The Ideal Home Through The 20th Century

The first Ideal Home Exhibition opened in 1908, founded by the Daily Mail as a publicity tool and a way of increasing advertising revenue. The exhibition dealt with the art of home-making, aiming to educate its predominantly female audience in the modernity of labour-saving appliances and teach the art of living.

This book explores the aspirations and tastes of new suburban communities in interwar England for domestic architecture and design that was both modern and nostalgic in a period where homeownership became the norm. It investigates the ways in which new suburban class and gender identities were forged through the architecture, design and decoration of the home, in choices such as ebony elephants placed on mantelpieces and modern Easiwork dressers in kitchens. Ultimately, it argues that a specifically suburban modernism emerged, which looked backwards to the past whilst looking forward to the future. Thus the inter-war ‘ideal’ home was both a retreat from the outside world and a site of change and experimentation. The book also examines how the interwar home is lived in today. It will appeal to academics and students in design, social and cultural history as well as a wider readership curious about interwar homes.

With its distinctive gables and arches, Tudor-style architecture is recognized around the world as a symbol of British culture; it represents the idea of home to British citizens in the United Kingdom and abroad. Some love it, others hate it, but the Tudoresque is still being built—to give a house an old-fashioned air or to create a sense of exotica. Yet few people know anything about how Tudor Revival buildings came to be. To fill this gap is Tudoresque, an insightful book that explores the origin of the style, tracing its roots to the antiquarian enthusiasms of the eighteenth century. It looks at the Tudoresque cottage style, which later influenced 1930s architecture, and the Tudor-style manor house, particularly favored in the nineteenth century. While the style has been discouraged since the 1920s (and is especially reviled by modernists) it continues to be a popular choice—particularly when the architect doesn’t have the upper hand. The authors here show how the style is the mainstream of twentieth-century British architecture and explore how it has travelled abroad. From Tudor Village in Queens to Stan Hywet Hall in Akron to Malaysia, Shanghai, and Singapore, Tudor Revival has found a comfortable home across the globe. These black and white gabled buildings are important not so much because they are great architecture, but because they are everywhere. Illustrated with images from more than 200 years of the Tudor Revival, and including examples from Britain, America, India and East Asia, this knowledgable and entertaining book will be an indispensable guide to the one of the world’s most iconic architectural styles.

Ideal homes investigates the tastes and aspirations of the suburban communities that emerged in Britain after the First World War. It explores how new class and gender identities were forged through the architecture and decoration of the home. This edition includes a chapter on researching the history of your own house.

Throughout the twentieth century architectural models served as the miniature playgrounds in which the future of Britain’s built environment was imagined, and in drawing from the evidence provided by those models today, this book considers how architects, planners, and civil engineers thought about that future by presenting a history of yesterday’s dreams of tomorrow, told through architectural models. Focused not on the making of architectural models but rather the optimistic and utopian visions they were made to communicate, this book examines the possible futures put forward by 120 models made by Thorp, the oldest and most prolific firm of architectural modelmakers in Britain, in order to reveal a century of evolving ideas about how we might live, work, relax, and move. From depictions of unbuilt city masterplans to those of seemingly ordinary shopping centres and motorways, the models featured trace a progression of the architectural, social, political, technological, and economic influences that shaped the design of Britain’s buildings, transport infrastructure, and its towns and cities during a century of relentless change. Illustrated with over 130 photographs, this book will appeal to academics and historians, as well as anyone with an interest in architectural models and the history of Britain’s twentieth century built environment.

Picturing home examines the depiction of domestic life in British feature films made and released in the 1940s. It explores how pictorial representations of home onscreen in this period re-imagined modes of address that had been used during the interwar years to promote ideas about domestic modernity. Picturing home provides a close analysis of domestic life as constructed in eight films, contextualising them in relation to a broader, offscreen culture surrounding the suburban home, including magazines, advertisements, furniture catalogues and displays at the Daily Mail Ideal Home Exhibition. In doing so, it offers a new reading of British 1940s films, which demonstrates how they trod a delicate path balancing prewar and postwar, traditional and modern, private and public concerns.

Over the twentieth century Scots' lives changed infast, dramatic and culturally significant ways. By examining their bodies,homes, working lives, rituals, beliefs and consumption, this volume exposeshow the very substance of everyday life was composed, tracing both theintimate and the mass changes that the people endured. Using novelperspectives and methods, chapters range across the experiences of work, artand death, the way Scots conceived of themselves and their homes, and theway the 'old Scotland' of oppressive community rules broke down frommid-century as the country reinvented its everyday life and culture. Thisvolume brings together leading cultural historians of twentieth-centuryScotland to study the apparently mundane activities of people's lives,traversing the key spaces where daily experience is composed to expose thecontroversial personal and national politics that ritual and practice cangenerate. Key features: *Contains an overview of the material changesexperienced by Scots in their everyday lives during the course of thecentury*Focuses on some of the key areas of change in everyday experience,from the way Scots spent their Sundays to the homes in which they lived,from the work they undertook to the culture they consumed and eventually theway they died. *Pays particular attention to identity as well asexperience

While the church today looks quite different than it did two thousand years ago, Christians share the same faith with the church fathers. Although separated by time and culture, we have much to learn from their lives and teaching. This book is an organized and convenient introduction to how to read the church fathers from AD 100 to 500. Michael Haykin surveys the lives and teachings of seven of the Fathers, looking at their role in such issues as baptism, martyrdom, and the relationship between church and state. Ignatius, Cyprian, Basil of Caesarea, and Ambrose and others were foundational in the growth and purity of early Christianity, and their impact continues to shape the church today. Evangelical readers interested in the historical roots of Christianity will find this to be a helpful introductory volume.

In Designing the British Post-War Home Fiona Fisher explores the development of modern domestic architecture in Britain through a detailed study of the work of the successful Surrey-based architectural practice of Kenneth Wood. Wood’s firm is representative of a geographically distinct category of post-war architectural and design practice - that of the small private practice that flourished in Britain’s expanding suburbs after the removal of wartime building restrictions. Such firms, which played an important role in the development of British domestic design, are currently under-represented within architectural histories of the period. The private house represents an important site in which new spatial, material and aesthetic parameters for modern living were defined after the Second World War. Within a British context, the architect-designed private house remained an important ‘vehicle for the investigation of architectural ideas’ by second generation modernist architects and designers. Through a series of case study houses, designed by Wood’s firm, the book reconsiders the progress of modern domestic architecture in Britain and demonstrates the ways in which architectural discourse and practice intersected with the experience, performance and representation of domestic modernity in post-war Britain.

We all know what suburbia is, indeed the majority of us live in it. Yet, despite this ubituity, with no formal definition of the contept, the suburbs have developed in our collective imagination through representations in popular culture, from Terry and June to Desparate Housewives. Rupa Huq examines how suburbia has been depicted in novels, cinema, popular music and on television, charting changing trends both in the suburbs and popular media consumption and production. She looks at the differences in defining suburbia in the US and UK and how characteristics associated with it have shifted in meaning and form.