The Gallery Of Unfinished Girls

A beautiful and evocative look at identity and creativity, The Gallery of Unfinished Girls is a stunning debut in magical realism. Perfect for fans of The Walls Around Us and Bone Gap. Mercedes Moreno is an artist. At least, she thinks she could be, even though she hasn’t been able to paint anything worthwhile in the past year. Her lack of inspiration might be because her abuela is in a coma. Or the fact that Mercedes is in love with her best friend, Victoria, but is too afraid to admit her true feelings. Despite Mercedes’s creative block, art starts to show up in unexpected ways. A piano appears on her front lawn one morning, and a mysterious new neighbor invites Mercedes to paint with her at the Red Mangrove Estate. At the Estate, Mercedes can create in ways she hasn’t ever before. But Mercedes can’t take anything out of the Estate, including her new-found clarity. Mercedes can’t live both lives forever, and ultimately she must choose between this perfect world of art and truth and a much messier reality. “A dreamy and subtle work of art, The Gallery of Unfinished Girls explores love, family, and the maddening, magical drive to create art.”—Adi Alsaid, author of Let's Get Lost

Tilly has been given an ultimatum from her mother— she can attend the summer dance program of her dreams in NYC if she puts her deposit in for fall admission to Georgetown but Matilda Castillo schemes how to get the best of both worlds. With her deposit in, and a deferment until next year, Tilly sets out to pursue her dream of professional dancing. But in the cutthroat world of dance, she may have made a few enemies. Matilda Castillo has always followed the rules, but when she gets injured senior year, she's sure her dreams of becoming a contemporary dancer have slipped away. So when Tilly gets a once-in-a-lifetime opportunity to spend the summer with a New York dance troupe, nothing can stop her from saying yes—not her mother, not her fears of the big city, and not the commitment she made to Georgetown. Tilly's mother allows her to go on two conditions: one, Tilly will regularly visit her abuela in New Jersey, and two, after the summer, she'll give up dancing and go off to college. Armed with her red vintage sunglasses and her pros and cons lists, Tilly strikes out, determined to turn a summer job into a career—and figure out how to break it to her mother later. Along the way she meets new friends ... and new enemies. Tilly isn't the only one desperate to dance, and fellow troupe member Sabrina Wolfrik intends to succeed at any cost. But despite dodging sabotage and blackmail attempts from Sabrina, Tilly can't help but fall in love with the city, especially since Paolo, a handsome musician from her past, is also calling New York home for the summer. As the weeks wind down and the competition with Sabrina heats up, Tilly's future is on the line. She must decide whether to follow her mother's dream of college or leap into the unknown to pursue her own dreams. A modern take inspired by Little Red Riding Hood, Everywhere You Want to Be features: A strong, charismatic female lead; soft boy love interest; mean girl antagonist A clean and wholesome romance, and passionate career choice Tie-in with Christina June’s It Started With Goodbye, and No Place Like Here Perfect for fans of Elise Bryant, Morgan Matson, and Sarah Dessen

A moving story of family and a life-long love affair in 1950s London, from the New York Times bestselling author of The House at Tyneford. London, 1958. It's the eve of the sexual revolution, but in Juliet Montague's conservative Jewish community where only men can divorce women, she ­finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that's all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a life-long love affair.

Magical realism can lay claim to being one of most recognizable genres of prose writing. It mingles the probable and improbable, the real and the fantastic, and it provided the late-twentieth century novel with an infusion of creative energy in Latin America, Africa, Asia, and beyond. Writers such as Alejo Carpentier, Gabriel García Márquez, Isabel Allende, Salman Rushdie, Ben Okri, and many others harnessed the resources of narrative realism to the representation of folklore, belief, and fantasy. This book sheds new light on magical realism, exploring in detail its global origins and development. It offers new perspectives of the history of the ideas behind this literary tradition, including magic, realism, otherness, primitivism, ethnography, indigeneity, and space and time.

The Things of Life is a social and cultural history of material objects and spaces during the late socialist era. It traces the biographies of Soviet things, examining how the material world of the late Soviet period influenced Soviet people's gender roles, habitual choices, social trajectories, and imaginary aspirations. Instead of seeing political structures and discursive frameworks as the only mechanisms for shaping Soviet citizens, Alexey Golubev explores how Soviet people used objects and spaces to substantiate their individual and collective selves. In doing so, Golubev rediscovers what helped Soviet citizens make sense of their selves and the world around them, ranging from space rockets and model aircraft to heritage buildings, and from home gyms to the hallways and basements of post-Stalinist housing. Through these various materialist fascinations, The Things of Life considers the ways in which many Soviet people subverted the efforts of the Communist regime to transform them into a rationally organized, disciplined, and easily controllable community. Golubev argues that late Soviet materiality had an immense impact on the organization of the Soviet historical and spatial imagination. His approach also makes clear the ways in which the Soviet self was an integral part of the global experience of modernity rather than simply an outcome of Communist propaganda. Through its focus on materiality and personhood, The Things of Life expands our understanding of what made Soviet people and society "Soviet."

A collection of biographical information about outstanding women in American history.

Nina is dead and must make amends. In life she refused to use her unique ability to see whether a soul ascends to Heaven or descends into Hell. Now, as a guide through the Passage between the living and the dead, she steers departing souls to Purgatory. But peace is hard to come by, even in the afterlife. Good and evil are fighting for control over the Passage--and Nina is determined not to let Hell take over. Roman breaks the dead guy rules. With his devilish charm and angelic looks, the newly-dead Roman can rally souls to fight—but on which side? His new Soul Retrieval Unit sounds like a good idea, but even in death, temptation lures Nina farther from salvation . . . or is she choosing Heaven by placing her soul in her lover's care?

A women's thriller about the search for the ancient lost origins of honor killing and the divine feminine in the Arab world.

*Don't miss the searing, dazzling and unforgettable new novel from the Women's Prize longlisted author of CARELESS - pre-order now!* 'Every word has the touch of a genius' BENJAMIN ZEPHANIAH 'A pin-sharp, propulsive story' KIRAN MILLWOOD HARGRAVE 'Bold, brilliant, shocking and shattering' CHRIS WHITAKER Everyone has heard of Girls. But what happened to the women they became? At the time of her death, the press wrote many things about Ingrid Olssen: She was a brilliant artist. She was a terrible mother to her girls, Mattie and Nora. And that her legacy would live on forever. Even so, it's unlikely the world will ever see another Ingrid Olssen exhibition - her last request to her daughters was to throw her ashes in the canyon and her paintings in the sea. But as Mattie and Nora reluctantly embark on an all-or-nothing trip to fulfil her wishes, they start to unpick the painful scars of their past. And soon they begin to realise that the ties that bound them, might also break them... Perfect for fans of Sorrow and Bliss by Meg Mason and Daisy Jones and the Six by Taylor Jenkins Reid. GIRLS is as devastating as it is hilarious, as tender and moving as it is shocking - this is a book that will stay with you long after you have turned the final pages. ** EARLY PRAISE FOR GIRLS ** 'I knew I'd love GIRLS and I did, but I'm also utterly devastated by it. What a beautiful, rich, expansive novel. It'll be a while before I stop crying. Thank you a million times over' JENNIE GODFREY 'I can't think when I last encountered a story world of this depth and faultless plausibility. Everything about it was perfect: intricate; warm; uncluttered. Blimey, I wish I'd written it' ANSTEY HARRIS 'An extraordinary writer of lives rarely written about [...] in words that are wise, warm, painful and often witty' DALJIT NAGRA 'Phenomenal. I loved it.' KATE SAWYER 'Surprising, heart-breaking and dryly funny, Kirsty Capes is such an exciting talent.' CAROLINE HULSE 'GIRLS puts a lens to the awful things sisters do to one another and the absolute life-changing necessity of a sister's forgiveness.' ABIGAIL BERGSTROM 'Ambitious in form and scope, it covers childhood trauma, art and celebrity culture, the unfathomable bond between sisters, and much more' ELISSA SOAVE 'Unmissable, bold and moving. This is Capes' best novel yet.' SARA JAFARI 'Thoughtful and deeply human, Girls is a masterful take on family at its most complicated' PHOENICIA ROGERSON 'Phenomenal. GIRLS made me laugh, cry, and gave me all the feels in between. I'll be thinking about these characters for a very long time' LISA HALL 'Wonderful, wonderful storytelling and unforgettable characters' SARA NISHA ADAMS