The Making And Remaking Of Australasia

This book explores the emergence of 'Australasia' as a way of thinking about the culture and geography of this region. Although it is frequently understood to apply only to Australia and New Zealand, the concept has a longer and more complicated history. 'Australasia' emerged in the mid-18th century in both French and British writing as European empires extended their reach into Asia and the Pacific, and initially held strong links to the Asian continent. The book shows that interpretations and understandings of 'Australasia' shifted away from Asia in light of British imperial interests in the 19th century, and the concept was adapted by varying political agendas and cultural visions in order to reach into the Pacific or towards Antarctica. The Making and Remaking of Australasia offers a number of rich case studies which highlight how the idea itself was adapted and moulded by people and texts both in the southern hemisphere and the imperial metropole where a range of competing actors articulated divergent visions of this part of the British Empire. An important contribution to the cultural history of the British Empire, Australia, New Zealand and Pacific Studies, this collection shows how 'Australasia' has had multiple, often contrasting, meanings.

"This book explores the emergence of 'Australasia' as a way of thinking about the culture and geography of this region. Although it is frequently understood to apply only to Australia and New Zealand, the concept has a longer and more complicated history. 'Australasia' emerged in the Mid-18th century in both French and British writing as European empires extended their reach into Asia and the Pacific, and initially held strong links to the Asian continent. The book shows that interpretations and understandings of 'Australasia' shifted away from Asia in light of British imperial interests in the 19th century, and the concept was adapted by varying political agendas and cultural visions in order to reach into the Pacific or towards Antarctica. The Making and Remaking of 'Australasia' offers a number of rich case studies which highlight how the idea itself was adapted and moulded by people and texts both in the Southern Hemisphere and the imperial metropole where a range of competing actors articulated divergent visions of this part of the British Empire. An important contribution to the cultural history of the British Empire, Australia, New Zealand and Pacific Studies, this collection shows how 'Australasia' has had multiple, often contrasting, meanings."--

With more than 25 years since the collapse of communism, the end of the wars and billions of dollars in aid, the Balkans are still characterized by corruption, state capture, and decidedly unmodern states that are often either weak or authoritarian. Taking the contemporary Balkans as a starting point, Making and Remaking the Balkans studies the region's history combined with observations based on more than twenty years of field experience. Primarily concerned with current issues in the Balkans since 1989, this book explains why the region has endured such a prolonged and fraught transition to democracy and eventual membership in the European Union. The young and educated have largely left. Governmental crisis and economic stagnation is the norm and much-needed regional cooperation has been suppressed by renewed nationalism. Wars on corruption have proved to be largely rhetorical. Making and Remaking the Balkans offers a systematic study of the issues the entire region faces as it struggles to complete the European integration process at a time when the European Union faces bigger problems elsewhere.

This book presents a landmark in-depth study of how mass media contributes to the making and remaking of male identity. It concludes that, unless addressed, the effects of negative discourse on the self-identity and self-esteem of men, are potentially devastating and that the longer-term and wider social implications will also be costly.

The first comprehensive account to place the Pacific Islands, the Pacific Rim and the Pacific Ocean into the perspective of world history. A distinguished international team of historians provides a multidimensional account of the Pacific, its inhabitants and the lands within and around it over 50,000 years, with special attention to the peoples of Oceania. It providing chronological coverage along with analyses of themes such as the environment, migration and the economy; religion, law and science; race, gender and politics.

Alan J. Ward combines constitutional history and political science to compare all nine of Australia’s political systems, federal, state and territorial, from colonial times to the present. Guided by a model of parliamentary government drawn from comparative politics, he considers the following key topics: the selection of the government, the prime minister and cabinet; government control of the lower house; the primacy of the lower house in bicameral systems; the head of state; the influence of Australian federalism on parliamentary government; and the growth of executive democracy in Australia. Ultimately, Ward argues that as only one of Australia’s nine constitutions accurately describes parliamentary government as practiced in the country, it is a democratic imperative that the other eight be rewritten.

Made in Australia and Aotearoa/New Zealand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century popular music of Australia and Aotearoa/New Zealand. The volume consists of chapters by leading scholars of Australian and Aotearoan/New Zealand music, and covers the major figures, styles, and social contexts of pop music in Australia and Aotearoa/New Zealand. Each chapter provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Australian or Aotearoan/New Zealand popular music. The book first presents a general description of the history and background of popular music in these countries, followed by chapters that are organized into thematic sections: Place-Making and Music-Making; Rethinking the Musical Event; Musical Transformations: Decline and Renewal; and Global Sounds, Local Identity.

This edited volume is about the Australian difference and how Australia's economic and social policy has diverged from the approach of other countries. Australia seems to be following a 'special path' of its own that it laid down more than a century ago. Australia's distinctive bent is manifested in a tightly regulated labour market; a heavy reliance on means testing and income taxation; a geographical centralization of political power combined with its dispersal amongst autonomous authorities, and electoral singularities such as compulsory and preferential voting. In seeking to explain this Australian Exceptionalism, the book covers a diverse range of issues: the strength and weakness of religion, democratic and undemocratic tendencies, the poverty of public debate, the role of elites, the exploitation of Australian sports stars, the politics of railways, the backwardness of agriculture, deviation from the Westminster system, the original encounter between European and Aboriginal cultures, and the heavy taxation of tobacco. Bringing together contributions from economists, economic historians, and political scientists, the volume seeks to understand why Australia is different. It offers a range of explanations from the 'historical legacy', to material factors, historical chance, and personalities.

This detailed ethnographic study explores the intercultural crafting of contemporary forms of Aboriginal manhood in the world of country, rock and reggae music making in Central Australia. Focusing on four different musical contexts – an Aboriginal recording studio, remote Aboriginal settlements, small non-indigenous towns, and tours beyond the musicians’ homeland – the author challenges existing scholarly, political and popular understandings of Australian Aboriginal music, men, and related indigenous matters in terms of radical social, cultural and racial difference. Based on extensive anthropological field research among Aboriginal rock, country and reggae musicians in small towns and remote desert settlements in Central Australia, the book investigates how Aboriginal musicians experience and articulate various aspects of their male and indigenous sense of selves as they make music and engage with indigenous and non-indigenous people, practices, places, and sets of values.Making Aboriginal Men and Music is a highly original, intimate study which advances our understanding of contemporary indigenous and male identity formation within Aboriginal Australian society. Providing new analytical insights for scholars and students in fields such as social and cultural anthropology, cultural studies, popular music, and gender studies, this engaging text makes a significant contribution to the study of indigenous identity formation in remote Australia and beyond.

"This is a highly descriptive account of the Scots in Australia from 1788 to the present. It shows that the Scots have made a major contribution to all aspects of Australian life. It is aimed at non-specialist general readers, although much of the audience will be Scottish."-- Provided by publisher.