The Epic Of Hang Tuah

"Ho Ying Chan provides an expert analysis of Malaysia–Indonesia relations. He demystifies the concept of a 'special relationship', rescuing it from woolly, sentimental rhetoric that often emanates from political figures and popular commentators. His well-informed study shows how a state’s will to survive in the amoral world of international relations drives its conduct even in circumstances of common identities and common strategic interests with other states. He evaluates comparative evidence to shed light on how a special relationship leads to the emergence of a pluralistic security community. This is a conclusion of insight and value, not only to the field of Southeast Asian Studies, but also to the wider community of International Relations scholars." — Professor Clinton Fernandes, University of New South Wales, Australia "Empirically rich and theoretically interesting, this book offers an illuminating account of how material and ideational dynamics shape the evolution of Malaysia–Indonesia relations. Focusing on what is arguably the most vital bilateral relationship in Southeast Asia, it addresses the circumstances, conditions and constraints that determine the double-edged effects of the culturally bound 'special relationship'. Ho Ying Chan argues that while their shared serumpun identities and strategic interests do give rise to a considerable closeness between Malaysia and Indonesia, the politics of power (im)balance have prevented the transformation of the special relationship into a 'pluralistic security community', as their egoistic understanding averts the formation of collective self. The book generates useful insights on the interplay of cross-border cultural affinity and political necessity, inviting readers to ponder the politics of identity and survivability at the international level. It is a welcome addition to the growing literature of Southeast Asian international relations." — Dr Kuik Cheng-Chwee, National University of Malaysia (UKM) "Ho Ying Chan’s important study brings home the international and theoretical significance of the interaction between Malaysia and Indonesia, the two major states of Muslim Southeast Asia — products of the territorial division between the British and Dutch colonial empires. This welcome and revealing review of the Malaysia–Indonesia story deepens our understanding of the concept of a 'special relationship' — explaining both the cooperative and competitive dynamics that can be present, and the way such relationships are influenced by state identities and power imbalances." — Anthony Milner, University of Malaya; University of Melbourne

The golden age of Malay film in the 1950s and 1960s was the product of a musical and cultural cosmopolitanism in the service of a nation-making process based on ideas of Malay ethnonationalism, initially fluid, increasingly homogenised over time. The commercial films of the period, and in particular their film music, from national cultural icons P. Ramlee and Zubir Said, remain important reference points for Malaysia and Singapore to this day. This is the first in-depth study of the film music of the period. It brings together ethnomusicological and cultural studies perspectives. Written in an engaging manner, thoroughly illustrated and incorporating musical scores, the book will appeal to dedicated film fans, musicians, composers and film-makers interested in Southeast Asia and the Malay world. But equally, the conceptual framework will be of interest to a broad range of scholars of Southeast Asia, as it brings together ideas of cosmopolitanism and cultural intimacy to narrate a history of nation-making in the region.

Dalam sastera Melayu, tiada sebuah hikayat pun yang cuba atau berjaya melukis jiwa bangsa Melayu secara menyeluruh seperti Hikayat Hang Tuah. Jiwa ini terbelah, terseksa dan dirundung perbalahan yang tidak pernah selesai. Nilai-nilai dipertentangkan – di antara kesetiaan tanpa soalan dan perlawanan yang ingin menyatakan bantahan terhadap raja yang zalim.

This book traces connections in pre-modern Asia by looking at different worlds across geography, history and society. It examines how regions were connected by people, families, trade and politics as well as how they were maintained and remembered. The volume analyses these intersections of memory and narrative, of people and places and the routes that took people to these places, using a variety of sources. It also studies whether these intersections remain in later and present times, and their larger impact on our understanding of history. The narratives cover several journeys drawn from archaeology, texts and cultural imagination: trade routes, marts, fairs, forts, religious pilgrimages, inscriptions, calligraphy and coinages spanning diverse regions, including India–Tibet–British forays, India–Malay intersections, corporate enterprise in the Indian Ocean, impacts of slave trade in Southeast Asia shaped by the Dutch East India company, movements and migrations around Indo-Iranian borderlands and those in western and southern India. The book will greatly interest scholars and researchers of history and archaeology, cultural studies and literature.

Twenty-three years of joint endeavors and extensive field collecting of the narratives referred to in the present volume have resulted in the availability of a multimedia archive of Philippine epics, ballads and rituals both at the Pardo de Tavera collection of the Rizal Library, Ateneo de Manila University, and online. The linguists, anthropologists, and ethno-musicologists who have contributed to this book have long been conscious of the close links between ‘Intangible Heritage’ and ‘Tangible Heritage’. In the Philippines, sung narratives have been recorded in situ (through both audio and audio-video media), transcribed, translated, digitized, and analyzed by scholars and knowledgeable persons from fifteen cultural communities in the islands of Luzon, Panay, Palawan, Mindanao, Sulu, and Tawi-Tawi. Meanwhile, other scholars have dedicated their lifelong research to the Mergui Archipelago, central Sulawesi, southwest Maluku, and East Timor. Emerging from international collaboration, the scholarship provided here seeks not only to safeguard and comprehend the uniqueness and evolving beauty of ancient sung narratives that are currently performed in the islands of Southeast Asia, but also to defend their vitality in today’s changing world. This collection of twelve essays is the most recent achievement of ongoing studies of performances by singers of tales and ritualists in contemporary socio-cultural contexts by means of pioneering initiatives in the Digital Humanities, multiple analytical approaches and expert use of our growing technical capacity to safeguard and explore Intangible Heritage.