion for storytelling shines through in 'The Moving Picture Girls in War Plays,' making it a must-read for anyone interested in the early days of cinema and the behind-the-scenes magic of filmmaking. I highly recommend this book to readers looking for a delightful blend of adventure, history, and creativity.

Laura Lee Hope is a pseudonym used by the Stratemeyer Syndicate for the Bobbsey Twins and several other series of children's novels. Actual writers taking up the pen of Laura Lee Hope include Edward Stratemeyer, Howard and Lilian Garis, Elizabeth Ward, Harriet (Stratemeyer) Adams, Andrew E. Svenson, June M. Dunn, Grace Grote and Nancy Axelrad. Laura Lee Hope was first used as a pseudonym in 1904 for the debut of the Bobbsey Twins.