The Creed As Symbol

From its probable beginnings as an interrogatory creed for catechumens to its current place in the Sunday liturgy, the Apostoles' Creed has played an integral role in the sacraments of the church. The symbol of faith, as it was called by generations of Christians, was not only a vehicle of orthodox instruction but a profession of faith of profound beauty and meaning to be memorized and pondered for a lifetime. It is this Creed, a lasting achievement of the Christian tradition that Nicholas Ayo, C.S.C., presents to the general reader in The Creed as Symbol. A meditative yet thought-provoking study, this volume presents the Apostles' Creed as more than a basic confession of faith but as a symbol/metaphor of the mystery of God. Ayo holds that the Apostles' Creed is a sacred poem, an ancient psalm, holy and beautiful in its form as well as in its content. Basic literary criticism and linguistics are used to explicate the figurative body of the Creed--its words--as well as the theological meditation of its soul--the mysteries it seeks to teach. And as Ayo balances the study of the medium with the message, he does so with the conviction that the two are inextricably linked together and can never be separated. Ayo divides the Apostoles' Creed into its 12 historically recognized articles, each with its own chapter. In addition to his introduction, Ayo has included a brief history of the Creed's formation, a full summary of the ideas covered, an appendix containing differing versions of the Creed, a bibliography, and complete notes. This work is an ideal companion piece to any student religious text or standing alone, as a parish renewal source book or primary text for catechumens. The Creed as Symbol will enrich anyone's understanding of the Creed, the perennial and core doctrine of Christianity.

Why were the early Christians willing to die to protect a single iota of the creed? Why have the Judeans, Romans, and Persians—among others—seen the Christian creed as a threat to the established social order? In The Creed: Professing the Faith Through the Ages, bestselling author Dr. Scott Hahn recovers and conveys the creed’s revolutionary character. Tracing the development of the first formulations of faith in the early Church through later ecumenical councils, The Creed tells the story of how the very profession of our belief in Christ fashions us for heavenly life as we live out our earthly days.

Augustine, the man with upturned eye, with pen in the left hand, and a burning heart in the right (as he is usually represented), is a philosophical and theological genius of the first order, towering like a pyramid above his age, and looking down commandingly upon succeeding centuries. He had a mind uncommonly fertile and deep, bold and soaring; and with it, what is better, a heart full of Christian love and humility. He stands of right by the side of the greatest philosophers of antiquity and of modern times. We meet him alike on the broad highways and the narrow footpaths, on the giddy Alpine heights and in the awful depths of speculation, wherever philosophical thinkers before him or after him have trod. As a theologian he is facile princeps, at least surpassed by no church father, schoolman, or reformer. With royal munificence he scattered ideas in passing, which have set in mighty motion other lands and later times. He combined the creative power of Tertullian with the churchly spirit of Cyprian, the speculative intellect of the Greek church with the practical tact of the Latin. He was a Christian philosopher and a philosophical theologian to the full.