The First To Lie

USA TODAY BESTSELLER! Bestselling and award-winning author and investigative reporter Hank Phillippi Ryan delivers another twisty, thrilling, cat and mouse novel of suspense that will have you guessing, and second-guessing, and then gasping with surprise. We all have our reasons for being who we are—but what if being someone else could get you what you want? After a devastating betrayal, a young woman sets off on an obsessive path to justice, no matter what dark family secrets are revealed. What she doesn’t know is that she isn’t the only one plotting her revenge. An affluent daughter of privilege. A glamorous manipulative wannabe. A determined reporter, in too deep. A grieving widow who must choose her new reality. Who will be the first to lie? And when the stakes are life and death, do a few lies really matter? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

An e-original short story that sets the stage for bestselling author Diane Chamberlain's novel Necessary Lies (September 2013). The First Lie gives readers an early glimpse into the life of thirteen-year-old Ivy Hart. It's 1958 in rural North Carolina, where Ivy lives with her grandmother and sister on a tobacco farm. As tenant farmers, Ivy and her family don't have much freedom, though she and her best friend, Henry, often sneak away in search of adventure...and their truest selves. But life on the farm takes a turn when Ivy's teenage sister gives birth—all the while maintaining her silence about the baby's father. Soon Ivy finds herself navigating the space between adolescence and adulthood as she tries to unravel a dark web of family secrets and make sense of her ever-evolving life in the segregated South. Advance praise for Diane Chamberlain's Necessary Lies: "It will steal your heart."—Katrina Kittle, author of The Blessings of the Animals "An emotional powerhouse." —Mary Alice Monroe, New York Times bestselling author of Beach House Memories "Enthralling...[it] transfixed me from the very first pages, and its vivid and sympathetic characters haunted me long after the last."—Christina Schwarz, New York Times bestselling author of Drowning Ruth

Paul comes home, and finds a man dead on the floor. His wife stands above him, clutching a letter opener, blood running down her arm. She swears the man was going to kill her - and Paul believes her. Or so he says. It might be because Paul is a lawyer - imminently expecting the call to become a Circuit Judge - and he knows how a case like this will be handled. Not only in the media, but in the courtroom. And he can't let his wife be sent to prison for manslaughter - or watch his own career go down the drain. So, together, the make a choice. The same choice any couple who love each other would make. They dispose of the body. They clean the house, inch by inch, and pretend this never happened. But try as you might to hide it, murder has a way of making itself known.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Do the nation's highest officers, including the President, have a right to lie protected by the First Amendment? If not, what can be done to protect the nation under this threat? This book explores the various options.

Chris Brennan is applying for a job as a high school government teacher, ready to step in as an assistant baseball coach, and his references are impeccable -- but everything about him is a lie. Widow Susan Sematov is proud of her son Raz, a high school pitcher being recruited for a full-ride scholarship to a Division I college. Heather Larkin is a struggling single mother who lives for her son Jordan's baseball games. Mindy Kostis fills her days with social events and too many gin and tonics, unaware her husband and her son, Evan, are hiding secrets that might destroy all of them.

In a gripping novel set in present-day England under a Nazi regime, a sheltered teen questions what it means to be “good” — and how far she’s willing to go to break the rules. Nazi England, 2014. Jessika Keller is a good girl — a champion ice skater, model student of the Bund Deutscher Mädel, and dutiful daughter of the Greater German Reich. Her best friend, Clementine, is not so submissive. Passionately different, Clem is outspoken, dangerous, and radical. And the regime has noticed. Jess cannot keep both her perfect life and her dearest friend, her first love. But which can she live without? Haunting, intricate, and unforgettable, The Big Lie unflinchingly interrogates perceptions of revolution, feminism, sexuality, and protest. Back matter includes historical notes from the author discussing her reasons for writing an “alt-history” story and the power of speculative fiction.

“[A] richly atmospheric tale. You can imagine Hitchcock curling up with this one.” —USA Today Author Hallie Ephron’s fast paced and disturbingly creepy Never Tell a Lie is a page-turning thrill ride that maestro Alfred Hitchcock would have been proud to call his own. A descent into gripping suburban terror, this stunner by the Ellen Nehr Award-winning mystery reviewer for the Boston Globe has been called “a snaky, unsettling tale of psychological suspense” by the Seattle Times. Fans of Mary Higgins Clark, Harlan Coben, and classic gothic mystery will adore this supremely suspenseful and consistently surprising story of a yard sale gone terribly wrong.

“A stunning portrayal of platonic love, the forces that push people apart, and the pains of growing out into the world. The plot unravels slowly, woven in beautiful prose.” — Kirkus Reviews “Miller’s style is languid and portentous...This is for readers who enjoy poetic, character-driven fiction and don’t mind some gauziness to their grit.” — Booklist Praise for LITTLE WRECKS: “Darkly atmospheric and brutally honest, LITTLE WRECKS depicts girls becoming women in a society that devalues both.” — Mindy McGinnis, author of FEMALE OF THE SPECIES Praise for LITTLE WRECKS: “Darkly thought–provoking reflections on modern gender politics.” — Kirkus Reviews Praise for LITTLE WRECKS: “Readers who adore lyrical, character driven fiction with a gritty edge will find plenty to love here.” — Booklist

'They always tell you that you shouldn't tell lies, but without lies I'd already be in an orphanage. This, in any case, is my first true lie' Luca and his mum are like two peas in a pod in their special, fragile world. Then, one winter morning his mother doesn't wake up. Luca suddenly finds himself alone for the first time. Terrified of what telling the truth might bring, he decides to keep the biggest secret of his life. Luca goes along to school every day, pretending everything is as it always has been. But he returns home every night to a cold, dark house. So he begins to build a protective bubble with the memories of his mother, the words and stories he so loves - and his cat Blue - against the truth on the other side of the bedroom door.