The Heart Of England 1906

As a brilliant survey of English literature in terms of changing attitudes towards country and city, Williams' highly-acclaimed study reveals the shifting images and associations between these two traditional poles of life throughout the major developmental periods of English culture.

Edward Thomas volunteered when he was 37 years old and a father of three and was killed, as an artillery officer, during the first hour of the Arras offensive, on April 9th, 1917. In the two years before his death, he wrote the 144 poems which ensured a place for him among the poets of his generation. Though all his poems had been written OC under stormOCOs wingOCO, Thomas was not a war poet in the sense that Owen, Sassoon or Rosenberg were war poets. Before he turned to poetry in December 1914, he..."

These poetic and highly personal pieces describe Edward Thomas's wanderings through the English countryside, taking in meadows, farms, inns, maypoles, churches and wildlife. Whether exploring the Kent weald or the heart of England, describing a crisp winter morning or a heady August day, evoking the scent of honeysuckle or the primeval atmosphere of an ancient wood, Thomas brings the countryside alive through precise observation and vivid, lyrical prose. Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it. English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).

In this 2000 collection, an international team of contributors examine relationships between modernist poetry and place.

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations throughout, and an unparalleled number of illustrations and contextual materials, offering additional perspectives both on individual texts and on larger social and cultural developments. Innovative, authoritative, and comprehensive, The Broadview Anthology of British Literature embodies a consistently fresh approach to the study of literature and literary history. The full Broadview Anthology of British Literature comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible through the broadviewpress.come website by using the passcode obtained with the purchase of one or more of the bound volumes. Highlights of Volume 6: The Twentieth Century and Beyond include: Joseph Conrad’s “The Secret Sharer,” “An Outpost of Progress,” an essay on the Titanic, and a substantial range of background materials, including documents on the exploitation of central Africa that set “An Outpost of Progress” in vivid context; and a large selection of late twentieth and early twenty-first century writers such as Ian McEwan, Kazuo Ishiguro, and Zadie Smith. For the convenience of those whose focus does not extend to the full period covered in the final volume of The Broadview Anthology of British Literature (Volume 6: The Twentieth Century and Beyond), that volume is now available either in its original one-volume format or in this alternative two-volume format, with Volume 6a (The Early Twentieth Century) extending to the end of WWII, and Volume 6b (The Late Twentieth Century and Beyond) covering from WWII into the present century.

In this book, Raphael Ingelbien examines how issues of nationhood have affected the works and the reception of several English and Irish poets - Philip Larkin, Ted Hughes, Geoffrey Hill and Seamus Heaney. This studyexplores the interactions between post-war English poets and the ways in which they transformed or misread earlier poetic visions of England - Romantic, Georgian, Modernist."

Whilst out walking one day in the shade at the age of thirty-six, with the First World War looming, Edward Thomas decided to become a poet. In the few years that followed, believing he belonged nowhere, he tramped across rolling chalk downland, stitching himself to the landscape. Gently slanting from the door of his stone cottage, the South Downs – a range of chalk hills that extend across the southeastern coastal counties of England from Hampshire in the west to Sussex in the east – became day by day the mainspring of his poetry. As a perennial poet and essayist of the South Downs, Edward Thomas remains an enduring presence a century later in the downland he trampled daily, treading and documenting a series of paths around the village of Steep, East Hampshire, where he lived until enlisting. Arranging itself around a number of journeys in pursuit of the early twentieth century poet and nature writer, this book provides a personal and moving tale of encountering literature in landscape, retreading Edward Thomas’s footprints from the beginning of his epically creative final four years, to the site where he died in 1917, during the Battle of Arras.

Nature in Literary and Cultural Studies is a collection of essays written by European and North American scholars who argue that nature and culture can no longer be thought of in oppositional, mutually exclusive terms. They are united in an effort to push the theoretical limits of ecocriticism towards a more rigorous investigation of nature's critical potential as a concept that challenges modern culture's philosophical assumptions, epistemological convictions, aesthetic principles, and ethical imperatives. This volume offers scholars and students of literature, culture, history, philosophy, and linguistics new insights into the ongoing transformation of ecocriticism into an innovative force in international and interdisciplinary literary and cultural studies.

`God made the country, man made the town.' William Cowper's words, written two centuries ago, underline an idealisation of rural life and landscape which persists to this day. What are the main historical processes and ideas underlying the continuing attachment to the countryside? How have these shaped popular values and lifestyles influenced artistic expression, defined attitudes to nature, country life and 8andscape, and affected the development of both rural and urban landscapes? What are the consequences for society and the environment? These are the central questions addressed in this book. The Countryside Ideal draws together diverse images of landscape to explore this preoccupation with place, culture and representation in the West.

Challenges conventional views of the Edwardian period as either a hangover of Victorianism or a bystander to literary modernismIn this ground-breaking study, Jonathan Wild investigates the literary history of the Edwardian decade. This period, long overlooked by critics, is revealed as a vibrant cultural era whose writers were determined to break away from the stifling influence of preceding Victorianism. In the hands of this generation, which included writers such as Arnold Bennett, Joseph Conrad, E. M. Forster, Beatrix Potter, and H.G. Wells, the new century presented a unique opportunity to fashion innovative books for fresh audiences. Wild traces this literary innovation by conceptualising the focal points of his study as branches of one of the new department stores that epitomized Edwardian modernity.a These adepartments war and imperialism, the rise of the lower middle class, childrens literature, technology and decadence, and the condition of England offer both discrete and interconnected ways in which to understand the distinctiveness and importance of the Edwardian literary scene. Overall, The Great Edwardian Emporium offers a long-overdue investigation into a decade of literature that provided the cultural foundation for the coming century.