The Medieval Flower Book

In this delightful book, the author explores the "floral outburst" that occurred in medieval manuscripts of the 14th and 15th centuries.

Each section of Flowers in Medieval Manuscripts includes relevant details of the manuscripts from which the illustrations are taken, and the concluding section discusses manuscript production in relation to these margins.

From peony to poppy, and Solomon's seal and columbine to lily and iris, this illustrated book draws together those species of flowers - pure in colour and beautifully scented - that grew in medieval times and still grow today. Passing through the seasons, the book features gardens in Britain and elsewhere in Europe that can be traced back to medieval times. It details the purpose of gardens in those times, the types of plants grown, and the medicinal aspects, and also has a chapter on how to grow the individual flowers today. Garden plans and plant sources complete the book.

There is a striking similarity between Marian devotional songs and secular love songs of the late Middle Ages and Renaissance. Two disparate genres--one sacred, the other secular; one Latin, the other vernacular--both praise an idealized, impossibly virtuous woman. Each does so through highly stylized derivations of traditional medieval song forms--Marian prayer derived from earlier Gregorian chant, and love songs and lyrics from medieval courtly song. Yet despite their obvious similarities, the two musical and poetic traditions have rarely been studied together. Author David J. Rothenberg takes on this task with remarkable success, producing a useful and broad introduction to Marian music and liturgy, and then coupling that with an incisive comparative analysis of these devotional forms and the words and music of secular love songs of the period. The Flower of Paradise examines the interplay of Marian devotional and secular poetics within polyphonic music from ca. 1200 to ca. 1500. Through case studies of works that demonstrate a specific symbolic resonance between Marian devotion and secular song, the book illustrates the distinctive ethos of this period in European culture. Rothenberg makes use of an impressive command of liturgical and religious studies, literature and poetry, and art history to craft a study with wide application across disciplinary boundaries. With its broad scope and unique, incisive analysis, this book will open up new ways of thinking about the history and development of secular and sacred music and the Marian tradition for scholars, students, and anyone with an interest in medieval and Renaissance religious culture.

Astride her white palfrey, surrounded by a nimbus of silver-blond hair, Jasmine was a vision to strike a man mute with desire. But the violet-eyed love child of King Richard's half brother had vowed that no man would ever rule her heart. Until she saw the face of the Devil himself in her crystal ball--the dark, brooding knight who would kill to make her his own. She would risk a dissolute court and a maddened, lustful king to keep destiny at bay, anything to keep her from the hypnotic eyes and burning caresses of...The Falcon. A wickedly handsome warrior who lived by blood and the sword, Falcon de Burgh wanted to wed no woman--until he laid eyes on the exquisite Jasmine, and he vowed to possess her, to teach her all the wondrous ways a man could love a woman, no matter what it might take to conquer her fiery, unyielding heart. Falcon knew only blind, reckless passion as he swore to tame, at the risk of his life...The Flower.

Many favorite flowers, such as roses, irises, and lilies had long been endowed with a wealth of symbolic meanings. Renaissance artists, by embracing new methods of scientific observation, were able to portray them for the first time with an accuracy that made each species easily identifiable. --

Rich royalty-free collection reprinted from rare reference work includes detailed renderings of borage, oak-apple, valerian, thistle, tansy, many other plant varieties.

Bertrand Du Guesclin was one of the great heroes of medieval France. His engaging, adventurous life story embodies all the drama and excitement of the Hundred Years War. The rise of Bertrand du Guesclin ranks as one of the most spectacular adventures in a fourteenth century rich in heroic tales. A poor Breton squire, ungainly and unlettered, he came of age at the onset of the Hundred Years War. Hespent two decades engaged in irregular warfare in his native province before he became a knight, and was recognised by Charles V as the captain France needed. Du Guesclin fought on campaign from Normandy to Andalusia, tasted victory, was taken captive - and was finally victorious again, over such famed adversaries as Sir John Chandos and the Black Prince. He won a dukedom in Spain, but it was as Constable of France that he spearheaded the reconquest of French provinces lost after the defeat at Poitiers. His body was laid to rest among kings in the royal basilica of Saint-Denis, enshrined as the Tenth Worthy, hero of the last Old French epic, but Du Guesclin's spiritlives on in literature and folk memory, as flower of chivalry, soldier's soldier, patriot, and liberator of his country. RICHARD VERNIER is Professor Emeritus, Romance Languages and Literatures, Wayne State University.

Featuring plants that grew in the UK and Europe's most famous medieval gardens, and which are still cultivated today the most beautiful, best and most naturally coloured species with the purest fragrance. This is a truly inventive, well-researched book, highlighting the beauty of flowers cultivated and wild, as well as gardens and bowers. Clay Perry's photographs include a lush series of studio flower portraits as well as shots of existing medieval gardens, chamomile lawns and fruit trees in blossom. From Peony to Poppy, Solomon's Seal and Columbine to Lily and Iris, the photographs emphasise the contemplative atmosphere of the gardens, all of which can be recreated today.