The Cultural Heritage Of Ladakh

Ladakh, A Region Isolated For Centuries, Has Unique, Exclusive And Rich Cultural Base. This Magnificently Illustrated Book Provides A Comprehensive Account Of The Architectural Heritage Of This Unparalaled Landscape.

PART-I 1. Village Dictionary of Ladakh 2. Dards: An Indo Aryan Race in Ladakh 3. Khalatse: A Village of Dards 4. Stag Rimo Gonpa (Tib. stag rima dgon-pa) 5. Buddhist Engraved Images in Ladakh 6. Spituk Monastery 7. Dorje Chenmo Lhakhang in Shey Village 8. Rangdum Gonpa (Tib. rang-ldurn-bshad grub zamling gyan) of Zanskar 9. Yarma - Gonpo Monastery 10. Likir A Geluk - pa Monastery in Ladakh 11. Royal Palaces in Ladakh 12. Sengge N amgyal: A Great Protector of Ladakhi Buddlist Culture 13. Pt. Rahul Sanskrit yayan's is views about Ladakhi Culture 14. Tibetan Inscriptions near Dorje Chenmo Chokhang Shey PART-II 15. Ruthok Lhuvduh Chasling Gonpa 16. Karma Dupgyud Choeling Gonpa 17. H.E. Chosje Togdan Rinpoche: A Head Lama of Ladakh and his Photang 18. Theghchen Chosling (Tib. ltheg Che Chos gling) Monastery 19. Thuptan Donag Shedup Choskhorling 20. Some Buddhist Monuments in Chushod Village, Leh-Ladakh 21. History of Lamayuru Monastery during 1834-40 22. Tibetan Inscriptions on the Walls Inside the Temples of Alchi Choskhor during 11th and 16th Century AD. Bibliography Index

This is the first book to combine essays on the history and ongoing production of art in Ladakh and to recognize both Buddhist and Islamic contributions to the cultural environment. Drawing on recent research in the region, Ladakh: Cultu re at the Crossroads covers subjects ranging from the analysis of key sites and prominent

Ladakh was an independent western Tibetan kingdom until 1834. Having been closed to outsiders for many years, the authors were the first to enter the country. This work aims to be a testament to the richness and vigour of the Ladakh religion, culture and history. Ladakh existed as an independent western Tibetan kingdom until 1834, when it was taken by the rulers of Jammu and Kashmir. To this date it continues to be one the the few places where Tibetan Buddhism, culture and way of life have continued to flourish unimpeded and uncorrupted. Having been closed to outsiders

Art and Architecture in Ladakh shows how the region’s cultural development has been influenced by its location across the great communications routes linking India with Tibet and Central Asia. Edited by Erberto Lo Bue and John Bray, the collection contains 17 research papers by experienced international art historians and architectural conservationists, as well as emerging scholars from Ladakh itself. Their topics range widely over time, from prehistoric rock art to mediaeval Buddhist stupas and wall paintings, as well as early modern castle architecture, the inter-regional trade in silk brocades, and the challenges of 21st century conservation. Taken together, these studies complement each other to provide a detailed view of Ladakh’s varied cultural inheritance in the light of the latest research. Contributors include: Monisha Ahmed, Marjo Alafouzo, André Alexander, Chiara Bellini, Kristin Blancke, John Bray, Laurianne Bruneau, Andreas Catanese, Philip Denwood, Quentin Devers, Phuntsog Dorjay, Hubert Feiglstorfer, John Harrison, Neil and Kath Howard, Gerald Kozicz, Erberto Lo Bue, Filippo Lunardo, Kacho Mumtaz Ali Khan, Heinrich Poell, Tashi Ldawa Thsangspa and Martin Vernier.

Articles.