The Grimoire Of The Deborean Tradition

An extensive study of ancient books of magic and the magical practices preserved in the few surviving grimoires • Includes spells, talisman formulations, and secret magical alphabets reproduced from the author’s private collection of grimoires, with instructions for their use • Explains the basic principles of medieval magic, including the doctrine of names and the laws of sympathy and contagion • Offers an overview of magic in the Western Mystery tradition Grimoires began simply as quick-reference “grammar books” for sorcerers, magicians, and priests before evolving into comprehensive guides to magic, complete with spell-casting rituals, magical alphabets, and instructions to create amulets and talismans. With the advent of the printing press, some grimoires were mass produced, but many of the abbreviations were misinterpreted and magical words misspelled, rendering them ineffective. The most powerful grimoires remained not only secret but also heavily encoded, making them accessible only to the highest initiates of the magical traditions. Drawing on his own private collection of grimoires and magical manuscripts as well as his privileged access to the rare book archives of major European universities, Claude Lecouteux offers an extensive study of ancient books of magic and the ways the knowledge within them was kept secret for centuries through symbols, codes, secret alphabets, and Kabbalistic words. Touching on both white and black magical practices, he explains the basic principles of medieval magic, including the doctrine of names and signatures, mastery of the power of images, and the laws of sympathy and contagion. He gives an overview of magic in the Western Mystery tradition, emphasizing both lesser-known magicians such as Trithemus and Peter of Apono and famous ones like Albertus Magnus and Hermes Trismegistus. Creating a universal grimoire, Lecouteux provides exact reproductions of secret magical alphabets, symbols, and glyphs with instructions for their use as well as an illustrated collection of annotated spells, rituals, and talismans for numerous applications including amorous magic, healing magic, and protection rites. The author also examines the folk magic that resulted when the high magic of the medieval grimoires melded with the preexisting pagan magic of ancient Europe.

“Many books talk about the relationship of Witches to natural magic. This book takes you into the very heart of it.” —Christian Day, author of The Witches’ Book of the Dead For the first time in more than a decade, Grimassi introduces readers to a new system of witchcraft, one that draws upon the old ways and the old days to teach the practitioner how to master all that it is to be a Witch. Chock full of spells, illustrations of plant spirits, and rituals, Grimassi takes readers deep into the woods to learn the secrets of the Thorned Path. Here we meet the entities that dwell deep within the organic memory of the earth—the devas, the deities, the magical life force behind the surface of the wooded glen. Chapters include Plant Spirits of the Green Realm, The Rose and Thorn Path of Witchery, Works of Magick, The Old Ones, and The Old Rites. Learn to work with these spirits and transform your life and practice “Undoubtedly the most exciting and important book of the decade!” —Dorothy Morrison, author of Utterly Wicked and The Craft “Truly a work of genius.” —Theitic, executive editor of The Witches’ Almanac “The underworld powers of magical alchemy await within these pages!” —Orion Foxwood, author of The Candle and the Crossroads

A collection of rituals written over many years. Some were written for friends, and have elements of Wicca in them, or any other of the several pathways practiced in today's world. Some are distinctly Strega, and all have the kiss of Stregoneria in them.

"I conjure thee, Oh BOOK to be useful and profitable unto all those who shall read thee for success in their affairs." Conjuration for the Book, Grimoire of Pope Honorius Description: The Grimoire of Pope Honorius is the first and most important of the French 'black magic' grimoires which proliferated across Europe in the 17th-19th centuries. Combining a grimoire of conjurations to demons of the four directions and seven days of the week with a Book of Secrets full of simple charms, the Grimoire of Pope Honorius was second only to the Key of Solomon in the influence it exerted on magicians, charmers and cunning-folk in both rural and urban France. This grimoire also played a role in social events which rocked France, being used in the Affair of the Poisons which scandalised the French royal court in 1679, and by the young priest who assassinated the archbishop of Paris in 1857. The Complete Grimoire of Pope Honorius contains material translated from all four of the different French editions of the Grimoire of Pope Honorius, including the complete text of one manuscript version never before seen in English (Wellcome 4666), and a new translation of the later corrupted German version of 1845. All of the material and its variations found in the five different editions of the Grimoire of Pope Honorius is contained in this work, presenting the entire corpus of this grimoire in print for the first time. In addition to tracing much of the material to sources such as the Heptameron, the works of Agrippa and earlier religious texts for the first time, the derivation of much of the material into later grimoires including the Grimorium Verum, the Grand Grimoire/Red Dragon and the Black Dragon is clearly demonstrated. As well as charms for health, wealth, sex and protection, the Grimoire of Pope Honorius also contains a substantial number of agrarian charms by the Norman magician Guidon for protecting livestock, emphasising the popular rural use of such charms until at least the 19th century. The corpus of charms comes from diverse sources, including Scot's Discoverie of Witchcraft (1584), and some like the Letter of St Anthony can be dated back to at least the 13th century. Including numerous illustrations, and tables tracing the derivation of the material through the different editions and into other grimoires, the Complete Grimoire of Pope Honorius demonstrates the versatility and significance of this grimoire, cutting past outdated misperceptions to a viewpoint which reflects more accurately the position of the Grimoire of Pope Honorius in the development of magic since the seventeenth century.

The Grimoire of Arthur Gauntlet is an outstanding example of a seventeenth century London Cunning-man's book of practice. Cunning-folk were practitioners of magic and herbal medicine who dealt with problems in their local communities. Cunning-man Arthur Gauntlet was based in Gray's Inn Lane in London, and his personal working book contains a fascinating diverse mixture of herbal remedies, prayers, magical and biblical charms, with previously unseen angelic conjurations and magic circles, in an eclectic blend of practical magic for health, wealth, love and protection. This unique manuscript demonstrates both the diverse and spiritual nature of such Cunning-folk's books of practice, as well as their magical emphasis on Biblical scripture, particularly the Psalms, and their opposition to witchcraft, found in charms and conjurations. Arthur Gauntlet worked with a female skryer called Sarah Skelhorn, and drew on numerous preceding sources for his craft, including the Arbatel, the Heptameron, Folger Vb.26, The Discoverie of Witchcraft, the Book of Gold, the writings of the German magus Cornelius Agrippa, the astrologer William Bacon and Queen Elizabeth I's court astrologer Dr. John Dee, as well as other London Cunning-folk. In his introduction, the author provides fresh insights into the hidden world of seventeenth century magical London, exploring the web of connections between astrologers, cunning-folk and magicians, playwrights, authors and church figures. These connections are also highlighted by the provenance of the manuscript, which is traced from Arthur Gauntlet through the hands of such notable angel magicians as Elias Ashmole (founder of the world's first public museum, the Ashmolean in Oxford), Baron Somers (the Lord Chancellor), Sir Joseph Jekyll (Master of the Rolls) and Sir Hans Sloane (founder of the British Museum), as well as the astrologer John Humphreys and the cunning-woman Ann Savadge. This is a unique work which draws attention to the often neglected place of women in seventeenth century magic, both as practitioners (such as skryers and Cunning-women), and customers. It also emphasises the vital and influential role played by Cunning-Men and Women in synthesising and transmitting the magical traditions of medieval Britain into the subsequent centuries, as well as their willingness to conjure a wide range of spiritual creatures to achieve results for their clients, including angels, demons, fairies, and the dead.